Can you believe Summer Camp 2013 is ONLY 44 days away? What do you think of the lineup the crew put together this year? Pretty amazeballs if you ask me. The festival mainstays of moe. & Umphrey’s are again front and center holding down headlining spots. But they share some pretty rarified company! The Wood Brothers and The Wailers were late adds that pleased many a camper. The only thing left to figure out is where everyone will be slotted with other great acts like Trey, Thievery Corporation, STS9, Avett Brothers, and YMSB.
I caught Thievery’s NYE show out in Vail as the ball dropped and we rang in 2013 at Dobson Ice Arena. Their mix of house electronic beats along side a live band with amazing female and male vocalists has been heard around the DC area for years. I’m thinking that the late night set with ZEDS DEAD is going to easily rival last years by Pretty Lights. Be sure to get your tickets to the RED BARN late nights while you still can. If not don’t worry they’ll have another set placed strategically throughout the awesome weekend at Three Sisters Park.
What sort of collaborations will we see this year at Camp? Will Trey get down with moe.? Will Yonder and Cornmeal team up? These are the questions that get people excited, and with 44 DAYS to go…let your imagination run wild.
Speaking of who is bringing rage sticks or totems this year? Last year saw some pretty unique creations, and I for one am gonna be scouting for the famous “STOP & GET DOWN” sign along with a host of others. I may give out prizes so be on the lookout for me and when you do see me throw up your best “rage face” for the picture.
I’m really thankful that this year i’ll have time in addition to covering the festival to hang with my band pals Family Groove Company, Old Shoe, Henhouse Prowlers, Afternoon Moon, Chicago Farmer, The Giving Tree Band, The Ragbirds, and Zmick. Friends are what makes the festival experience that much more special and its been almost a year since I hung out with my fellow CIT friends and Camp Counselor from last year. That’s a year TOO long for sure.
Let’s see besides seeing Widespread Panic this weekend at UIC. I’m heading out west on tour with Old Shoe as they play a few Colorado dates at the end of April. If you are around Fort Collins (4/17), Steamboat Springs (4/18), Denver (4/19), or Nederland (4/20) make sure you look up where they are playing on that Facebook thing and get on down to check them out pre SC2013! I’ll even share a tasty local beverage with you (if you are of age of course). Until we meet again at Camp keep your eyes peeled for the schedule and when its released start planning your romp through Three Sisters cause a good time starts with a good plan!
Inspiration takes many forms. What motivates one musician may tire and bore the next. While Lera Lynn and the Wood Brothers primary motivator surely is bringing heartfelt music to the masses, one thing they also share is a healthy obsession with whiskey. Whether the Lion’s Pride Rye helped whet the whistle of Ms. Lynn, or let’s Chris perform his interpretive dance moves any easier is for the audience to judge. However, a few things were laid on the line the day after Halloween when they played Chicago’s Lincoln Hall. Foremost, these performers formed for a 8 night tour in November a symbiotic relationship nary seen these days on a bill. They seemed to feed off the energy and genuine good nature which made what went down all that more special for those in attendance.
Lera Lynn set list: Happy Ever After, Comin’ Down,I’m Your Fool,Refrain,The Frey,Fly,You & Me Alone, Bobby, Baby, Standing on the Moon
Lera Lynn, the darling from Athens, GA can play her custom converted ’57 Kay acoustic like she sold a piece of her soul to a fiddle playing Beelzebub. Her slender frame hides a powerful voice that carried over the hushed crowd of four hundred respectful Chicagoan’s. There were no catcall’s, only appreciation for a throwback to a different era. One that is undoubtedly popular, but increasing removed from the radio scene which is a shame. June Carter, Patsy Cline, Lera Lynn? She is that talented and at the same time bashfully humble. She jested to the crowd what a treat it was to play with the Brothers Wood due to their unknowing grandeur and renown. Modest to a fault she sings about feelings larger than herself, but that have touched her profoundly in her short time on earth. The good one’s can pull a lyric from a simple chord much like a wizard in a Potter movie pulls a memory from the ear of a student at Hogwart’s.
Rocking back in forth in her high heeled boots and knee length dress she is comfortable engaging people and letting them see a glimpse. It could be the drinks ordered from her adoring fans sent stage side that loosens her lips, but she quickly finds a melody and like her journey to date elevates to echelons normally not expected to be heard from a potty mouthed bourbon drinking southerner. Yes, she curses like a sailor but where it could be thought crass on some for some reason it isn’t this night. The dichotomy in stage presence and song penmanship aside the women has a way about her and captures the ear and eye of all in the room as they gaze at a concoction of sassy sweet and sultry sounds. The name of her recent album “Have You Met Lera Lynn?” begs a worthy question. If not I suspect you will soon. Her cracked rear view mirror isn’t as omnipotent as Hootie’s, but her busted front windshield and tour with the Wood Brothers should make her a household name soon enough.
Wood Brothers set list: Sing About It, Up Above My Head, Atlas, Pay Attention, Twisted, Neon, Postcards From Hell, Spirit, Honey Jar, Fox On The Run, I Got Loaded, Mary Anna, One More Day, Glad, Down, Shoofly Pie. E: Luckiest Man, PYT (w/ Lera Lynn)
The Wood Brothers, Chris and Oliver, brought their soulful sibling harmonization as well as their shiutar player, Jano Rix, to the friendly confines of Lincoln Hall for the night. Although they now call New York and Atlanta their respective home these days their roots as well as instrumentation track back to growing up in Boulder. Bluesy folk goodness emanates from Chris’ upright bass as he tells the crowd that Chicago truly is his favorite town. There is Oliver jesting “there he goes”, but there’s an tone of honesty in his voice just like the music that makes even the most skeptical mind believe.
On “Postcards from Hell” lyrics tell of a bluesman who won’t flinch in the eye of temptation and plays his music for the necessities in life and sheer desire. The song epitomizes what I can only believe was a man the brothers came across in the travels and found in him a kindred spirit to which they could relate.
“You never heard a soul so pure and true
It’s flowin’ right out of his hands
He can sing sweet as a choir girl
Or he can sing a house on fire
I’ve seen him callin’ up the angels
And use a breeze for a telephone wire”
If the brothers are the personification of whiskey drinking angels then its the perfect juxtaposition to the openers “cursory” notes. Although you know its not as easy as it seems the chord progressions and time changes effortlessly synch perfectly like the brothers knew they were meant to travel the land spreading good music throughout.
If your faith is still undetermined then Oliver has some advice for you…give it “One More Day”. It’s during this ditty that he and Chris let loose during a solo portion and let the music take them as they take turns using their bass and guitar respectfully as dance partners. Chris straddles his upright as Oliver takes a solo and crouches down like the music is in his gut trying to get out and find a good home.
It’s clear that this is their congregation. During the encore they bring out a cover of ”Pretty Young Thing” performed aptly with the backing vocals of Lera Lynn complete with whiskey in tow. When these brothers were young they were prodigies in the company of mentors. Now that they are settling into life, but still young at heart, its apparent that like fine whiskey their music is getting better with age.
I took on a full day of music last Sunday with Leftover Salmon’s Aquatic Hitchhiker Release in Denver and trip back to Mishawaka for The Wood Brothers supported by Paper Bird. This year Leftover Salmon is making their triumphant return to Summer Camp and last year’s fest was my first time enjoying the music of The Wood Brothers. Here is my write up of my experience.
Leftover Salmon on Santa Fe
Over five months in the making, Leftover Salmon threw a massive party in the streets of Denver in honor of the release of Aquatic Hitchhiker. Their first album in eight years is certainly reason to celebrate, and 9,000 or so of their closest friends made the trip down to the 700 block of South Santa Fe to do just that. The setup can only be described excellent. Taking up the entire road with a beer garden and food vendors set up in an adjacent parking lot. I got in early and headed to the photo pit. They opened with a truly appropriate “Ants In My Pants.” Here is the setlist.
SET I: Ants In My Pants, Gold Hill Line, Zombie Jamboree, Stop All Your Worrying, That Was Your Mother, Doin’ My Time, Gone For Long, Aquatic Hitchhiker, Liza, Gulf of Mexico, Kentucky Skies, This Is The Time, Up On The Hill Where They Do The Boogie
SET II: On The Other Side, Keep Driving, 420 Polka, Light Behind The Rain, Down In The Hollow, Sing Up To The Moon, Bayou Town, Breakin’ Thru, See The Mornin’ Sun, Walking Shoes, Get Me Outta This City, Pasta On The Mountain, Here Comes The Night, Euphoria
ENCORE: I Don’t Know You, River’s Rising
Thanks to Corey at Kind Recordings for posting the recording on Archive, you can listen to it HERE.
The show began with some seriously classic Salmon including “Gold Hill Line” and “Zombie Jamboree.” Through the course of the show they managed to break out the majority of the track list from Aquatic Hitchhiker. I would go so far as to say it was the perfect balance between old and new. They finally got into the tracks from the new album with “Stop All Your Worrying,” and let me tell you the fresh Salmon tastes delicious. They dedicated “That Was Your Mother,” to all the moms in the audience given the fact that it was Mother’s Day.
“I sure do love bluegrass…. Play some of that spacegrass.” – Vince Herman
The next stretch was all new tunes showcasing how hard they worked on the new CD and how far they’ve come in a short 22 years. They closed the first set with a pair of classics including “This Is The Time,” which felt like a true assertion and “Up On the Hill Where They Do The Boogie.” I can’t think of any other band right now that would put on a show like this for their fans free of charge. Phish is not bringing all their followers to Burlington for a show like this. Leftover Salmon absolutely busted their ass to make this happen. They did not do this not to sell albums, which were being sold at the discounted rate of ten bucks. They did it because they are truly happy with where they are right now and they wanted to give back to their base. Leftover Salmon has experienced so much over the past two decades and many other bands in the same position would have fallen by the wayside. However they persevere because of a promise to Mark Vann and also because they truly love performing live. Unfortunately I had to hit the road back to Mishawaka after the first set. However given their presentation during set one I look forward to a new era of Salmon. It is officially Leftover 2.0. It is obvious they are back in a big way and with this amazing performance on Santa Fe, they proved that now is the time.
The Wood Brothers with Paper Bird
The Wood Brother with Paper Bird at Mishawaka
After the nonstop roller coaster of a weekend, a nice quiet evening at the Mish to close out their opening weekend was just what the doctor ordered. I raced back up from Leftover Salmon in Denver and got there in time to catch Paper Bird. Made up of Sarah Anderson, sisters Guinevere Patterson, and Esme Patterson, with Caleb Summeril, Paul DeHaven, Macon Terry, and Mark Anderson. The three ladies front the band and have a playful banter they toss around between songs. Their acoustic style was both relaxed and delightful. Drifting into elements of indie and bluegrass Paper Bird was a truly unique experience. They played a nice set of music and were a good fit as a Front Range opener for The Wood Brothers.
During setbreak I got a chance to grab some food off the new menu. I have to say that this is just one more of the improvements I’ve seen at Mishawaka over the last two years. The cooking was excellent with some higher-level fare as well as some affordable choices.
The Wood Brothers are quickly becoming a favorite of mine to see live. Their down to earth style is so approachable and intriguing, it’s hard not to be quickly enamored with this group. Combining the talents of brothers Chris and Oliver Wood, at times it feels like you are sitting on the front porch of the Wood home listening to two siblings play for their friends and family.
SET I: Stealin’, When I Was Young, Lovin’ Arms, Mary Anna, Where My Baby Might Be, Stumbled In, Postcards From Hell, Spirit, Shoofly Pie, Angel Band, Liza Jane, Midnight Rider, Chocolate On My Tongue, Luckiest Man, Honey Jar, Glad,
The almost two hour set was a great demonstration of what The Wood Brothers are capable of. Their take on Americana and acoustic instrumentation gives me faith in the quality of new music. Highlights from their show included an awesome “Postcards From Hell” and a tight “Luckiest Man.” Chris Wood known for his intrepid jazz licks in Medeski Martin & Wood is transformed into a folk luminary. Oliver is a fine picker with a twang in his voice that lends a certain authenticity to their sound. After seeing their performance at Summer Camp last year I knew I would be happy to make it up the canyon for this show. The concert ended before 9:30 PM, which is usually the case for Sunday shows at Mishawaka.