With the departure of Vince Herman to greener pastures in Oregon, the region has experienced a deficit in the random acts of music he would regularly bestow upon our community. He was a regular fixture in Ned, his former home, and down on The Front Range. It would be difficult not to find Vince Herman playing somewhere on any given weekend in Colorado. Now Vince is a commodity, so I made it point to head down to see Great American Taxi at the Aggie Theater. As fate would have it they were recording the entire run for an upcoming live album.
Up first were Bonnie And The Clydes, a six-piece country and rock outfit lead by Miss Bonnie Sims. They opened with “Dear Departed.”
Set 1: Dear Departed, My Love Will Keep, Lonely Love, Eye To Eye, Storm On Its Way, Rocky Mountain Town, Waltz For The Seasons, LA County, Man In Me, Darkside, Still House, Ophelia, Hold On Me
Relatively new to scene, Bonnie And The Clydes are an interesting addition to the already bountiful music of the Front Range. They are lead by firecracker Bonnie Sims, who belts it out as well as she plays a six string. She is flanked by a full band consisting of her husband Taylor Sims on electric guitar, Nancy Steinberger on fiddle, Michael Schenkleberg on bass, Chris Ramey on pedal steel, and Damon Smith on drums. Their renditions of Dylan’s “Man In Me” and The Band’s “Ophelia were spot on and really got the crowd moving. They had a rowdy tone that was a perfect fit for Great American Taxi.
Great American Taxi is the side project of Leftover Salmon front man Vince Herman. He has assembled an incredible lineup of musicians to fill out his group. In addition to Vince Taxi is Chad Staehly on keys, Jim Lewin on guitar, Brian Adams on bass, and Chris Sheldon on drums. They really seemed to have gelled since I saw them last summer. This show being part of the Snowball Tour it was the first time Vince has made it back since moving out of state. Honestly, it could have gone either way. They opened with their original “Standing All Alone.”
Set 1:Standing All Alone, Appalachian Soul, New Millennium Blues, Linning Track, Penny Arcade, Jack London, Twilight, Swamp Song, Going To Brownsville, Tough Job, Angel Dust, Poor House, Coming Home To You, Travlin’ Man, West L.A. Fadeaway, Little Liza Jane, Dirty Old Town, Instrumental, Reckless Habits, Cold Lonely Town, Great American Taxi, When I Die, Ain’t Gonna Work Tomorrow
Encore: Good Night To Boogie
For a Taxi fan this show has absolutely everything you could want in a live show. Their mix of bluegrass, Americana, and rock is so approachable it seems impossible not to have fun seeing them live. Songs like “Appalachian Soul” and “Poor House” address real issues in American society like the working conditions in the coal mining industry as well as the plight of the impoverished in this country. Great American Taxi really has evolved and it’s great to see them playing at this level. Their covers included everything from Leadbelly’s “Linning Track” to Ry Cooder’s “Going Down To Brownsville” to the Grateful Dead’s “West L.A. Fadeaway.” It really was a fun and musically eclectic night. They closed the set with their version of the Flatt & Scruggs classic “Aint Gonna Work Tomorrow.” Great American Taxi encored with “Good Night To Boogie.” With the departure of Vince to Portlandia it’s even more important for him to come back to the Front Range with memorable shows. That is exactly what Great American Taxi accomplished on their swing through the Aggie. With the live recording coming out, it will be awesome to get a greatest hits album from such a solid run
As we age in the scene, the generations change and the music evolves. Summer Camp seems to develop by leaps and bounds every year. With a lineup of over 100 musical acts offered they are constantly bringing in new groups and continuing to be an innovator in the festival scene. This year Jay Goldberg is bringing in Phish front man Trey Anastasio along with the regular cast of characters including moe., Umphrey’s McGee and so much more. As we approach the thirteenth Summer Camp it really feels like a whole new ballgame. Younger fans hopping on the bus, different styles of music all getting a chance on the array of stages, and additionally so many incredible events taking place all over the grounds throughout the four days beyond the music. They all combine to make Summer Camp one of the leading festivals in the country. As Summer Camp finds itself on the cusp of a new era, I found myself reflecting on the festival at a local show. On a recent frigid night out in Fort Collins I headed out to see Gipsy Moon.
Gipsy Moon represents a turning of the page for Americana and Gypsy Bluegrass. I’ve seen Silas Herman, son of famed front man and Summer Camp veteran Vince Herman, perform with Leftover Salmon several times. Gipsy Moon is his current foray into a touring band. Seeing the son of a musician that I admire so much, performing on his own is what got me thinking about the future of music and current state of affairs within the scene.
Gipsy Moon consists of multi-talented, multi-instrumentalists. Silas flanks live painter and singer, Mackenzie Page, who belts it out as well as she handles a paint brush. David Matters is a singer/songwriter who plays banjo as well as the guitar. Finally, Collin Huff holds it all down on bass. We arrived as Gipsy Moon was beginning their set at Avogadro’s Number. Avo’s is a series of three rooms divided by purpose. The first is a bar, the second is a quaint music venue, and the third is a restaurant. Inside the band performed for a small crowd already seated in the middle of the room. We came to find out the show was a bit of a homecoming for Page with many of her family and friends filling out the crowd. They opened up the night with “Ramblin’.”
Set One: Ramblin’, Little Maggie, Seven Seas, Autumn Leaves, The New Thing, Cowboy Vessel, Dark Eyes, Long Time Comin’, Away We Go, Trumpet and the Drum, Nocturnal, Swallow Tail Jig, Sweet Thing, Independence Day, Pensl-tucky, Angeline the Baker / Chinquipin Hunting, House of The Rising Sun, Hunger, Right Before The Dawn
The Gipsy Moon show was a mix of originals and traditional bluegrass style covers. They dub themselves “Gipsygrass” and their entire delivery had a free flowing style that was incredibly inviting. They each took turns at the microphone and mixed up the instrumentation often. Matters had a nice vocal range that harmonized nicely with Page who at times shook the room with her powerful delivery. Silas simply shredded the mandolin throughout the set even though he at times seemed to shy away from the spotlight. Covering everything from Russian and Irish folk songs to a smoking version of “House Of The Rising Sun” Gipsy Moon really demonstrated their range and ability. All in all it was a relaxing night of music with some talented musicians from Nederland. I foresee big things from this band; I hope they continue to venture down from the mountains to play for the masses on the Front Range. As I headed back home I was truly inspired by this new generation of musicians and it got me excited about Summer Camp this year. The art, music, and people will all be off the hook this year. I look forward to yet another amazing time in the heart of Illinois.
I headed down to Bohemian Nights on Sunday around 3 PM for Widow’s Bane. Widow’s Bane is not a Summer Camp band, but maybe they should be. For those that don’t know this self-proclaimed “Zombie-Death-Polka” band performs adorned in face paint and blood. Led by Mortimer Leech who was poisoned by his wife a few hundred years ago, The Widow’s Bane does not shy away form playing to the crowd. They invited a friend to serve cotton candy to the mass as they performed. They were the surprise of the festival, playing up their characters and making for an intriguing blend of rock, folk, and cowpunk.
The rest of my afternoon was filed with a pair of Summer Camp Alumni, Great American Taxi, and Kyle Hollingsworth Band. Both Vince and Kyle have had interesting positions at Summer Camp over the years. Vince Herman played the role of master of ceremony in 2006 and Kyle Hollingsworth lead a discussion on home brewing and sat in with Everyone Orchestra in 2011. I took my time heading back over to the Old Town Square Stage for Leftover Salmon side project Great American Taxi. It had been two years since GAT had played at Bohemian Nights and they definitely drew in the people. The highlight of their set was a beautiful rendition of “Silver Fiddle.” With Vince Herman at the reigns this band never disappoints.
I went to see a bit of Sunday headliners Gipsy Kings before ending the weekend at Kyle Hollingsworth Band. Kyle of The String Cheese Incident has assembled an all star side project including Garrett Sayers on bass and Dave Watts on kit. They played everything you would want to her from them including an epic set closing “Rosie.” I left the event happy to have covered it, and elated with how well it came off. It’s impossible to live in Fort Collins and not make it down for at least a day or two of Bohemian Nights. Even if you don’t like many of the bands there is always plenty to see and do. I took the opportunity this year to pick my very own 10-show weekend, which is easy to do given the fact that so many bands played the event. It was well run and a great time, now let’s see moe. headline a night next year. Thanks to the Bohemian Foundation and the Downtown Association for all the hard work.