After a brilliantly beautiful day a Summer Camp we woke up to overcast skies and a light drizzle. That sporadic rain would continue on and off throughout the day culminating with an absolute downpour during Umphrey’s first set. We’ll get to that. I began the day by stopping by the partner-hooping workshop put on by the Masquerade Tribe. This is just one of the many things happening all weekend long. From yoga to music and educational clinics so much is happening. In the nooks and crannies of this festival hides some the most amazing opportunities and experiences. Another such event is Field Day.
Field Day is an all out color war on the grounds of Three Sisters Park. Members of the Purple, Blue, Yellow, and Red team compete in a variety of activities including a Spelling Bee, Tug-O-War, Dodge Ball, a Photo Scavenger Hunt, and a Pizza Eating Contest. It’s a chance to blow off some steam and share some camaraderie with fellow scampers. Field day is competitive to say the least, but it’s all in good fun. This year the Red Team was victorious by one point with the rest of the teams tied in second place. Their name will again grace the Summer Camp Cup and their flag will fly high over the festival.
The bass workshop began in the Church around 12:30 PM featuring Victor Wooten and Reed Mathis. They began with a back and forth jam before answering questions from the attendees. These workshops often take the form dictated by their audience. It’s really a chance to pick the brains of some tremendous artists in a way that both musicians and fans can truly appreciate.
The rain continued to sprinkle so I sought shelter with Floodwood in the VIP Lounge. Last year’s unannounced set in there was a highlight for me, so honestly I wouldn’t have missed it. Floodwood is marketed as a moe. side project, however they are actually an Americana powerhouse in their own right. The band features Vinnie Amico and Al Schnier and truly these guys deserve their own headlining nationwide tour. This was the first of three sets Floodwood performed on Saturday at Summer Camp including a late night show at the Campfire Stage that went until around 5 AM. The most intriguing member is violinist Nick Piccininni who is pretty much self-taught and cleanly rips it up. They opened with “Stomp It,” which as its name would insinuate was a rowdy call to action for the crowd who was just beginning to dry out. They also played a wonderfully Appalachian tinged tune entitled “North Country Wind.” They are one of my favorite new bands and I’m just waiting for them to come west of the Mississippi to my home state Colorado. They played for about an hour in the VIP, which with utter flawlessness.
On the Camping Stage was Chicago’s own Henhouse Prowlers, who have been spreading their variety of string music far and wide. The rain continued on and as this superb quartet played to the rain soaked crowd. The Henhouse Prowlers have toured relentlessly over the past few years and despite some lineup changes they have maintained their high level of performances. They are another not-so hidden gem at Summer Camp; making a strong impression on anyone who catches them live. If you are a fan of real bluegrass I would recommend checking these guys out.
Tea Leaf Green was getting started on the Starshine Stage. I have to give credit to the festival organizers for persevering through the weather and making sure that the music continued. The drizzle is enough to wreak havoc on monitors and the PA, but they pushed ahead skillfully. In fact right after they dialed in the sound, Reed Mathis exclaimed that it had finally stopped raining. The overcast sky loomed, but for the moment the clouds had ceased leaking. They opened with “Germinatin’ Seed.”
Set 1: Germinatin’ Seed, Someday, Penny Saved, Mr. E. and The Cosmic Receptacle, Space Hero pt. 4 (Letters Home), Don’t Go, Space Hero pt. 2, One Reason
Tea Leaf Green is one of the most underrated bands in the scene today. They continue to tour across the country and put on stellar shows, but despite their efforts they seem to only to make a minor splash. They sounded incredibly tight. Reed has now been with TLG for a couple of years and he finally sounds in synch with the rest of the band. They are dialed in and firing on all cylinders. They have a deep understanding of groove-oriented jam and they are worth catching whenever possible. I was able to take a few pictures and catch the beginning of their set however just across the road something very special was happening and I had to ramble.
At Sunshine it was Cornmeal performing their last show with fiddler Allie Kral. It was bittersweet to say the least, and I know she will be sorely missed. She is moving on with her life after touring with Cornmeal for over a decade. The band did little to convey the gravity of the situation other than a distinct heaviness in the air. Fans seemed entranced with the music slurping up each note like a desert flower after a rare storm. Newcomers Scott Tipping and Drew Littell added vibrancy to their sound, but they mostly toed the line during this set. “River Gap” was a definite peak and seemed to reference Allie’s years on the road with Cornmeal. Before their last song band mate Chris Gangi gave a heartfelt goodbye.
“We’ve fought like sisters, but we played music like brothers…”
They closed with another appropriate road song “Hillbilly Ride.” There was many teary eyes in the crowd as Allie made her final bow with a band she has become synonymous with for the last ten years. I wish her the best.
After Cornmeal I raced back to the VIP Lounge to catch Victor Wooten and Friends. Before the set even started Victor addressed the band saying, “We have nothing to prove to each other,” before telling they crowd they were just going to have a jam session. What followed was a musical journey that focused on the funky side. The band consisted of Victor, Jordan Wilkow, Janis Wallin, Roosevelt Collier, Roy Ponce, and more. They just played, passing around solos and generally shared in the musical dance. Victor referred to Janis more than once as the, “Mistress of Groove.” They were impressive and yet another reason why VIP was worth the money this year.
Karl Denson took the same stage after a quick changeover. Few bands have the ability to break out the dirty funk like Mr. Denson and his Tiny Universe. Incorporating tight jazz riffs to fill out their sound, this group is something to behold. A Greyboy Allstars alumnus, Karl Denson leads his own group comprised of powerfully funky musicians. Utilizing elements of afrobeat and rock as well, KDTU is another fully capable band that really pleases the crowd. They played for just over an hour to a packed field.
On my way back to camp I checked out a bit of Thievery Corporation on Moonshine. There is so much going on in their live performance that it is almost difficult to break it all down. Formed by the DJ duo of Rob Garza and Eric Hilton they have an assemblage of incredible musicians that add an organic flavor to their electronic edge. It’s safe to say there is almost a softness to their sound, which is why I wandered over like a moth to a flame. They integrate elements of Middle Eastern, Indian, acid jazz, reggae, dub, and Brazilian into one substantial melting pot of sound. They are high energy without being abrasive to the ears. I really enjoyed catching part of their set at the festival.
Finally it was time for the moe. and Umphrey’s leap frog extravaganza that has been a tradition on Saturdays at Summer Camp for a number of years now. Let’s begin with the Umphs. They launched off with a colossal “Depth Charge” into “Hurt Bird Bath.”
Set 1: Depth Charge > Hurt Bird Bath, The Linear > Yoga Pants > Rocker Part II, Booth Love1, I Got Love1, Andy’s Last Beer1, Wizard Burial Ground
Set 2: Wappy Sprayberry > Ocean Billy, Utopian Fir1 2 > Debra, Der Bluten Kat > Final Word > Der Bluten Kat
1w/ Mad Dog & His Filthy Little Secret horns
2It’s About That Time jam
“How you doing out there?… Round 2” – Bayliss
Umphrey’s McGee is perhaps the most technical and progressive band in jam today. They are also the last “jam” band. Their live performances are a sensory overload. Jefferson Waful operating the light board paints incredible mosaics of radiance that really boggle the mind. Their output of music over two sets was close to three hours total with lots of twists and turns. They brought out Mad Dog & His Filthy Little Horns for “Booth Love,” “I Got Love,” and “Andy’s Last Beer.” Michael “Mad Dog” Mavridoglou has a history with Umphrey’s having played on their album Local Band Does Ok, and appearing with them onstage numerous times with his full horn section. They sounded incredible and prior to “I Got Love,” Bayliss commented on the fact that they have never played this particular song with a horn section before. It turned out nicely with The Fitly Little Horns accenting the flow well. They closed the first set with a crunchy “Wizard Burial Ground.”
Their second set was equally full of classics and beefy rage rock. They started with a fourteen-minute “Wappy Sprayberry” before segueing into an even bigger “Ocean Billy.” This two-song section saw some of the most extended jamming of the entire weekend. Umphrey’s McGee is so polished that it’s nice to see them actually play for a little while. No band in the scene is tighter so when they go with the flow it can be very impressive. They brought back Mad Dog and His Filthy Little Horns for “Utopian Fir.” However the highlight of the show was their version of Beck’s “Debrah” with Bayliss on vocals. Taking an almost Prince-esque approach, this cover was a lot of fun for the entire crowd. Umphrey’s closed with a very nice “Der Bluten” sandwich. They brought the horns back again for their “Bridgeless” encore. UM just sounds so good, they keep adding to their repertoire and always tightening up. They are vying to become the top band in jam with each show.
moe. played an equally sick concert on Saturday as well. They know that fans travel from across the country to see them throw down a Summer Camp, which is one of three festivals they host throughout the year. They made a statement by opening up with “Bullet” into “Rise.”
Set 1: Bullet> Rise, Blond Hair Blue Eyes*, Crab Eyes, The Faker> Hector’s Pillow> Plane Crash**
Set 2: Rain Shine, Silver Sun> Happy Hour Hero, MacBain> George, Spine Of A Dog> Buster> McBain
Encore: In The Kitchen***
“Blonde Hair, Blue Eyes” is a new song written by Rob about his daughter. Summer Camp has historically been a place for the band to try out new tunes and this one was very sweet. “The Faker” is a favorite of mine and it was executed wonderfully. moe. just does not disappoint at Summer Camp, they have a mission and that mission is to rock. Their set ending “Plane Crash” was one of the most incredible versions I’ve seen them play. They invited Allie out for the violin intro that is featured on Tin Cans and Car Tires. It was absolutely overwhelming and another reminder of how versatile Allie is as a musician.
Their second set on Saturday was just as uncompromising as the first. Although the “Rainshine” opener felt a little strained while “Silver Sun” seemed optimistic given the weather we had already experienced. Of course the band was just playing with their set lists, showing us a little bit of tongue-in-cheek amusement on their part. “Happy Hour Hero” was a nice breather, but what followed was some of the best moe. of the weekend. The massive “McBain” bookend jam featured a sick “Spine Of A Dog” with a “Buster” thrown in for good measure. In refrence to the previous night’s antics with Umphrey’s they performed “In The Kitchen.” It felt a little more drum heavy and had a different flow than the original, but it was a perfect way to end the show.
We called it a night after moe. With one more day of Summer Camp looming on the horizon it was time to rest up and get ready. Sunday is famously jam packed with music for all of the people that opt in for single day tickets and this Sunday would be no different. Well… in retrospect, it would be a little different.
A more perfect day could not have been planned for Summer Camp on Friday. Music lovers arose to the crispy, bluebird sky of central Illinois with a bright beautiful sun shinning down from above. As fans shook off the grogginess of Thursday’s pre-party they found that Summer Camp was beginning in earnest and the weather was perfect. The light rain of the prior day kept down the dust promising that attendees would not be blowing a Rorschach Test into their hankies. A light breeze blew across the fields making for a sweet balance of warm and cool as the day began. Chicago Summer Camp regulars Old Shoe got the music started with an 11 AM shotgun start.
This quintet is quintessential jam with an acoustic sensibility thrown in for good measure. As Matt Robinson donned his “Easy Scampin’” shirt it was clear that not only was Old Shoe ready to have fun, they were ready to play. This band has so much potential as their local fan base already knows, They are a blend of rock, funk, folk, and more, Old Shoe just seems to fit. As their name would insinuate there is a comfortable vibe that emulates from everything they do. Their hour-long set was a perfect way to officially start Friday at Summer Camp.
Just as Old Shoe was finishing up Reverend Peyton’s Big Damn band was getting warmed up on the Starshine Stage. These guys put the power in power trio. Their sound is reminiscent of a revving engine approaching the red line. They have a growl that would make a dire wolf question its masculinity. They opened with a roaring “That Train Song.”
Set 1: That Train Song, Something For Nothing, Easy Come Easy Go, Regular Ole’ Guitar> Peter Gun Theme, Big Blue Chevy ’72, You Can’t Judge a Book by its Cover, Worn Out Shoes, Clap Your Hands, Devils Look Like Angels, Some of These Days> When the Saints Go Marching In, Glory Glory
The Rev. is as much of a storyteller as he is a rocker. Joined by his wife Breezy and drummer Ben “Bird Dog” Bussell, Reverend Peyton can rip on anything with a fret board. In fact during “Easy Come, Easy Go” he absolutely shredded on a cigar box guitar. I’ve never seen one let alone heard one sound like a Les Paul. Their hour on the stage went by far to quickly and ended with a rolling version of “Some Of These Days into a raucous version of “When The Saints Go Marching In” followed by a very untraditional take on “Glory, Glory.” Let’s just say it got spiritual.
Next up was Keller Williams in the VIP Lounge. This was the first year with an actual schedule set up for VIP, rather than just a few random sets throughout the weekend. Keller was running late, taking the stage a full twenty minutes after he was scheduled. The set began ceremoniously with an introduction from promoter and festival organizer Ian Goldberg. He is Jay’s son and basically runs the whole show. Keller began by saying, “I have no plan.” He performed an acoustic, loopless show, which is something I haven’t seen since 2005 at Summer Camp. Keller is always a sort of flow of conscience type show, but his loopless shows take it to another level. Strumming away we were treated to a set that was all K-Dub. The highlight was beautiful rendition of The Grateful Dead’s “Eyes Of The World.” I would have stayed longer, but it was time for moe.
2013 Camp Counselor Kyle Hess gave the intro, which was short but sweet. Having stood in his shoes, it’s a lot of pressure to announce your heroes to 15,000 or so people. He did so marvelously. moe. opened their festival with a huge “Captain America” into “Recreational Chemistry.” This was the equivalent of throwing down the gauntlet as far as I’m concerned.
Set 1: Captain America> Recreational Chemistry, Deep This Time> Downward Facing Dog, Puebla> Ricky Marten> Seat Of My Pants, Okayalright
moe. is one of the few jambands that has never broken up, never taken an extended hiatus, and never left their fans in the lurch. It absolutely shows in their live performances. They simply grind and for that reason I’ve been a fan for well over a decade. Their guitarists Al Schnier and Chuck Garvey are so dialed in, watching them is like witnessing a two-headed shred monster. They toss each other lead and rhythm parts like hot potatoes shot from a grenade launcher. This was a classic jam-filled set with a massive “Okayalright” to close. With five more sets on the horizon they set the bar pretty high with this show filled to the brim with badassery.
The Wailers were up next on the Sunshine Stage. I’ve always been a bit confused by The Wailers , The Original Wailers and were the two diverged. The fact that Bunny Wailer is still alive and not a member of either band is enough to make me question the namesake. Originally The Wailers was comprised of Bob Marley, Peter Tosh, and Bunny Livingston. Afterwards the band morphed into Bob Marley and The Wailers with Aston “Family Man” Barrett and his brother Cody Barrett on drums with the I Threes. Both of the Barretts were members of Lee “Scratch” Perry’s studio band The Upsetters. So basically Aston is the only real member of Bob’s band, but they continued performing after Bob’s death. They were lead by Koolant Brown on vocals who was like a bucket of jazzercise. His energy was infectious and his tone was spot on. The other notable member is Keith Sterling on keys who was also a part of The Upsetters among other Jamaican groups. They sounded solid with awesome versions of “Africa Unite” and “Stir It Up.” The highlight of their set was a mashup of “Waiting In Vain” with Tina Turner’s “What’s Love Got To Do With It.” As I was heading over to MMW I could hear them playing “I Shot The Sheriff” to an enthusiastic crowd.
Medeski, Martin, & Wood plays jazz with a jam mentality. It’s not so much about the groove because at times they go down the trail blazed by greats like Charlie Parker. Utilizing dissonance that to the untrained ear can be unsettling. However the fact is that MMW is capable of absolutely anything. Their most crowd-pleasing shows include funkiness, which was definitely present at points during their set at Summer Camp. They are simply one of the most incredible live acts touring today and it was a pleasure to see them on a beautiful day in central Illinois.
As Keller Williams ages his projects become more and more sophisticated. No longer is he content playing alone. The last few years have seen numerous projects spring from his mind. The latest is Keller Williams and The More Than A Little. This is his most soulful endeavor incorporating two female vocalists and a full band. They started the set with the song from which they take their name. K-Dub hit the stage in a black suit, smacking his talking drum and looking pretty suave. I would have to say the man won best dressed for Friday if not the entire fest. There was smoothness to this group and a focus on the funkier side of Keller. This is probably my favorite band that Keller has formed and I hope this group actually tours rather than being just a flash in the pan. This was also the most painful overlap of the day with Yonder Mountain String Band starting just a half hour after Keller, so shortly after it started, it was time to mosey.
Colorado bluegrass ambassadors Yonder Mountain String Band have been a hallmark of Summer Camp for years now. Their main stage set this year was chocked full of stringy goodness. They started with an energetic “If You’re Ever In Oklahoma” into “East Nashville Easter.”
Set 1: If You’re Ever in Oklahoma> East Nashville Easter> 40 Miles From Denver, 20 Eyes, Irondale, Pretty Daughter, Casualty, Kentucky Mandolin*, Dear Prudence*> Raleigh & Spencer*, Two Hits and the Joint Turned Brown*
*w/ Roosevelt Collier on Pedal Steel
This set was a beautiful, rambunctious journey with one of my favorite bands. Jeff Austin’s face contorted as he wore the finish off his mandolin, by straight ripping it up. They invited Lee Boy, Roosevelt Collier to the stage to play the pedal steel with the band. This added a whole new dimension to their group. He wasn’t even on the official lineup, but he ended up being an artist at large of sorts playing around all weekend long. Their take on “Dear Prudence” with him was definitely memorable as was their set closing “Two Hits.”
Finally it was time for the main event with Umphrey’s McGee. Basically Summer Camp has become their home fest as they now share the bill with moe. They have such a dedicated following and are actually from the Midwest so it makes a lot of sense. They eased into a two set extravaganza with “There’s No Crying In Mexico.”
Set 1: There’s No Crying in Mexico > All in Time > Mantis Ghetts, Nothing Too Fancy> Ringo, Eat, Believe the Lie, Conduit, Comma Later > Nothing Too Fancy
Set 2: Puppet String > Plunger > All in Time, Sociable Jimmy, Bright Lights, Big City1, Glory> Plunger > Puppet String
*w/ Dom (Big Gigantic)
Umphrey’s is the most technical band in jam and this show demonstrated just that. The boys let us know that they are still Death Metal with “All In Time.” “Nothing Too Fancy” into “Ringo” was the climax of their first set and again raised the bar from a band that might as well be professional bar raisers. “Eat” actually had me a little frightened as again their Metal was showing, before the progressive “Believe The Lie” eased the tension. Umphrey’s is not an easy band to watch. They don’t just give it to you. They make their fans concentrate in a way that no other member of the jam community does. You have to work to understand what this band is doing. They are the opposite of dubstep in that regard. They ended their first set by going back into “Nothing Too Fancy.”
Their second set was bookended by “Puppet String” and included a sit in from Big Gigantic’s Dominic Lalli. It was a little more reserved than the blowout that was set one. “The Bright Lights, Big City” on which Lalli sat in was a definite highlight of a set full of technical turns and rage heavy jam. Umphrey’s is a big part of what makes Summer Camp so great and this was their night to blow it all out. They did so marvelously. During “Glory” they teased The Smashing Pumpkin’s “Rhinoceros” which got fans hopeful, but I’m glad they stuck to the script. This is one my favorite UM tunes and really demonstrates a different side of their sound. With a little bit of the theatrical moes came to the stage for the encore. The Umph boys gave them a look like, “We got this,” and proceeded to bust out a highly mechanical “Rebubula.” It was a nice touch to show the interconnectivity of these two groups at this particular festival.
After Umphrey’s I opted to nap it out for bit to be ready for the late night in the Red Barn with moe. and YMSB. I arrived at the Barn around 12:45 and made my way inside. The Barn is 400-person shell complete with lasers and a high ceiling. moe. opened with “Mar-Dema.”
Set 1: Mar-Dema > Kyle’s Song > Kids, In a Big Country, Wind it up > Sensory Deprivation Bank, lylelovit. > Waiting For The Punchline
Their hour and fifteen minute set left fans wishing they would play until the sun came up. This was classic moe. with a wonderful “Kyle’s Song” as well as a bust out on “Big Country” which hadn’t been played in 929 shows. Before playing “Sensory Deprivation Bank” Rob said, “This is the most downloaded song in the history of porn… it’s true.” I’m not sure if that’s actually a fact but it was absolutely huge. The set closing “Waiting For The Punchline” whipped the crowd up into a frenzy. This was solid moe. and a fun way to spend a late night.
After a stage swap that went a little too long Yonder took to the boards. They got going with a solid sandwich in the form of “New Horizons“ into “Blue Collar Blues” back into “New Horizons.”
Set 1: New Horizons > Blue Collar Blues > New Horizons, Left Me in a Hole, Fingerprint, My Gal, Steep Grade Sharp Curves > Gut Feeling/Slap your Mammy, New Deal Train, Another Day, Little Lover, Ten
Encore: Southern Flavor
Yonder took us on a late night bluegrass romp that saw classics flirting with a few new tunes. It was simply a great day of music and YMSB was the perfect end to it all playing well into the wee hours of the morning. Additional highlights of their set included “Let Me In A Hole,” “New Deal,” and “Ten.” They encored with an awesome “Southern Flavor.”
As I walked down the trail back to my tent the birds were beginning to chirp and I knew that Saturday would be coming all too soon. Summer Camp is non-stop run and if you do take a break you are going to miss something. That’s just the nature of the beast. It’s always important to pace yourself, but it’s even more important to see as much live music as possible. Two down, two to go.
Not only was Friday my birthday at Scamp, but it was the day I got to interview on of my favorite bands, Reverend Peyton’s Big Damn Band!
First I caught their set at 12pm at the Starshine stage. They played several of my favorite songs such as “Big Blue ‘72”, “Devils Look Like Angels”, “Sure Feels Like Rain”, “Something for Nothing” and several others off of their new album that came out in 2012, Between the Ditches. Rev who plays guitar in the band demonstrated to the audience the style of music that he plays which is called finger picking style. It’s a style that not that many people play now days and its where you play the bass part of a song while playing the guitar part at the same time on one guitar! His technique is quite a site to see! If you missed their set, they play shows over 250 days out of the year, so I’m sure you’ll catch them in your hometown. Overall, they were a fantastic boot stompin’ good ‘ol time. Since I wasn’t sure if I was going to be able to interview them, I decided to go to their autograph signing in the merchandise tent and had a nice conversation with them to show them my appreciation for what they do. Here’s a pic from visiting with them in the merch tent…
Then I headed back to my camp and got a text that they wanted to do an interview! Once I saw them again behind the Starshine stage, I just said “it’s me again!” (since I had just talked to them). We went into one of the backstage trailers for the interview, click here to watch!
And here’s a pic of myself with them pointing at my Reverend Peyton’s Big Damn Band patch on my vest!
Here’s a lovely pic of my friends in front of someone’s sexy bus/trailer on our way to the Wailers. It really brought out the ANIMAL in them! hah, get it, get it. I’m sure everyone else saw this sexy bus on the way to the Sunshine Stage.
Then we got some dinner and headed out for Umphrey’s, EOTO, STS9 and a little of the red barn set of moe. Friday was the such an AMAZING day, not only was the only beautiful day for weather, but I got to interview one of my favorite band on my birthday!!
Friday was way to much fun. Woke up with an early morning bite to eat. The birds were chirping, the sky was blue, and all I could think about was Moe playing at 2! So after we had made our way back to the campsite and i had a quick change of clothes we decided to go do a little wondering around and find some people to hang out with.
2:00 rolled around pretty quickly, so we headed over to Moe. Thousands and thousands of people came in all different directions came flooding in before the first guitar riffs were firing up. Kyle came out on stage to announce the first Moe set of scamp and then the place got wild.
After Moe, we went back to the campsite to make a few adjustments before heading off to the wailers. Good jams even better times. So much funky reggae everywhere it was quite a site
Unfortunately, I had to pass on yonder this year because I lost track of time inside all of the fun we were having and just totally forgot all about it. We ended up walking around till about 8 when we started to head over for EOTO. A few people who have never heard of them before asked me what the show was going to be like. I couldn’t answer them because each EOTO concert is different than the last. Everything is just open jam an I just couldnt tell them what to expect except awesomeness.
Umphrey’s, Minnesota, to tribe oh my. Always moving forward never slowing down. Music, music everywhere. Always pushing forward and have the time of my life.
Big G was one of the best sets of the night. It was super loud and hype but was comfortable chill. Makes sense huh?
After everything was done we jumped around a lot going from tent to tent, through tons of trails running into people and objects all night. I would have to say that Friday was a total success and cant wait to see how my Saturday goes.
Until next time guys and girls, stay scampy!!
Can you believe Summer Camp 2013 is ONLY 44 days away? What do you think of the lineup the crew put together this year? Pretty amazeballs if you ask me. The festival mainstays of moe. & Umphrey’s are again front and center holding down headlining spots. But they share some pretty rarified company! The Wood Brothers and The Wailers were late adds that pleased many a camper. The only thing left to figure out is where everyone will be slotted with other great acts like Trey, Thievery Corporation, STS9, Avett Brothers, and YMSB.
I caught Thievery’s NYE show out in Vail as the ball dropped and we rang in 2013 at Dobson Ice Arena. Their mix of house electronic beats along side a live band with amazing female and male vocalists has been heard around the DC area for years. I’m thinking that the late night set with ZEDS DEAD is going to easily rival last years by Pretty Lights. Be sure to get your tickets to the RED BARN late nights while you still can. If not don’t worry they’ll have another set placed strategically throughout the awesome weekend at Three Sisters Park.
What sort of collaborations will we see this year at Camp? Will Trey get down with moe.? Will Yonder and Cornmeal team up? These are the questions that get people excited, and with 44 DAYS to go…let your imagination run wild.
Speaking of who is bringing rage sticks or totems this year? Last year saw some pretty unique creations, and I for one am gonna be scouting for the famous “STOP & GET DOWN” sign along with a host of others. I may give out prizes so be on the lookout for me and when you do see me throw up your best “rage face” for the picture.
I’m really thankful that this year i’ll have time in addition to covering the festival to hang with my band pals Family Groove Company, Old Shoe, Henhouse Prowlers, Afternoon Moon, Chicago Farmer, The Giving Tree Band, The Ragbirds, and Zmick. Friends are what makes the festival experience that much more special and its been almost a year since I hung out with my fellow CIT friends and Camp Counselor from last year. That’s a year TOO long for sure.
Let’s see besides seeing Widespread Panic this weekend at UIC. I’m heading out west on tour with Old Shoe as they play a few Colorado dates at the end of April. If you are around Fort Collins (4/17), Steamboat Springs (4/18), Denver (4/19), or Nederland (4/20) make sure you look up where they are playing on that Facebook thing and get on down to check them out pre SC2013! I’ll even share a tasty local beverage with you (if you are of age of course). Until we meet again at Camp keep your eyes peeled for the schedule and when its released start planning your romp through Three Sisters cause a good time starts with a good plan!