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Summer Camp
Hola fellow SCampers!!!
As we approach the weekend we have all been anxiously waiting for, I wanted to take a minute and give you guys a better idea of who I am and what I am going to bring to Summer Camp this year. First and foremost I want to introduce you to the people I am coming to SC with; two of the main people who you will see in my vblogs are dear, close friends of mine who actually introduced me to Summer Camp six years ago and have been there with me every year since, Derrick Lawless and Steve Bannister. Two super chill, awesome people who I met in college and am proud to say will be a part of my life for the rest of it. Come Summer Camp 2050 we will be there rockin’ it out like ever before. There are other friends of mine who are coming, Matt Weiler, Brian Buss, Christina Fountain, and Jake Kuykendall, (if you meet anyone of them, buy them a drink!) most of them are also friends from college who share the love for good music and good times.
One of the reasons that Summer Camp is the ULTIMATE most AMAZING festival is the line up. Every year I think to myself “man there’s no way this year’s line up is going to be as killer as last year’s” and every time I am proven wrong. I not only get to see the bands I already love and follow throughout the year; but there are always so many new bands that I fall in love with.
Some of this year the sets that I am looking forward to seeing for the first time are Gigantic Underground Conspiracy; an awesome compilation of artists from several bands who are sure to put on some jams you most certainly don’t want to miss. Tedeschi Trucks Band, I have always wanted to check them out and for some reason or another have never gotten the chance, with that kind of talent I know it’ll be an amazing show. Sun Stereo a sweet local Champaign-Urbana band with a distinct and fresh jazzy-rock feel, check them out in advance on facebook.
The bands that I have seen many a time before but cannot wait to check out are Lotus, went to their Halloween weekend show in Pittsburgh, PA this past year and it was out of this world good, if you haven’t checked them out – seriously it’s a show you don’t want to miss. Eoto is probably one of the bands I enjoy seeing live the most – they NEVER disappoint and manage to keep every show super fresh. Lastly can we say Talking Heads cover band? This Must be the Band is definitely one of those I gotta check out, can I put a request in? Let’s hear the Talking Heads song your band is named after =)
Alright so I have limited space and limited time and there are tons of bands I am dying to check out (like two bands not mentioned above who are among my all time favorite bands and who I get to see every year 3 days in a row ONLY at Summer Camp? that’s right…moe. and Umphrey’s), but I can’t talk about them all. So to let you know more about myself, I grew up on the Beatles, it led the way to harder rock and then jazz, such as Zeppelin and Dave Brubeck, and from there evolved further to include jam and electronic rock. I appreciate all artistry and talent, but I have a soft heart for drummers as I like to pretend I know how to jam on my used Evans drum set. I love Summer Camp for various reasons, but one of the main ones is that it was the first music festival of my life. Music has always had such an influential role in the essence of my being and there is no other festival that I feel as in touch with the tunes I love as SC. This is not your impersonal mob fest, you come to Summer Camp once and you feel like part of an extremely, extremely, large family forever.
On that note, for you first timers let me tell you some of the things I make sure to pack. For all you ladies, TP is a MUST. As glorious an experience as port-a-potties are, most of them run out of toilet paper and the best thing to do is be prepared, bring some and put a few squares (can you spare a square?) in your pocket. Next bring some trash bags, it is a privilege to use Three Sisters Park and we need to be responsible, have plenty of trash bags not just for garbage, but you never know what the weather could bring and you’d be surprised how dry one of those can keep you. Glow sticks are essential, not only do they add to the beautiful sea of lights at night on the main stage but they provide a great atmosphere for campsite hangouts. With all the great shows playing all the time, you are destined to catch some day shows and when the sun is strong some sun screen is essential! I have seen way too many people painfully red from neglecting to get their rub down, so SPF 50 it is! Finally, make sure to bring your crazy. This is a once in a lifetime experience to let go of everything that ties you down and let your true inner-self soar, so bring a happy spirit and leave your worries at home!
As your Summer Camp counselor I want you all to seek me out, let me make this your best Summer Camp yet. I want encompass the sweetness that is Summer Camp, and the only way I can do that is with your help. You fans are what keep SC alive and I want to show how we bridge the gap between the fans and the bands. Summer Camp is so much more that just music. It is about you living life; lets celebrate it.
I am going to promote some special Summer Camp spirit; my fellow moe.rons and I will be awarding fellow scampers that show special spirit throughout the festival. For example we will award the sweetest campsite, the person with the wildest outfit, the dude/dudette with the most innovative accessory or the neatest jam shout, and many many more; so let us join together and make this year the best Summer Camp EVER woop woop!!
SCampers for life!
Summer Camp Counselor Maria
Summer Camp alums Euforquestra hosted a hometown show at The Aggie in Fort Collins to celebrate the release of their debut live album Let Us In. The night began early with an opening set by Barley Davidson. Barley Davidson is an offshoot of local funk institution The Nu Classics. Focusing on a smoother delivery than their counterpart, Barley Davidson features Walter Hannah on guitar and Eric Imbrosciano on kit with a rotating group of horn players to fill in the gaps. I found them to be a silky way to get the night going. Walter had filled in on keys for Euforquestra a few times before Matt took over, so it was nice to see him spreading his wings with this new project. Besides their jazzy jams they also tossed in a couple of instrumental covers including Tears For Fears’ “Everyone Wants To Rule The World” and Squeeze’s “Tempted By The Fruit Of Another.”
Next on the bill was Papagoya, who also call Fort Collins home. They were a blend of funk, jazz, jam, and reggae, meaning that they were the perfect segue from Barley Davidson to Euforquestra. Lead by Dimitri Zaugg on keys and vocals, they were a glossy brand of funky dub that exuded a solid energy and clean musicianship. Having caught them once previously, I knew they were solid performers, but this time around they brought some potency to their playing. Their hard hitting sound reverberated off the wall of the Aggie. By this point the room was filling up nicely, never reaching full capacity but it was definitely a solid crowd. An interesting mixture of college kids and elder hippies dancing like it may be their last chance. Papagoya ended their set and soon after Euforquestra took the stage.
Opening with one of their classic Afro-Cuban jams “Tramba,” Euforquestra came to play, which was obvious from their first note. Here is their setlist from the show.
SETI: Tramba, Reggaemylitis, MOMO, Road Funk, Sea Miner> Pure> Excuse O, Going Over That Waterfall> Tipsy> What A Day, Cause A Reaction> She Came In Through The Bathroom Window, Elegua, Price Is Right, Soup
ENCORE: Late In The Evening> Feel Together> Glide> Feel Together
Euforquestra is a dance-fueled machine; they symbolize a road tested funk outfit of epic proportions. From the time they took the stage the temperature steadily rose until it reached the liquefy point. Ripping into the Peter Tosh classic “Reggaemylitis” was an early highlight, in a show literally chocked full of them. “Road Funk,” which features Matt Wright on vocals shows a different side of this constantly evolving group. Being the newest member of a band can be challenging. However with every change Euforquestra seems to search out and take advantage of the talents of that person in the best way possible. Wright has a higher pitch and a brighter tone to his singing that meshes incredibly well on this song.
“It’s an oldie where I come from.” –Mike Tallman
“Sea Miner” is to Euforquestra as “YEM” is to Phish, it is their instrumental opus that never ceases to wow an audience. It was the beginning of a massive jam that included a stops on “Pure” and “Excuse O.” Tallman’s guitar work was on point all night, he is most definitely one of the most underrated guitar players on The Front Range. They dedicated “Going Over That Waterfall” to Earl Scruggs, and took it to its jazziest point with both Jeter and Zalatel taking turns blowing it up on the horns. Euforquestra transitioned skillfully into the polka-esque “Tipsy,” before busting out the Talking Heads classic “What A Day.” They pulled out a couple of tracks off of Let Us In with “Cause A Reaction” into The Beatles’ “She Came In Through The Bathroom Window.” The segue between these tunes is tight, like a well-planned kick to the face. They pulled out “Elegua,” which is a track off their Explorations In Afrobeat album. It’s enjoyable to see them sticking to their roots, and while this concert looked ahead to the new album, it was full of moments that looked back to what brought Euforquestra to this point. They ripped into one of their newer songs “Price Is Right” before finishing their almost two hour set with a massive “Soup” that stretched to the twelve minute mark and left the crowd gasping for air.
The encore was just spectacular with a version of Paul Simon’s “Late In The Evening,“ that was spot on. They finished up by teasing the audience with “Feel Together” tease before going into Giant Panda Guerilla Dub Squad’s “Glide,” and then back into “Feel Together.” The band is just firing on all cylinders right now. With around a hundred shows a year Euforquestra continues to push out to new audiences and refine their sound. These hometown shows are a great way to see old friends and watch one of my favorite bands bring the heat. As the sweat-soaked patrons walked out into the cool night air we were left with a feeling of sheer joy, knowing that the boys would soon be back and we could do it all over again.
Video
Barley Davidson at The Aggie 3-30-12
Euforquestra performing Road Funk
For any of you fink fans out there, you are well aware of who George Porter Jr. is. For those of you who do not, let me tell you a little bit about a band called The Meters. They basically wrote the book on New Orleans funk and if you are unaware of their tunes I just feel bad for you.
Recently, George came through Denver with his good friend Joe Tatton of the New Mastersounds who happens to have a side project called Rodina with his wife and my buddies, some members of the Fox Street Allstars and Kinetix. Rodina is an awesome brand of music, spacey, trancey, dancey, and funky.
George put on a great show playing a bunch of tunes The Meters wrote but never recorded. The place was packed and everyone was sweatty. I managed to make my way up to the front for the end of the Rodina set when George sat in with them and played a tune everyone enjoyed. Check it out here:
For the past few years Summer Camp has fostered an amazing opportunity for local bands. It’s a chance to perform at the festival, called the On The Road tour. It’s like the minor league of Summer Camp literally feeding the fest with fresh talent. It’s a prospect for bands who could get overlooked to make a name for themselves and reach a wider audience at a national event. As Summer Camp continues to grow and cultivate a vibrant musical community they continue to be on the lookout for new bands that could be the next headliner. Last year Trichome took the honor and got to play with moe. bassist Rob Derhak at Summer Camp. Local bands perform in cities across the country and are voted on by concert attendees. The band with the most votes at the end of the night gets a set at Summer Camp. When the On The Road tour wound its way through Fort Collins, I headed down to Hodi’s to catch the show and cast my vote.
On the bill were Sun Squabi, Trichome, and The Magic Beans. Up first was Boulder electro-fusion group Sun Squabi. They were a mixture of organic playing and pre-produced electronic tracks, very much in the same vein as bands like Signal Path. They combined the electronic and the rock seamlessly, but I would say that their instrumentation fell into a minimalist realm at times relying heavily on their Macintosh computers to fill out their sound. Given their youth I was impressed with their passion and ability to mix, but the combination of their opening slot with the lack of early arrivers doomed them from the start.
Next up was the aforementioned Summer Camp alums Trichome. Brining a full horn section as well a large group of local followers, they set themselves up for a good show. They opened with a funky Hands Up, here is the rest of the setlist.
SET I: Hands Up, Down and Dirty, 1999, Sway, Strawberry
Trichome blends elements of funk, rock, jazz, and electronic as they whip their crowd into a frenzy of fun. Having seen them several times since Summer Camp last year, one thing I can say for sure is that they bring the energy every time they play. They tossed in a special version Prince’s 1999 that really set off their performance. They would have to wait until The Magic Beans finished to find out if they had done enough to win the slot at Summer Camp.
The Magic Beans hailing from Nederland, Colorado have been exciting crowds up and down the Front Range for the past couple years. I’ve had the enjoyment of seeing them several times. My main criticism of them is that at times they have failed to play to the crowd. However, everything was fair game tonight considering this was their opportunity to showcase their style of music. The Beans did their best to rally the troops bringing a bus up from Boulder full of fans. This show was by far their best outing I’ve seen. They focused on jamming and playing in sync and showed the crowd that they were in it to win it. Here is their setlist.
SET I: Jam> Zumbai> Lazer Lady, Mountain Sky*> Space Cadet**> Zumbai
*unfinished
**I Got Your Number Jam
The show basically became two long extended jams with them returning to Zumbai to close. I was very impressed and would say they left it all out on the stage and put forth a solid performance to win the spot.
In the end it was announced that Trichome pulled the win for the second year in a row and once again claimed a their place at Summer Camp Music Festival. The On The Road tour is just one more great thing Summer Camp does to spread the love and give nascent bands an opportunity. And I for one fully support it.
Summer Camp stalwarts Cornmeal teamed up with three year SCamp veterans Hot Buttered Rum for an epic night of jamgrass in Denver. When we saw these two bands partnered up for a show on the Front Range I knew I couldn’t miss it. Occurring on the same weekend as the Snowball Music Festival in Vail, it was questionable whether or not they would draw a big crowd. Well the masses of bluegrass aficionados from up and down the Rockies made the trek. It would prove to be a wise choice for all that came to this amazing live experience.
Cornmeal over the years has become a not to miss show when they come to town. After seeing their stellar performances at Summer Camp and State Bridge this summer, I’ve become so enamored with their sound that I find myself anticipating their Front Range shows months in advance.Their co-bill with Hot Buttered Rum only added to my excitement for this particular night at The Ogden in Denver, Colorado. I haven’t seen Hot Buttered Rum since November of 2010 and in that time Matt Butler left the band to pursue Everyone Orchestra full time and they replaced him with Lucas Carlton. He has a slightly less prominent sound in the mix but is still very accomplished his role as their new drummer. They opened with a rowdy Crest, here is the rest of the setlist.
SET I: The Crest, Texas Eagle, Late In The Evening, Missoula To Miami, Squall, Let The Love Come Through, Busted In Utah, Blackberry Pie, Entangled, Fruit Of The Vine, Angeline The Baker, Ramblin’ Girl, Beneath The Blossoms, Poison Oak, Working Man
The new Hot Buttered Rum has a fresh sound and the solid energy that made me a fan of their way back when. They still tour pretty heavily but have not been as prominent on The Front Range as they have in years past. The room began to fill in as they started the show. Set up on stage right was Denver’s most renowned live painter Scramble Campbell. Scramble danced wildly as he splattered paint on the canvas. It’s great when he’s in the room; it’s even better when he is on the stage for everyone to see.
Hot Buttered Rum slayed the crowd with classics like Busted in Utah and Working Man. The room reached a fevered pitch as they finished their set, which lasted about an hour and forty-five minutes. HBR is a powerful bluegrass experience and seeing them with Cornmeal was simply stunning, but I’ll get to that in a minute.
Cornmeal has truly proven to me in the last year that they are a band that will always deliver. They bust their ass in every city they play. With their high-octane jamgrassadelic style, they produce a palpable energy that is infectious. Cornmeal began the show, as they seem to do most of the time with a flurry of sound. It’s almost akin to an orchestra tuning, before they go into their first song. Their two-hour set had so many highlights and great moments. Whenever I think I’ve seen them at their best, I get a show like the one performed at the Ogden and it just blows me away.
For a band that tours relentlessly, their road tested sound continues to develop. They are so ridiculously tight that their live show leaves nothing to be desired. High points of their set included a strong I’m Coming Back Home and a huge When The World’s Go You Down. We were also treated to a jamgrass version of Steve Miller Band’s Swingtown, which saw Kris Nowak in the pocket getting his rock on. They sounded great and if they had ended there that would have been plenty, but what the crowd received was a half hour encore of Hot Buttered Corn.
ENCORE: Pay Yer Dues, Honkytonk Tequilla, I Can See The Light (At The End of The Tunnel), Sympathy For The Devil
(With Cornmeal and All of HBR except Lucas Carlton)
What some of my friends have called a clusterpluck it was a giant stringed hoedown that culminated with Wavy Dave singing a brilliant Sympathy For The Devil. It was a great end to a truly amazing show. The energy from start to finish is the reason why I see both of these bands. The combination of both was something I could only dream of. As I walked out of the Ogden I was buzzing form the adrenaline that built up over the course of the night. My final thought of the evening was that Hot Buttered Corn needs to do a national tour.
The icing on the cake that night was that Mr. Ian Goldberg himself was at the show. I took the opportunity to say hello and let him know how excited I was for the lineup at Summer Camp this year. He wished me well and I told him I would be seeing him a just a few short months.
Video Links
After night one of moe. at The Boulder Theater I couldn’t wait to get back into the room for round two. We got caught up in the day and ended up walking in just as the boys from New York ripped into Bearsong. This song was on a five-year hiatus in the early 2000’s but has been making it into steady rotation since 2004. However I have never seen it as an opener and I can tell you it most definitely set the mood for the entire night. It felt like a virtual continuation of the power and energy present on in Boulder on Friday. Here is the setlist from PT.
SET I: Bearsong> Runaway Overlude, One Way Traffic, Head> Hector’s Pillow> Bullet> 32 Things
SET II: Awesome Gary> Californ IA> Big World, Rainshine, Cathedral, Captain America> Mexico
ENCORE: Chromatic Nightmare> Rebubula
You can download the recording on Archive. Thanks to Chuck Miller for posting.
Bearsong was like jumping feet first into the hot coals of a raging fire. We got a chance to catch half a breath with the intro to Runaway Overlude before Chuck and Al went into dueling guitar solos. Al even made his way over to Chuck side for the musical battle. One Way Traffic, a Rob song off of Welcome To The La Las, confused a few in the crowd, but I enjoyed it. As I said in my review from night one I really dig how moe. transforms and expands on their newer songs in a live setting. They always seem to fit well into the overall mix for me and I’ve felt this way going back to Wormwood.
Head saw Al taking the reigns with the ferocity that made me a fan of his way back when. It was the beginning of the massive jam that they would ride through the end of the first set. Hector’s Pillow took us back to the rage tone that dominated the majority of the show. The crowd was literally making the floor bounce as they danced fast and strong. Again the energy in the room was powerful and contagious. It was slightly more packed than night one but still maneuverable. I know more than a couple people who jumped ship from Widespread to get some electric-fueled moe. goodness rather than sit through another night of acoustic music. Bullet was definitely the highlight of the first set stretching well over the fifteen-minute mark and showing the crowd that moe. was there to play. They closed with a ripping version of 32 Things that saw Rob slapping his funky bass sublimely.
moe. has been doing a second set opener contest on their Facebook page, picking up odds and ends from the tour and putting them in a box for the person who guesses the most correctly. I can only assume that the Awesome Gary opener was a curveball for their fans. This is yet another song that took an extended hiatus not being played for nine years and only recently making it back onto setlists. I for one had never heard it performed live so I was stoked to see them bust it out. Californ IA was a jam that the let the audience settle into the set before an intense Big World. Vinnie was a rock all weekend holding down the changes and keeping the band in line. Rainshine another newer track, which I got to witness the debut of at Summer Camp last year, was solid. This song just builds properly in live setting and I dig the overall rock attitude. After which they went into my favorite song off of Sticks And Stones, Cathedral. I could have left the show happy then, but the rest of the show would end up being classic moe. gold. Opium felt like a cool breeze washing over everyone in the room and Captain America could have easily been the second set closer. However the boys felt it would be prudent to toss in a seventeen-minute version of Mexico to shut her down correct.
They encored with Chromatic Nightmare, which could honestly be the intro to just about any song in moe.’s catalog before absolutely blowing the roof off the place with Rebubula. Now, the thing about Rebubula is that I edited my Summer Camp Counselor video to this track and they encored the last night of Scamp with it. They did the same in Boulder and I couldn’t help but feel it was another little pat on my back. I know it’s just a great tune to encore with, but a fat hippie can dream can’t he? Overall moe. came to Boulder and blew away all my expectations. The last few years they have worked hard to win over new fans and reinvigorate their fanbase in Colorado. I feel they accomplished just that and had an extremely successful two-night run on the Front Range. Now, I look ahead to another amazing run at Summer Camp and am ready to see them do what they do best at one of their home festivals.
Well Summer Camp made it happen again. As the Summer Camp Counselor it was my job to be their ambassador for moe.’s run out here in Boulder, Colorado. It’s a tough job but someone has to do it. Of course I say that a little tongue and cheek, but in all honestly the last year has been incredible. Summer Camp has come through time and time again to get some amazing coverage for this blog. Thanks Summer Camp.
After spending a week in New York City for work I couldn’t ask for a better homecoming than two nights of moe. at The Boulder Theater. This two-night run was originally scheduled for the Ogden, but due to the fact that Widespread Panic scheduled their Wood Tour a few doors down at The Fillmore the shows were moved to Boulder. I honestly couldn’t be happier. I love this room and with the update to their sound system it really is a first class Front Range venue. Amy picked me up at the airport, we cruised around town, and had dinner with some old friends before hitting the show.
We arrived at The Boulder Theater around 8 PM and I picked up my photo pass. I was slightly amused when I saw on the guest list that next to my name it said Summer Camp Counselor. I chuckled to myself as I walked in and found a spot Chuck side for the start of the show. I had been waiting for this night for months and it had finally arrived, I was almost giddy. moe. came to the stage and set the night off like a fuse racing towards a stick of dynamite with a crunchy Skrunk. Here is the rest of the setlist from moe.’s facebook page.
SET I: Skrunk, Nebraska, Zed Naught Z, Puebla> Darkness> Brent Black> Queen Of Everything> Brent Black
SET II: Deep This Time, Up On Cripple Creek> Blue Jeans Pizza> (nh) Smoke, Time Ed> George
ENCORE: Queen Of The Rodeo, Downward Facing Dog
Here is the recording from Chuck Miller on Archive – http://www.archive.org/details/moe2012-02-10.M300.
moe. came out of the corner like a punch drunk boxer with something to prove. With this wake up call entitled Skrunk the crowd snapped to attention and started their two-day boogie strong. They settled into the set with Nebraska. This track is one of my favorites from back in the day and I was happy to see it so early in the performance. The crowd was loosely packed, which made it easy for me to maneuver for photos. There was a distinct energy in the room, like everyone who made it to the show was meant to be there. Jim’s vibraphone bounced off the walls for Z0Z nicely and set up what would be the biggest jam of the first set. Puebla, one of the tracks off of What Happened To The La Las, evolved dramatically in a live setting taking on a dark tone, again accented by Jim’s percussion. The sinister sound went deeper with the segue into Darkness. They ended the first set with a massive Brent Black sandwich with Queen Of Everything taking the place of the roast beef. Clocking in at almost a half hour this was by far my highlight of the set one.
They opened up the second set with a brighter Deep This Time with Rob maintaining his stoic expression belting it out properly. Al took the spotlight on an unexpected version of The Band’s Up On Cripple Creek, which stretched well over the ten-minute mark. moe. transitioned beautifully into Blue Jeans Pizza and it was right around this point that I had a modest epiphany. Unlike many of the other jambands in the scene, moe. has never broken up or really even taken an extended hiatus. This is the reason they are perhaps the tightest band in the world of jam. They are all on the same page, and they make it work well, and in their twenty second year of performing live they are honestly sounding better than ever. After another new track off of La Las they gave us perhaps the best Time Ed I’ve ever seen them play. Stretching past the twenty-four minute mark it was one of those instances where they went so deep into the jam I had to ask myself, “Are they still playing Time Ed?” It was the epitome of sickness and only possibly equaled by the twenty plus minute George to close the second set. The end of the show was simply jaw dropping and proof that moe. may be one of the few bands left that truly jams. I mean you have to ask what other band out there in scene plays two songs for forty-five minutes to close a show? They encored with a quick Queen Of The Rodeo before giving us an extended take on Downward Facing Dog.
The whole show came off incredibly well and again reaffirmed my love of moe. They shred and aren’t afraid to really blow the backend out of their songs. I got to chill for a bit backstage after the show and let the boys know that they did Colorado right. I headed back to Fort Collins with a huge grin on my face and serious feeling of anticipation for night two in Boulder.
moe. performing Queen Of Everything at The Boulder Theater 2-10-12
To celebrate entering my 31st year on this planet we headed down to The Bluebird in Denver to catch Split Lip Rayfield. I had a solid crew consisting of Amy, my brother, and my best friend Ben. We grabbed a spot on the rail in the balcony as I roamed around taking photos. Split Lip Rayfield played Summer Camp in 2010 and in my oppinion are a not to be missed live experience. They are so unique and incredibly talented that watching them perform is simply jawdropping. Furthermore, I love the Bluebird; it is by far my favorite intimate venue in Denver. Good layout, awesome sightlines, amazing acoustics, and a great crew all combine to make any live show at The Bluebird a good one. Living in Fort Collins, I don’t get down as often as I would like, but it’s always a pleasure when I make it back.
Soon after we arrived Rayland Baxter Took the stage. Rayland was a mustachioed troubadour from Nashville. Odessa Rose accompanied him on violin and backing vocals for most of his set. Baxter demonstrated an incredible sonic range going from minimalist plucking to a full on audio assault. He was a storyteller and an acoustic bard. Rayland had an unusual knack for weaving songs out of observations, from his Mountain Song about living in the Rockies of Colorado to his interesting biopic entitled Willie’s Song. The highlight of his set was a tragic tinged tune called The Cold Easy Life of a Loner. It was a great albeit slower way to start the show.
The Magic Beans are anything but slow. Bringing a slew of their own fans with them, many in the crowd showed a level of enthusiasm rarely seen for a local act. Hailing from Nederland The Magic Beans have begun to build a loyal fanbase that is willing to catch them up and down the Front Range. A young band with a lot of potential they seem to be all over the map when it comes to their sound. Ranging from Phishy jam to a Disco Biscuits style dance party. At times they drifted into a distinctly Dead tone, which I found to be the best parts of their show. I will say this set of songs was very similar to their opening set for Elephant Revival I caught a few months back at The Aggie, but that’s understandable given their youth. The Magic Beans have enormous promise, and are already making waves in and around the Denver jam scene. Given the fact that they have had some solid opening slots and are finding their way into festival lineups including the upcoming Snowball and Phibstock. I see good things in their future as they continue to develop their style.
Split Lip Rayfield took the stage around 11 PM. This trio from Witchita, Kansas was a rapid fire kick in the junk. With machine-gun delivery and an urgent take on traditional bluegrass, their sound was simply infectious. Often classified as cowpunk and appropriately so, Split Lip Rayfield is a punch bowl of all things bluegrass. The only thing for certain was that this was not Del McCoury’s band. The Stitchgiver, a homemade one string bass cobbled together from a 1978 Mercury Grand Marquis gas tank, is the beating heart of SLR. Watching Eaton whack away at that single string may have been their most entertaining aspect of the show. One thing that cannot be overlooked was just how much rhythm he produced with just one string.
The show was Redbull bluegrass, like slamming an espresso in a musical shot glass. The crowd was literally whooping and hollering as their show got underway. The main element that they borrowed from punk besides their shredding delivery was the two-minute structure of many of their songs. If you didn’t like one of the tunes, it was okay because it would be over soon. This was not my experience, I found myself truly locked into what was happening on stage. After I got my photos I headed back up to the balcony for the rest of the show. Split Lip Rayfield had a certain irreverence, with songs like A Little More Cocaine Please and I Used To Know Your Wife, it was obvious that while they were playing seriously they were not taking themselves too serious.
Additional highlights from the show included Movin’ To Virginia and Kiss of Death. They ended the show just after 12:30. I was 31 and happy that my first show of this rotation around the sun was Split Lip Rayfield. Having only caught the end of their set a couple years back at Red Rocks, it was great to see them playing for a dedicated group of fans in this awesome venue. I would highly recommend to anyone who wants to have their face melted by a banjo, a mandolin, and a one-string gas tank to head out and see Split Lip Rayfield next time they make it to town.
Videos
Split Lip Rayfield performing Rocky Mountain Water 1-21-12
Split Lip Rayfield performing Movin’ To Virginia 1-21-12
Split Lip Rayfield performing I Used To Know Your Wife 1-21-12
The long awaited two-night run of Game 7 was billed as the MusicMarauders Two Year Anniversary Celebration. Having been writing for MM for close to a year now, which has been a great experience overall, I was very excited to join in the festivities. Writing for MusicMaraudes was just one of my qualifications that helped land me the Camp Counselor position. Since then I’ve been doing a lot of coverage for both Summer Camp and MM.
I arrived early enough to catch a bit of Wisebird’s opening set. They were a foursome of wide brim hat wearing, bearded jammers who looked like they walked straight out of a Kerouac novel. Wisebird dabbled in bluesy song structures with a rockabilly twang. I would say the most striking thing about their playing was the distinct cleanliness of their sound. While not necessarily incredibly complex the music of Wisebird was tight and well thought out. They were an interesting juxtaposition for the night’s main event. I headed backstage with J-man for a quick interview with Magner before they took the stage around midnight.
This was the third outing of supergroup Game 7. A jam hybrid with Araon Magner of the Disco Biscuits, Michael Kang from String Cheese Incident, Particle’s rhythm section Darren Pujalet and Eric Gould, as well as Pete Wall from the Motet. Playing together for only the third time live this nascent collaboration showed incredible promise. All of the members save Pete Wall (who is a member of The Motet whom I wrote about in my prevoius post.) have played at Summer Camp in one band or another. As fans filtered in, many from STS9’s Fillmore show, shouts of Kang and Magner could be heard from the enthusiastic crowd. They opened with an original jam entitled Multiball 2. Here is the rest of their setlist.
SET I: Multiball 2, Chicago> Mike’s Outro, Run Like Hell, La Femme, Time To Pretend, Howl At The Moon, Skyscrapper> MIA Jam> Da Funk> Feeling Older, Mind Over Matter, Neck Romancer, Come Together
ENCORE: Multiball 1
(Taken from onstage setlist.)
Game 7 was a fusing of styles as diverse as the members who made up the group. With the often-subtle mannered Michael Kang playing bandleader he passed around the jam like a hot potato. Scantily clad Bisco chicks and a random girl dressed in a bear suit danced passionately as the band eased into their two-plus hour set. It would have been easy for them to be an untz-fueled monster given the Particle and Bisco backgrounds, but honestly they were a fluid organic musical experience with an electronic edge. Their version of Pink Floyd’s Run Like Hell was an inspired take with a trance-y bridge before they went right back into the tune to close. They performed a jam on MGMT’s Time To Pretend, which had been played the night previous. However given the fact that they are a newly assembled endeavor still working on original material it was to be expected. The show flowed quickly with covers from Air, Daft Punk, as well as a version of Disco Biscuits’ Neck Romancer.
The show was incredibly balanced and it really displayed the musical prowess of everyone involved. It’s collaborations like this that reaffirm my faith in the jam scene. Unlike other musical realms, the amazing talent of the members of this community allows them to play with anyone, anytime. On a Saturday night at Quixote’s we witnessed some serious musical ability. Most notable of which may have been Pete Wall who seemed to blast off about midset. He brought a new dynamic to his sound and was virtually evolving right before a captivated audience. Magner did what he does best all night killing it on the keys and adding his own sonic flair to the sound. Pujalet was a human metronome on the skins with Gould giving a pinpoint precision to his bass playing. They bookended the show with their Multiball 2 jam finishing around 2:30 AM. As the crowd spilled out in the streets I smiled to myself knowing that I got to see this sick lineup at the beginning. They have so much raw potential that I can only hope that they continue to find time to play together in the future. Happy Anniversary to MusicMarauders and I look forward to another amazing year of live music coverage.
Game 7 performing Run Like Hell at Quixote’s 1-14-12
You know you are one of the lucky ones when you stumble upon something this amazing. I was wondering the Jam Cruise boat looking for adventure when I heard Ryan Montbleau’s sweet voice coming from somewhere. I wasn’t sure where it was coming from so my husband and I started to follow his voice. It got louder and louder until we made it into the Zebra Lounge sometime on Tuesday afternoon which was a day that we were at sea. We gave each other a high five, a butt slap and a kiss because we knew we found some greatness that afternoon in the Zebra Lounge. Sitting in front of the stage was Ryan Montbleau, Zach Deputy and Tim Carbone from Railroad Earth and they were playing beautiful acoustic music. They were performing a rendition of Ryan Montbleau’s “Inspired by No One” with Tim on the fiddle, Zach playing guitar and beat boxing and Ryan on guitar and vocals. It was one of those moments where you just have you yell out, “Heck yeah” because you know just how lucky you were to be there. That is what happens on Jam Cruise and with artists like these playing at Summer Camp too…that is what happens there as well.
Be one of the lucky ones!!!!