Cornmeal decided to make yet another pilgrimage to the great state of Colorado before 2011 wound its way down the drain of life. They were doing a two night run hitting The Aggie and The Fox before gearing up for their December run on the east coast. I got a chance to sit down with Wavy Dave and Chris Gangi from Cornmeal before the show. It was a great conversation about everything from their new release of Live In Chicago Volume 2 and their upcoming studio album to Summer Camp and New Year’s runs. It was an enlightening talk and we will be featuring some our conversation in video form as well as on our MusicMarauders Live podcast next month.
Magic Beans, who currently call Boulder their home, are an eclectic mix of all things jam. I listened to some of their tracks online before the show and I was struck by their prowess with acoustic songs. At the Aggie, it was immediately apparent that they were young. They had solid musicianship, but other than their Rocky Top opener, they seemed to stray away from the sound that had drawn me to them in the first place. I will say that their second song, Band Camp, was like a washing machine full of jam on the spin cycle. It was a fifteen-minute opus that showed the wide variety of their skills. They ended their set with some Bisco sounding playing that, given the fact that they were opening for Cornmeal, seemed a bit out of place. Given the fact of their age, I was impressed with their musicianship and I look forward to seeing them evolve as a group. With a little more focus, they could powerful force on the jam circuit.
Cornmeal took the Aggie stage around 10:45 PM and jumped into a high-energy hoedown that was like watching a bluegrass volcano erupt before my eyes. Cornmeal always brings the heat in Colorado. Something about the altitude or the water out here just inspires them musically. They have become so well known out here as a band that always delivers live that they usually draw quite the crowd. A decent audience was in attendance for a Thursday night show in Fort Collins. They opted for one long set playing almost two and a half hours rather than breaking it up. Allie shredded the violin like a female bluegrass version of Hendrix. Wavy Davy showed some of his skills on the banjo and he nailed some back and fort between himself and Kris. Highlights from the show included a very nice Out Here On My Own and a Magic Stone Mountain that would get even the most jaded fan dancing in the aisle. As they were about to wrap up the set they surprised the crowd with a beautiful version of John Lennon’s Watching The Wheels.
They encored with a huge This Must Be The Place (Naive Melody) by the Talking Heads and Townes Van Zandt’s White Freight Liner Blues. It was a great close to an amazing show from Cornmeal. They bring so much to their live shows by creating a palpable energy in any room they play, and upping the ante for any other jamgrass band touring today. They are a fearless group that, through their twelve plus years of playing together, have become so comfortable in that they are willing to take chances and push it to the limit. Their show at the Aggie was no exception and I will continue to look forward to their regular visits to Colorado.
Kyle Hollingsworth has a great relationship with Summer Camp. He came this year and along with Adam from Family Groove Company hosted a home brewing class on site. So it was interesting to have both on hand for this event. Having been to the first two Brew Fests hosted by Kyle Hollingsworth I knew I couldn’t miss the third in Chicago. Family Groove Company has played a total of 8 Summer Camps slowly working their way up the lineup.
This was the finale to Kyle’s Hop On Tour, which began at the pair of KHB shows out on the Front Range. It all benefitted Boulder based nonprofit Conscious Alliance. He had been giving out golden tickets in posters throughout the tour for an opportunity to share a beer with Kyle at setbreak. As well as hosting meet and greets at breweries around the country. This was a chance for everyone to get in on the fun. We arrived and took in the layout. It was a decent sized room and the fest featured twelve craft breweries including Stone, Magic Hat, and my old hometown microbrewer Bent River.
The afternoon also included a two set show by local jam powerhouse Family Groove Company. FGC started the first with their classic brand of Janis fueled funk. They have an interesting integration of both instrumental songs and Jordan Wilkow lead jazzy numbers. I was impressed with their musicianship all around. I had seen them several times back in my college days but due to the fact that they rarely make it out to Colorado now it has been a while since I’ve caught them live so I’m a little rusty on their solo setlist. I can tell you that they straight jammed and brought a power and dynamic that turned the heads of the boozy patrons and quickly transformed the room into an all out dance party.
Kyle came to the keys as Jordan stepped down. Taking the lead Kyle opened up his portion of the show with a Taxman jam. Kyle is pretty much always in a good mood at his beer fests and today was no exception. He busted out his now classic Song In The Key of Beer and segued nicely into a rocked out version of Way That It Goes. It was an interesting change up from not only the KHB version but also what SCI has been doing with this song on the Roots Run Deep tour. Additional highlights included a funky version of Let’s Go Outside and a set-closing take on Billy Preston’s Will It Go Round In Circles. Kyle bid adieu as he obviously had places to be.
At setbreak I wandered over to check out Conscious Alliance’s silent auction. They had a ton of awesome gear on hand including signed posters, a Summer Camp running jacket, and an autographed copy of moe.’s Smash Hits CD.
Family Groove Company came out for another set as the room slowly cleared with kids that had gotten warmly drunk on the high ABV beer selections. They closed their show with a funked out Subterranean Homesick Blues. It was truly a fun afternoon, which again reaffirmed my belief that this is a not to be missed event. Whenever they offer up a chance at a Kyle’s Brew Fest I just jump on it because they are always such a blast. I would suggest that if one comes to venue near you, go. As we headed home to get ready for one more night of String Cheese we were left with warm feelings and happy thoughts. Thanks for yet another great event Kyle and Family Groove Company.
It’s been quite some time since the Leftover Salmon’s full band peformed at Summer Camp in 2004. I was there that year I and remember it being one of the highligts of that particular lineup. However Vince Herman has a long history with the fest taking on MC duties in 2006. He did everything from introducing bands, playing tweener sets on stage, and even playing an impromptu acoustic show in front of the barn with Chuck Garvey. He was also there with his side project Great Ameican Taxi and as an artist at large in 2007. So it would be an understatment to say that seeing them on 2012′s lineup would make me very happy. I’ve been touting the reemergence and reinvigoration of Leftover Salmon for months. It was obvious after seeing them on their River Run this summer that any sign of burning out or winding down was a distant memory for the members of LoS. I was again reminded of how far they’ve come at their show at The Ogden.
I headed down early to get a good spot for some shots and ended up hanging out on the rail for most of the show. Head For The Hills opened up the night with a string filled bang. Now Head For The Hills has never had the opportunity to play at Summer Camp but I honestly believe they would be an asset to any festival. Furthermore, I just want to start off by saying that Matt Lowen is the Bassnectar of bluegrass, holding down the rhythm with his thick licks and nasty bass bombs. He was most definitely driving the bus. Now I’ve had the pleasure of seeing H4TH a few times but when they arrived onstage adorned in their tracksuits and screaming out, “Turkey Sweat” to the rapidly growing crowd I knew we were in for a treat. They took this run seriously, which is evident in the tape from Kind Recordings.
You can listen to it on ARCHIVE, thanks to Corey for posting.
It is shows like this that just fill my heart with so much goodness it is simply impossible to wipe the smile from my face. As I was snapping pictures I found myself pausing just to soak up all the righteousness oozing out of the band in front of me. They have this indescribable mix of being both current and yet old-timey. Their contemporary take on the classic and ability to harmonize so well is what sets them apart from other bluegrass acts touring today. They opened with a beautiful One Foot In The Grave that showed everyone what is possible vocally with Head For The Hills. They performed massive version of My Angelie, which has to be my favorite jamming vehicle of theirs. Beautiful and musically perfect versions of Peter Gabriel’s Solsbury Hill and Pink Floyd’s Fearless were highlights from their set as well. Joe Lessard’s fiddle was both powerful and subtle as he traded main vocal duties with Adam Kinghorn. They each took turns with hand-blurring solos as they ripped through their repertoire. By the end of the set my head was spinning from what I was witnessing. Mike Chappell on mandolin was the glued that held it all together as he at times held back and at other times literally made the earth move. They closed their set with Ray Charles’ Unchain My Heart, which took on a tone that was both unexpected and crispy. Once again Head For The Hills showed us why the are Colorado’s best bluegrass band two years running (as decided by the Westword) and why they are a not to miss show. This Thanksgiving I was thankful that they were on this run with Salmon.
It was time for the main event, which as a two set extravaganza from the one and only Poly Ethnic Cajun Slamgrass outfit from the mountains of Colorado, Leftover Salmon. They opened with a rowdy Carnival Time that just set the mood for what was about to go down. Here is the rest of the setlist from Kind Recordings.
SET I: Carnival Time, Gold Hill Line, Gonna Have A Party, Shenandoah Valley Breakdown, 44 Blues, The Highway Song, Danger Man*, She Caught The Kay*, RIP Michigan Mike, Down In The Hollow
SET II: All Night Ride, I’m Gonna Live High Till I Die, High On A Mountain Top, Almost Cut My Hair, Troubled Times> Ask The Fish, Last Days of Autumn, Jokester, Bill’s Boogie, Out In The Woods, Whipping Post> God Save The Queen
ENCORE: Nobody’s Fault But Mine**
*Silas Herman on mandolin
**Silas Herman on acoustic guitar, Joe Lessard on fiddle
Here is the Kind Recording from Corey on ARCHIVE.
I guess let me start by personally saying sorry to Jose Martinez. I’ve been giving him guff mainly because I felt he has had a few weak outings with the band in the last couple years, and when Wally Ingram sat in with the band for the River Run I honestly felt like they were making a transition. That being said he was on point the entire evening and really showed me what he is capable of with Salmon. So from me to you Jose nice work, keep it up sir. Going on I really do feel that Andy has just kicked this band into high gear. I don’t know that if in my twenty or so Salmon shows I’ve ever seen Vince and Drew so happy and obviously energized. They are always fun but there was something different this time, I kept catching Vince smiling as he watched Andy play and the energy between Drew and Vince was electric all night long. The Shenandoah Valley Breakdown showed some seriously fast picking and the 44 Blues lead by Bill McKay gave everyone a chance to catch their breath as we grooved away to his crunchy vocals. Vince likes to tell stories while he is performing; he is very much a bard in that way. He informed the crowd that since the band was now 21 and of age following last year’s 20th anniversary celebrations that they would be doing some extended touring and start work on a new album.
“See if we can get some more Salmon running around the country all over the place. Both in the water and on the highway.” –Vince Herman
Drew belted it out beautifully on Highway Song again demonstrating why he is so important to the Salmon sound. Few people give me chills when they sing live like Drew consistently does whenever I see him play. Vince’s son Silas came onstage for Danger Man and She Caught The Katy, which were huge highlights of the first set. After dedicating the show to Michigan Mike the previous night Vince took a moment to honor him and announced a show at The Stage Stop the next night. His hope was that the music would help the start to heal the community of Nederland after this tragic loss. They finished the first set with another Drew tune, Down In The Hollow.
They started the set teasing Louie Louie before ripping into All Night Ride. Again this shows their playfulness and happiness to be playing together in this band. Bill McKay again took vocals on David Crosby’s Almost Cut My Hair. Now I’ve seen them cover this track but this version just blasted off. A couple times it almost felt like they were teasing Whipping Post before it broke down into a reggae-infused Vince led pick off. The Troubled Times was stunning but things got weird during Ask The Fish. With the band taking on an ethereal Doors-esque jam, Vince gave us a soliloquy about how was face to face with a fish the was roughly the size of the room. The crowd became the amebas on the mouth of this giant fish asking them to act it out for him. Using a round glow stick that had been tossed onstage earlier as a prop to signify a bubble. It was a fun moment to say the least.
“How many of you feel more like you now than you did yesterday? That’s progress.” –Vince Herman
Bill’s Boogie was fun, but the highlight of the show was the set-closing Whipping Post into God Save The Queen. They encored with a huge Nobody’s Fault But Mine inviting Joe Lessard from H4TH and Silas back out for an extended picking session. This show again reaffirmed my belief that Leftover is back to their old self. After the loss of Mark Vann they had some growing pains and it took years for them to get back to this place. I can safely say that they are ready for the road ahead and I look forward to swimming upstream with them for years to come.
After a great night of music with the String Cheese Incident in Chicago we decided that we just hadn’t had enough. Mikey and I got dropped off at the House of Blues for Sexfist. Also known as the Henhouse Prowlers this group of bluegrass dynamos brought the heat to their SCI after show. The Henhouse Prowlers played Summer Camp in 2009 and this last year in 2011. I didn’t get a chance to see them, mainly because I was so busy with my duties as Camp Counselor. So this was a great opportunity to see this incredible group. As the snow began to fall we entered the nearly empty club. Luckily for us they hadn’t started yet. Within a few minutes of our arrival we watched as four gentlemen dressed in suits saunter out onto the stage.
They eased into the show demonstrating their prowess on the strings. Fast picking and solid harmonizing seem to be the hallmark of this band. As the room slowly filled up never reaching more than about fifty or so souls I felt lucky to be there and witnessing this great music. Heavily immersed in the old timey sounds, they also brought a freshness and zeal that made for a truly interesting experience.
Highlights from the show included a zipping version of Mr. Charlie that kicked off the dust on the show weary crowd. Additional highlights from the show included Old Home Place, Midnight Moonlight. A mix of classics, covers, and original picking tunes what we witnessed at The House of Blues. For their encore the band walked off the stage and played unplugged. They treated us to a sweet version of I’m Blue I’m Lonesome before calling it a night in the wee hours of the morning. This was my first time seeing this group and I was truly impressed with the entire package. From their attire to their pick of venue to their overall style, this show was the gem in the doughnut of my weekend in Chicago.
A Day In Of The Life
Well, a weekend actually. My Umphrey’s Red Rocks and Blue experience actually began on Friday July 1st when I picked up some of my Chicago peeps from the Denver Airport. It was great to have the Midwest peeps back with me again and the buzz of excitement that could be only an Umphrey’s show was already building. We went out Friday night and Saturday night and caught my good friends, the Fox Street Allstars as they brought their band of rock and funk to my favorite Denver bar, Herb’s Jazz and Blues. If you haven’t had a chance to check out the Fox Street Allstars, please do so. They are good friends and tour around with the New Mastersounds. We all know those cats can throw down and let’s just say Fox Street holds their own.
Anyway, Sunday came and it was time for Red Rocks. By now the crew had increased to about a dozen. We had a van pick us up for the show, SAFETY FIRST, and headed out. We got to the lot just before doors, hopped in line and went into the venue. It was a slow to grow crowd and we were able to put some tarps down in the sweet spot, rows 24 and 25, just left of center. We got in touch with another crew of peeps and had our group of 30 or so rollin all together.
Up first were the New Mastersounds. They looked so funny packed in all tight on top of one another. Appearances, and Eddie Roberts’ new hair cut aside, those euro boys really held it down. I love seeing them play and I’m so happy they have become friends with the UM guys and that gives me more chances to see them. Up next was the Easy Star Allstars performing some of their originals as well as some of their dub covers. A really fun show, something must have gone wrong though with the timing because they were just about to start their bong rip influenced “money” from dub side of the moon when they got cut off. Regardless they hold it down and always put on an amazing show. Nevertheless it was time for UMPHREY’S.
I know I have mentioned before how Umphrey’s are my favorite, and this show at Red Rocks really reinforced that for me. First set began as the sun was really setting. Jefferson Waful would pretty much dominate everything that happened the whole night. When he gets to set up a rig like the one he had this night, with some 60 odd moving lights, well, he can really create some textures that are of unsurpassable beauty and I applaud him for his efforts. The music though, boy the music. This was a really special show for me for a lot of reasons. I was with some of my best friends in the world both from Denver and Chicago and I was actually privileged to be able to introduce 2 other friends of mine to UM…what a first show to see.
I’m not sure about everyone else but I am really stoked on the way these new tunes are coming together. We got Puppet String in the first set which is just an awesome song full of metaphors vocal harmonies and soaring guitar riffs. Dropping into a dirty Hurt Bird Bath was probably a really good idea, and the plunger ending was a great way to send us off to set break. 2nd set was amazing as well. Divisions and Haji were my personal highlights as those songs have the tendency to tug on my heart strings. Ok, I’ll say it, I was crying during both tunes…I can’t help it…between the scenery, my environment (inside my body), my people, the lights, the songs, it was all too much. Not tears of sadness , but almost of connection and shared experience. Leaving his lyrics open to interpretation, Brendan really allows people to connect with his music, simply amazing. Finally, the encore, Pearl Jam’s Release, with huge vocals, Brendan’s voice seemed to flow over the entire crowd and wrap them in a blanket of emotion connected to the song. This song is especially meaningful to one of my best friends, Ben Burstein, and for me to see him see this song was very special as it helps me understand what his world is about a little more.
With the show over we headed back to the van. Between our 14 and another limo of 18, we were about to continue the party at my place where an ice cold keg of PBR was waiting for us. Upon arrival, my roomie Kari was getting things ready and we were about to rage. The Fox Street boys, my roommate Jordan and his band Kinetix, and s couple other special guests who later got locked in our backyard for half an hour, were all getting down together. The tunes and the beers were flowing and we were all so happy to be home safe with each other just living the life. I think we all got to settling down around sunrise. Epic, epic night.
Waking up on the 4th we all could barely do anything considering the night before. But, in the true spirit of an Umphreak, we rallied and raged. We got up to Boulder about an hour before the show, grabbed a bite to eat on the Pearl Street mall and headed into the Boulder Theater. Crew and I headed straight up to the balcony and to our surprise, all the seats had been removed. I later found out they went out for cleaning, but it was great up there. Super roomy, awesome sound, unadulterated view. From everything I hear people talking about, they loved the Boulder Show more than the Red Rocks show and if you are into a dancey night of Umphrey’s I’d have to agree. With such a small room and everyone being such a big fan, there was a lot of energy flying around in the boulder theater. Between Booth Love, the Triple Wide, Wappy, and In the Kitchen, the dance force was out in full effect. For me, however, getting to see Murph come out and play Comfortably Numb was the highlight. Every single person singing along, it was phenomenal. Check out this video by my buddy Ben: http://www.youtube.com/watch?v=EUkG5a2hXTM
With all that we had experienced I continue to realize how lucky we are to get to see a band like Umphrey’s. And just as every note they play can ring for only so long, seeing a live band is a fleeting endeavor. We never know how long they will play or what the future holds. So whatever your band is, go see them. Go see them as much as you can because tomorrow, you might not be able to.
CIT Taraleigh Weathers Gives a Recap of STS9 in Burlington, Vermont.
This one goes out to all those kids who wanted some more electronic coverage from Summer Camp. Obviously it’s not my genre of choice, but some of the bands can still hit close to the mark for me. I had listened to several tracks off of Boombox’s lastest album and was actually pretty excited to see them play. I arrived early to hear Auditory Elements who didn’t really even deserve to share the stage with Boombox. I first caught JD Garrick at The Mish this summer and just feel like he comes up short mixing mashups and dubstep. Not to mention that the early crowd didn’t bode well for the rest of the evening either. I watched a girl with a giant X on her hand stumbling around before a bartender had to come over and kick her out for being too intoxicated. When Boombox finally took the stage around 11 PM the crowd was packed in as many were still filtering in through the door. The sweat-soaked youngsters worked themselves up into fervor as the show began.
Boombox consists of Russ Randolph and Zion Rock Godchaux, yes that Godchaux. The most approachable thing about their sound is the organic fusion of instrumental and electronic. If you read my posts you know I have issue with heading out to see electronic acts mainly because it doesn’t jive with my personal taste. However, Boombox got their hooks into me a long time ago with dance version of Bob Dylan’s classic poem Last Thoughts On Woody Guthrie and as I previously mentioned the Grateful Dead connection with Zion Rock being the son of none-other-than Donna Jean. It’s nice to see an electronic act that still has respect for the classics that made music what it is today. Their newest album Downriver Electric is an enjoyable combination of soulful singing and dance-oriented beats. However it would take most of their show until we were treated to a couple of tracks from the new album. In fact the majority of the show featured the duo focusing on slick riffs with heavy beats and staying away from their more song-orientated material. Songs like Boogeyman and Round and Round made it into rotation, which was a nice workup of some, their classic tunes.
Boombox is a liquid dance party that focuses on a more down tempo and grooving structure to their shows. Elements of funk and rock mix cleanly with the electronic fundamentals to create a bouncy and layered show. For organic music fans it can be hit or miss but their show at The Aggie delivered exactly what was advertised. I could have done with a little more vocal based songs but overall I was impressed with the party they throw. My highlight from the show was the eloquently preformed Headchange. It’s songs like this that make me intrigued with Boombox. Clearly they have talent and know how to get the kids hungry for the untz, but by adding a bit of subtlety and some solid lyrics they create an avenue into electronic for me personally. So in conclusion I’m glad I made it down and was happy with the performance. I could have done with a couple more tracks like Headchange but hey; it’s a dance party.
Summer Camp always includes some sort of Dead Family Band in their lineup. Last year it was 7 Walkers but in 2009 that band was Dark Star Orchestra. So, Amy and I headed out to the Aggie to catch them. It was a nice night and the crowd was decent. Good people out for a real good time; the hippie kids were in full force. DSO is a band I’ve caught a number of times but after the departure of John Kadlecik I was curious to see how they were sounding with Zen Trickster, Jeff Mattson on lead guitar. Not to mention my utmost respect for keyboardist and Phil and Friends and The Other Ones alumni Rob Barraco. DSO is a combination of some truly skilled musicians and it was definitely time after a number of years to catch them out in Colorado. For those that don’t know Dark Star recreates Dead Shows from the past with incredible accuracy. They performed a great show from Vanderbilt University in Nashville, Tennessee that occurred on October 21, 1972. It was classic Dead at the height of their single drummer sound. Here is the setlist they performed.
SET I: Me and My Uncle, Beat It On Down The Line, Sugaree, El Paso, China Cat Sunflower> I Know You Rider, Black Throated Wind, Tennessee Jed, Jack Straw, Loser, Playing In The Band
SET II: The Promised Land, Brown Eyed Women, Big River, He’s Gone, Greatest Story Ever Told, Bird Song, Truckin> The Other One> Morning Dew, Sugar Magnolia
ENCORE: Jonny B. Goode
It was just a solid show all night long. It began around 9:35 and went well past 1 AM. As kids pondered the year of the show I was fairly sure it was from the early 70′s given the setlist. The China Cat> Rider was absolutely sublime with a deep version of Black Throated Wind. They finished the first set with a huge jam-infused Playing In the Band. The first set stretched to almost an hour and half ending just around 11 PM. Hippies twirled as they played on. I went out to catch some air at setbreak with the rest of the family.
The second set was only describable as sick. The Promised Land opener was kicked up a notch by the incredible cover of Johnny Cash’s Big River. The highlight of the show was by far the Truckin> The Other One> Morning Dew. It was a huge tidal wave that washed over the entire second set. Matson soared over Rob Eaton’s rhythm guitar; their back and forth interplay fit the bill incredibly well. Lisa Mackey’s vocals were enough to make Donna Jean herself jealous as she stepped in from time to time during the show. I was just blown away. For years I’ve honestly avoided Dark Star dismissing them as a cover band, a good cover band but a cover band nonetheless. The fact of the matter is they are so far beyond a simple cover band I almost feel silly thinking of them as such. They are musical historians and recreationists who work tirelessly to reimaging shows from years gone by. Without DSO there would be no real way to re-experience these long lost concerts. I’m glad I finally went back to see DSO, they certainly made a Friday night in Fort Collins memorable.
Burlington, VT has been on fire since the students have returned back to all of the colleges in the area. There are a ton of amazing bands at the venues all over town each night that our biggest decision in life is what band to rock out to. Life is very hard in Burlington:) On October 12th kids ventured to Higher Ground to check out some fantabulous dubstep. EOTO had each and every one of their fans dressed in anything from acid washed jeans to shiny jumpsuits with animal ear hats hypnotized with every whomp whomp they produced. Michael Travis and Jason Hann are one hundred percent committed to giving the show of their lives every time they hit the stage, which we as fans really appreciate. Every performance I’ve seen of EOTO so far, they have gone balls to the wall. Actually I would say the balls crushed the wall. You can’t help but dance, scream, shimmy, gyrate and maybe even pee yourself because you are so excited by the music. I love EOTO so much I wrote a Haiku about it.
Jason and Michael
They bring the whomp whomp whomp whoooooomp
EOTO melts minds
I also write one of the poems where you come up with a word for each letter
E- Everyone feeds off the energy of the band
O- Out of this world raging
T- Too much for my grandma to handle
O- Oooooohhh! I’m so excited to see them at Summer Camp next year:)
By Taraleigh Weathers
You know living where I live is pretty sweet. I only need to travel a few hours to get to all the best shows in towns like Milwaukee, Twin Cities, Chicago and of course Madison. A short 2 hour drive to Madison led me to The Majestic to see Colorado natives Michael Travis and Jason Hann of EOTO. We get the venue to find out we had scored some meet and greet tickets for only $20. With that I had the awesome pleasure of striking up a conversation with Jason Hann who plays drums and vocals and let me tell you he is one of the coolest most chill guys I have ever met in my life. He is funny and charismatic so I’m sure he has no problem picking up the ladies hahaha. Any who, we chatted of course about the fabulous Summer Camp Music festival. I asked him what his favorite Summer Camp memory was and he didn’t hesitate when telling me his story. He said his all time favorite memory is getting stuck in New York due to weather. I know that doesn’t sound fun but what comes next would be a topper for me. He told me about being stuck and wanting nothing but to make it to Scamp so he had to do the unthinkable, hitch hike!!!! Just kidding they did do an outrageous stunt though. They had to rent a plane but not any plane, a private jet. YEAH BUDDY do they know how to rock it in style. He said the plane made it to Ill with just enough time to set up stage and start playing an amazing set. We joked about the cost of the jet and how is was mear pocket change. We all have $10,000 just lying around hahaha. But he also stated that he could never forget stepping outside after the show and finding ankle deep mud, who else can forget that. I got to snag a signed poster from them and make my merry way to the balcony to enjoy an awesome with my dear friend PABST BLUE RIBBON BEER. Nothing could go wrong.
Now let us review the SICK show they put on. I couldn’t believe my ears when they played one of my all-time favorite Tupac songs Baby Don’t Cry. I was pumped beyond belief because that was the last song I expected them to mix by the man himself Tupac Shakur. They mixed a bunch random songs like the ever popular Nysnc, took me back to when I was just a weee little girlie and kind of made me giggle. But let me tell you EOTO definitely knows how to throw down and get the crowd pumped. You can tell they are very fan oriented (like most bands) by their smiles and the connection they make with the crowd. I don’t think anyone walked out of that show dissatisfied. After a killer 2 set show all I wanted to do was rage some more. Sadly I had responsibilities in the morning and had to leave the Madison community to make my venture home. I was bummed the next few days when all the Wausau folk that attended the show talked about chillin with Michael and Jason at an after party at my buddy Waubs house. I was sad but glad at the same time. It only made me want to support the band even more knowing that they don’t let their fame get in the way of hanging out with the fans and just being regular dudes, mad props to EOTO.
All I have to say to you people is check out EOTO if you never have because no one I know has ever been disappointed.
Counselor in Training