In a surprising announcement made on Tuesday, December 3rd, Roster McCabe announced via their facebook page that this weekend’s show at The Cabooze in Minneapolis (Dec 7) will be their last ever in Minneapolis, and after the rest of their December tour dates, the band will be no more. Roster McCabe originated out of Minneapolis, so high expectations are in order for this weekend’s gig. Here is the video announcement:
Although a comical video indeed, it’s a surprising move from this high energy band that was just starting to hit their stride. I have been the self-proclaimed #1 Roster McCabe fan since I first discovered these hairy guys at Summerfest (Milwaukee) in 2010. I’ve seen them on 20 different occasions at 9 different venues throughout the Midwest, including last year at Summer Camp, where Roster McCabe headlined the Camping Stage on Thursday and Friday night, as well as a late night show in the VIP Lounge.So what’s next for these electrockers? Hard to say, but I have a feeling we haven’t seen the last of Alex Steele, Michael Daum, Jeff Peterson, and Scott Mullenberg.
Until then, the remainder of Roster McCabe’s tour dates:
- Saturday, December 7: The Cabooze, Minneapolis, MN
- Friday, December 20: The Majestic Theater, Madison, WI
- Saturday, December 21: The Popcorn Tavern, La Crosse, WI
- Thursday, December 26: Bell’s Eccentric Cafe, Kalamazoo, MI
- Friday, December 27: Mad Frog, Cincinnati, OH
- Saturday, December 28: Lamasco Bar and Grill, Evansville, IN
- Tuesday, December 31: Wintersnap Festival, Elgin, IL
Recently I got the opportunity to meet with a person who is an integral part of the music industry that often goes unnoticed. Dr. Charlie Kautz, DC., is a chiropractor who specializes in treating musicians before their performances. Dr. Charlie and I sat down and discussed his services.
Me: Dr. Charlie, your website states that you provide specialized treatment protocols for professional touring musicians. Can you elaborate?
CK: Hey thanks, Alex! I’m a licensed chiropractor and my business, “Epic Performance Integrative Chiropractic”, to put it simply, provides a service to musicians to decrease pain and increase function to allow them to focus on what is important while they perform – the music. Along with chiropractic adjustments, I utilize a soft tissue technique called Active Release Technique and the application of kinesiology sports tape in my typical treatments.
Me: What is Active Release Technique?
CK: Active Release is a technique designed to treat repetitive stress injury and there is a unique protocol for each muscle in the body. I identify the muscle that needs to be treated, based on the type of musician I am working on, and use my unique treatment protocols to improve range of motion, increase muscle memory speed and decrease pain.
Me: As a chiropractor, what happened to inspire you to focus specifically on musicians?
CK: I’ve always been a big fan of music and it’s been a huge part of my life. During chiropractic school, I had a “light bulb moment.” While everyone wanted to be a “sports chiropractor”, I spent time trying to figure out how I could be different. By becoming a “music chiropractor”, I could incorporate what I love with my professional aspirations by treating a group of people that I feel need chiropractic more than anyone. Between the repetitive stress they put on their muscles and joints everyday and traveling and experiencing the rigors of touring, every musician can really benefit from what we have to offer. My friend, Wes Bailey, is really the first musician I started doing regular work on. If you haven’t heard of his band, Moon Taxi, you need to jump on the bandwagon ASAP.Me: This sounds like a relatively new field of work. Have you come across other chiropractors that specialize with musicians, or would you say you’re starting a new trend?
CK: I’m a member of the Chiropractic Performing Arts Network (CPAN). It’s a national organization of chiropractors who share a common vision of providing natural healthcare to performance artists by enhancing performance, increasing vitality, and increasing overall body awareness. I would be surprised if there were many other chiropractors out there with the drive and motivation that I have to study musicians and their ailments, especially one who is also certified in several soft tissue techniques. It’s really a niche I feel I’ve discovered. It’s a great time working with and treating the talented people that I admire and then seeing the looks on their faces after a treatment and getting to watch them perform on stage.
Me: What does your typical work week look like? Are you more in the office or traveling to work with bands?
CK: I work Monday through Thursday at Chiropractic and Wellness on Pewaukee Lake in Pewaukee, Wisconsin. Any time bands are playing in the Milwaukee or Madison area, I will go to the venues and work with them. On weekends I do a lot of traveling between seminars and working on bands out of state. So, pretty much I am a really busy guy (laughs).
Me: So you’ve just been doing this for a few years now. What bands have you worked with? What has been the best experience so far?
CK: I’ve gotten my hands on a countless amount of musicians already but I’m somewhat limited to what I can say. I’ve received testimonials from members of Umphrey’s McGee, Moon Taxi, Roster McCabe, The Motet, Steez, Indigo Sun, and Undercover Organism, just to name a few. You can read their testimonials on my website. It was a lot of fun to be able to work Umphrey’s McGee recently during their Halloween run at The Riverside Theater in Milwaukee. They’re a great group of guys and even more talented than I ever imagined before getting to meet and talk music with them. I also recently had the opportunity to provide my services to John Densmore, legendary drummer of The Doors. That was a really cool experience for me. I discovered that at the height of their touring career, the band would have a chiropractor come to the venue at least twice a week to treat them before they played. Mr. Densmore explained that chiropractic has been a vital tool he has utilized throughout his career to help with all of the aches and pains associated with being a musician. That was great for me to hear and offered a sense of validity to the mission of my business and what I can offer.Me: What aspirations do you have for Epic Performance Integrative Chiropractic going forward?
CK: I’d really like to expand my services to music festivals and connect with event organizers and promoters. I’ve been able to connect and work 1-on-1 with the bands really well so far, but one of my goals is to totally redefine artist hospitality at the big summer music festivals by taking the pre-show massage to a whole new level. While a massage feels great, it doesn’t address the underlying structural problems often associated with pain symptoms and dysfunction. I’d also like to establish some sort of “residency” with the bigger venues in the states that I’m licensed in, like I’ve done with some of the venues in the Milwaukee and Madison areas. Who knows, maybe you’ll see me at Summer Camp (laughs).
I’ve said it before and I’ll say it again: this band gets better every time I see them. A typical thing fans say about their favorite artists, but I’m not a typical fan of this band as this concert was RMC show #19 for me, and 8th of 2013. I’m very curious to know if there’s someone else out there that’s seen this band more than I have.
Roster McCabe is an “electrorock” jam band, hailing from Minneapolis, MN, consists of Alex Steele (vocals, keyboards), Michael Daum (guitar), Scott Mullenberg (bass) and Jeff Peterson (drums). It’s also worth noting you won’t find a band with better hair.
RMC opened the show with perhaps their most defining song, “Take a Breath.” TAB is a great song that really captures all the elements that RMC is about: Steele’s soaring vocals over a dance-infused melody blending together a perfect mix of rock with electronic, hence the “electrorock.” The set also included 2 new songs, an outstanding cover of Michael Jackson’s “Bad,” and an incredible sit-in from guitar virtuoso Mark Joseph during the encore. These guys are NOT to be missed next time they come through your town. Never disappoints and always a dance party!
Setlist: Take a Breath, Make My Move, Traveler, Nothing to Lose, Virtual Insanity@, Chasing#, In Our Hands, Trance 2#, Bad$, Only Truth, Stargazer, Tell Me Something Good%, Black Rose, Critical Speed
# new song
$ Michael Jackson cover
% Rufus & Chaka Khan cover
& Ginuwine cover
& with Mark Joseph on guitar, Michael Daum playing keyboard
Videos: Take a Breath http://www.youtube.com/watch?v=zUxWba1niYI&feature=youtu.be
This weekend now marks the 2nd annual Downtown Sound Music Festival, held right in the heart of downtown of historic La Crosse, Wisconsin. With last year’s inaugural event being a success, this year has been improved with more live acts at several different venues in downtown La Crosse, including shutting down Pearl Street for a stage right on the block! This is a great event supporting several local musicians and some great headlining acts, including past Summer Camp artist Roster McCabe!
Friday night, Aug 30: John Gorka at The Pump House, Chastity Brown at The Root Note, Eric Sommer at The Bodega
Saturday night, Aug 31 on the Pearl Street Block Stage:
2-3: Click Track
3:30-4:30 Black River Revue
5-6 Fayme Rochelle & the Waxwings
6:30-8 Natty Nation
8:30-10 Roster McCabe
At the Cavalier Theater: Gary Louris Trio
Saturday Late Night: Roster McCabe at the Popcorn Tavern, Fayme Rochelle & the Waxwings at The Bodega, Black River Revue at The Root Note
Sunday, Sept 1 on the Pearl Street Block Stage:
3:30-4:30 Mike Munson
5-6 General B and the Wiz
6:30-8 Bigtree Bonsai
Sunday late night: Bigtree Bonsai at The Popcorn Tavern, General B and the Wiz at The Root Note, Derek Ramnarace at The Bodega
Check out the page here! http://www.downtownsoundmusicfest.com
Like it on Facebook! https://www.facebook.com/DowntownSoundMusicFest
My birthday. Christmas. Packers’ playoffs. Summerfest. That’s the ascending order of my favorite days of the year (at least until Summer Camp becomes a yearly tradition). I’ve been to every Summerfest since ’99 (when I was 7), and I know my parents have brought me along earlier than that, I just have no recollection of it. My father has been to every single Summerfest since the opening in ’68, but that’s a whole other story. Maybe I’ll share that in a future post. Anyways, this is the 11 day span I make sure I get off work months in advance every year. The last Wednesday of June through the first Sunday of July. Every year. The most I ever attended was 8 nights back in 2010. This year I will total 6 appearances, the first 3 I will share below.
^mid gate entrance
Thursday, June 27
Thursday morning, I had no plans of attending Summerfest. I didn’t have a ticket, there were’t any bands playing that I was real committed to seeing, and I was already going to the Brewer game in the day. Some of my college buddies were in town and had never experienced The World’s Largest Music Festival, so I had to show them a good time. Being a Thursday night, it wasn’t too crowded, so we stage-hopped around a bit. We started at REO Speedwagon, a band I am not all too familiar with (just the main radio songs) for about a half hour. They were on the Big Backyard stage, which is probably my favorite side stage on the grounds. It’s smaller and more confined, creating an intimate feel between the crowd and the band. The crowd was loving the show, as the band members displayed a lot of enthusiasm and showmanship up on stage.
The next stop was to go see Blues Traveler, the most fun I had in the night. It was my first time listening to Blues Traveler, and after seeing them, it won’t be my last. I didn’t know any of the songs, but I loved their sound – I’d describe it as a mix of southern blues jam rock.
Friday, June 28
This was the day I had marked on my calendar for some time. I got to the grounds by 6 to catch an hour long set of Roster McCabe, who was performing on the Tiki Stage. I’ve written about these guys before and I can’t say enough about their talent and potential. The sky is the limit for this small time electro-rock reggae jam band from Minneapolis. Here is a video I took of their original, Critical Speed. This song makes me feel like I’m in a video game. http://www.youtube.com/watch?v=0D9gEfWOu_o
After Roster McCabe, I ventured to the south end of the grounds near the Marcus Amphitheater to find myself a Tom Petty ticket. Honestly, I just would have been fine with a lawn seat for $50 (~face value). I spoiled myself a little bit, and found a ticket in about the 20th row for just $80. Such a steal. I walked through the gates into the Amphitheater with the BIGGEST smile on my face. It’s been 4 years since I’ve last seen Petty, and I was worried that I’d never get the chance again. First thing I got to say is, we need to start reconsidering the Heartbreakers as a jam band. They’re not there yet, but 3 different times during the show the band displayed some serious extended pieces of improv from their tunes, sparking more dance moves from across the stands. Highlights of this show for me include the three consecutive greatest hits of Here Comes My Girl, MJ’s Last Dance and Free Fallin’. As I’ve said before, little concert moments have compared to Free Fallin’ live. One of my all time favorite songs, as well as I’m sure the rest of the sold out crowd at the Marcus Amphitheater. Even into his old age, Petty still brings the love and energy every night and shows his passion on stage. You can just tell he absolutely loves being up there, and that he’ll do it as long as he sure can.
Setlist: (source: http://instagram.com/p/bJhmihyB1G/)
Rock & Roll Star, Love is a Long Road, I Won’t Back Down, Baby Please Don’t Go, Here Comes My Girl, Mary Jane’s Last Dance, Free Fallin’, Woman in Love, Cabin Down Below, Band Introductions, Tweeter and the Monkey Man (Traveling Wilburys), Rebels, Melinda, Learning to Fly, You’re So Bad, I Should Have Known It, Refugee, Running Down a Dream.
Encore: Don’t Come Around Here No More, You Wreck Me, American Girl
Here are some videos I was able to capture:
Here Comes My Girl: http://www.youtube.com/watch?v=M8vHWZu6-kM
Free Fallin’ http://www.youtube.com/watch?v=784Jett6cZU
Don’t Come Around Here No More: http://www.youtube.com/watch?v=tdRutD0-_AA
^ sell out crowd at The Marcus Amphitheater!
Saturday, June 29
I do not consider myself a very big electronic music fan. I prefer the good ol’ rock and roll. A handful of talented musicians up on the stage pouring their souls through their instruments. Pretty Lights, however, is one of 2 exceptions (Big Gigantic being the other). This was my first Pretty Lights show, so I wasn’t too sure of what to expect. The Harley Davidson Roadhouse Stage was just PACKED with people, shoulder to shoulder. I will estimate about 15,000 were in attendance for Pretty Lights on this hot summer night in late June. Of all the shows I’ve been to, Pretty Lights (Derek Vincent Smith) instantly put himself in the top tier of a good time. One word to describe the atmosphere? Party. As crowded as it was, everyone there was having a blast and dancing to the best they could with limited space. I am sad to admit that it was difficult to take pictures and videos, but for good reason: the picnic table I was standing on was shaking! Too many people dancing. I suppose that’s a good problem to have at any concert! I can’t wait to see him again. The highlight for me was definitely his remix of Time by Pink Floyd, considering there was a Floyd cover band playing Summerfest earlier that day that I missed. I wish that I was closer, but if I had tried any further up there I would have been too uncomfortable to move and dance.
Let’s Get Busy, Around the Block, A Million Tomorrows, So Much in the Dark, Can’t Stop Me Now, Finally Moving, Cold Feeling, I Put a Spell on You, Done Wrong, Time, How We Do, SummerTime, If I Could Feel Again, Out of Time, World of Illusion, One Day They’ll Know, So Bright, I Know the Truth, Yellow Bird, Total Fascination, Still Night Remix, I Can See It In Your Face, Up & Down I Go, Hot Like Sauce, Exodus
Here’s my video of Finally Moving: http://www.youtube.com/watch?v=omCT4Bzak5U
^ my 2 best pics from Pretty Lights.
After PL finished, I caught the tail end of Roster McCabe’s set again at the Tiki Stage. I could hear their hit “Take a Breath” from a whole stage over and ran up to join the small frenzy of dancing Summerfesters. Take a Breath is the perfect song I think to set an example for Roster McCabe’s sound: a mix of reggae, rock, and EDM. Here is their released live album version: http://www.youtube.com/watch?v=xmedpaoyw34.
They encored with Michael Jackson’s “Bad,” a great cover choice as it drew the attention of even more passer-byers in and added to the fun. I saw Roster in mid June in La Crosse, where they also covered the MJ classic. Here it is: http://www.youtube.com/watch?v=aX8ENXjfj5I
At the end of each show, Alex, the lead singer, takes a picture of the crowd and posts it to their facebook. Here is the photo, which doesn’t quite do justice to how many people were in the tiny little area
^ Roster family photo!
And that sums up my first 3 nights of Summerfest! My next recap will be Umphrey’s McGee from July 2nd, followed by another blog of Dark Star Orchestra and 311.
Sunday was EASILY the best day of music for me. Also, it was easily the worst day of weather. No way I was gonna let that affect my mood, though, and for many Scampers, it was the same.
I was able to catch Umphrey’s day time show, and they just continue to get better every time I see them, as now this was the 15th show for me. Highlights include a beautiful version of Dear Lord, one of my all time favorites and a rarity, with a sit-in from Luther Dickinson. They closed the set with a rockin’ Miss Tinkle’s Overture. Check out my video of it (right here): http://www.youtube.com/watch?v=F0M7GMT3F74&feature=youtu.be
Hands down, the show by The Everyone Orchestra was one of the best shows I have ever seen. Wow. I was just blown away. On stage was Joel Cummins of Umphrey’s McGee on keys, Vinnie Amico, Jim Loughlin, and Al Schnier of moe. on drums, percussion, and guitar, respectively, Victor Wooten on bass, Allie Kral of Cornmeal on violin, Roosevelt Collier on steel guitar, and Alex Steele of Roste McCabe on vocals. There was also another girl on trombone who was just stunningly good, but I am not sure who her name was unfortunately. Of course, it was orchestrated by Matt Butler. For those unfamiliar with The Everyone Orchestra, it is all improv and the jams are literally conducted by Butler as he is leading the artists with the tempos and grooves. Their final jam had some “Love Love Love” lyrics bouncing around that got the crowd going crazy inside the intimate Red Barn.
Finally, there was Trey. Words can’t even begin to describe the musical journey he takes me on every time I see him perform. He came out on stage, did a nice little awkward and goofy half-bow to the crowd, picked up Ocelot (the name of his guitar) and got right into First Tube, a classic song that gets me rocking every time. He didn’t let up from there in his first set got better and better with each song. Unfortunately it was raining for most of the first set, so I didn’t get many pictures or videos, but it let up enough for me to catch the end of “Money, Love, & Change.” Check it out! http://www.youtube.com/watch?v=ysUBGexwkKU&feature=youtu.be
His second set was cut short due to the nasty flash flood, which to be honest, came as a sort of relief to me. I found myself at such a predicament because a gust of wind, or Trey’s peak in one of his jams, snapped my umbrella in half. Once that happened I just got SOAKED. I mean soaked. And muddy. But I mean, it’s Trey! During the jam of Push on til The Day, the final song he ended up playing, a small child arose on the shoulders of someone in the front row, and he just danced danced and danced away for all to notice. The crowd cheered him on as he had all the spins and moves, mostly with his arms, and even Trey went up and gave him a high five after the song ended. It reminded me of when Alpine Valley last summer, in which Trey pulled up a bunch of phans on stage during their encore song of Meatstick, showing despite the level of stardom he has reached, he still has the heart and joy of music to share it with others and acknowledge great moments when it happens. By the way, I was one of those guys doing the Meatstick dance on stage. Here’s the video! http://www.youtube.com/watch?v=5nIFwpRxFLA
Well, Summer Camp, it was GREAT. Although the rainstorm cut the night a little young, I had a hell of a time and am already counting down the days til next year.
So through my first two days here at Summer Camp, I’ve come to realize the culture that exists here. Three Sisters Parks has become its own city, separate from the rest of Chillicothe, as well as the rest of society, where everyone here is here for the same reason – to celebrate life and enjoy the music having a great time. Yesterday I celebrated life with several fantastic concerts, spanning nearly 8 hours of music.
I started out my day waiting in line for Umphrey’s McGee’s Golden Ticket merch event. What this was is they were selling 600 bags of random merchandise, with 24 of those bags luckily including a “Golden Ticket,” redeeming the recipient with random great prizes from winning 2 tickets to every show to a year to an umVIP pass for the rest of the festival for an on-stage viewing experience, among other things. Unfortunately, I did not win a Golden Ticket, but still got a solid bag of merch goodies including a t-shirt and a coozie. Stasik was there taking pics with fans and I was able to snap one.
Medeski, Martin, & Wood was next for me. I’ve never listened to the psychedelic jazz trio before this show, and was blown away by their chemistry and flow in their music. They were all on the same key throughout the show and kept the crowd dancing throughout their set under the beautiful sun.
I took a break after MMW to grab some food and head over to the Sunshine Stage to catch the first set of Umphrey’s McGee. The crowd was raging along in full force as the full moon began to shine in the east as the sun set in the west. Closing the set with a sandwich of one of my all time favorites, Nothing too Fancy, I felt good about stage hopping over to check out Roster McCabe. As always, they did not disappoint as I danced along with the smaller but energetic crowd at the Camping Stage before heading back to catch the latter part of Umphrey’s second set. I’m disappointed to have missed Dominic Lalli sit in with them for Bright Lights, another of my favorite song, but they still killed it the second set, and encored with Rebubula. Yes, you read that right, Rebubla by moe. Truly an epic moment in UM history that will be talked about for years to come of Summer Camp Highlights. – Video: http://www.youtube.com/watch?v=Hze_chSCO5U&feature=youtu.be
After Umphrey’s I headed to see Nahko & Medicine for the People at the Campfire Stage. Medicine had the vibes with them tonight as they packed in all the love for music in a tight hour long set, but only left us wanting more. For those unfamiliar with this band, they sound a lot like Michael Franti and Matisyahu. Nahko even sang a few verses of Matisyahu’s “One Day,” but instead changed the chorus to “Today,” representing his message of making the world a better place right now.
^Nahko & Medicine for the People
After Medicine, I caught the final half of Big Gigantic’s set over at the Sunshine, a show I’ve been ready for for quite some time. Big Gigantic’s fusion of jazz and dubstep is unlike any other band I’ve heard before, and they truly feed off the crowd’s relentless energy. I am absolutely stoked to see them again tonight for the late night. After Big G, I headed to the Barn to catch moe.’s late night set. The Red Barn is such an intimate venue, I was truly captivated by that feeling of everyone in there just loving the music so much, and could tell that moe. felt the same way; they were relaxed and just having a good time. Unfortunately I couldn’t last long enough to make it through Yonder Mountain, so I called it a night after moe.
Today, as crazy at it seems, looks to be even better than yesterday; the best part I’ve learned about Summer Camp is that the next day is better than the last. I’m looking to check out Victor Wooten & Friends at the VIP Lounge, (a very nice perk of being a CIT!), Thievery Corporation, 2 sets of Umphrey’s then moe., and a late night with STS9 and Big Gigantic.
^ Roster McCabe
So we’re just getting started here at Summer Camp and it’s already been better than I ever could have imagined. The process of checking in and setting up my tent took a few hours, with several trips back and forth between the car and campsite. Upon finishing all the preparation and organizing came with a huge sense of not just relief of being ready to start venturing through the festival, but also a feeling of triumph; I finally made it!
I was able to catch one of my favorite bands last night, Roster McCabe, at the Camping Stage. Including last night I’ve now seen them 13 times, all of which over the past 3 years. It’s been an amazing journey to witness how they’ve progressed and developed their sound over the years as they have evolved their music with the fusion of new trends of electrorock. They played a few new songs which I’ve never heard before, which is always a treat, and then blew the crowd away with a dance frenzy cover of Daft Punk’s new single, “Get Lucky.” They’ll be playing here at Scamp quite a few more times and I’m stoked to see them again, and I highly recommend them to anyone else.
After Roster McCabe finished up I was able to catch most of Digital Tape Machine’s set at the Starshine stage. I knew that Joel and Kris of Umphrey’s are in the band which was the compelling reason for me to check them out, and I definitely picked up on some of the UM influence in their sound, although they were far more electronic.
There’s quite a bit going on the grounds here today, and I’m ready to go take on the day. I’m looking forward to checking out the “Activities with Umphrey’s McGee” at the VIP tent today, not really sure what that entails, but any opportunity to meet one of my favorite bands, I will take. After that, I plan to check out moe. for a little bit before I partake in the Golden Ticket event for Umphrey’s merchandise, and then stage hop around the grounds between Medeski, Martin & Wood, Keller Williams, Papadosio, Yonder Mountain, Umphrey’s, EOTO, Roster McCabe, STS9, Medicine for the People, and Big Gigantic! So many bands and so little time! There’s supposed to be a super moon tonight during the Medicine for the People set, so great times are destined for this night as well as the rest of the weekend!
Euforquestra returned to Fort Collins for a hometown show at the Aggie with friends Roster McCabe and D. Bess. Both Euforquestra and D. Bess have performed at Summer Camp. In FoCo Euforquestra historically has been a solid draw, but the venue never completely filled in on Friday. D. Bess is the former lead singer of Iowa City reggae outfit Public Property. He currently performs as a solo project utilizing loops and his diverse skills as a multi-instrumentalist. Playing a blend of originals and covers, he slowly built up each song one riff at a time. Having seen D. Bess before, I have to say that he as come a long way with his looping skills. His performance lasted just under an hour before he gave up the mic for Minneapolis’ Roster McCabe.
Roster McCabe is an amalgamation of jam. They blend elements of soul and funk with electronic, dance, and rock. The band has been making regular jaunts out to Colorado for years now, and continues to energize audiences throughout the country.
SET I: The Traveler, MMM, Spark A Light, Paper Crowns, Speed, Regulate, Stargazer, Take A Breath
Their one-hour set blasted by rather quickly leaving some fans wanting more. The silky vocals of Alex Steele washed over the crowd, as their consistent rhythm section made up of Jeff Peterson and Scot Muellenberg stayed tight throughout the set. This allowed for some incredible interplay between the guitarists. They ran the gamut alternating between funky break beats and an all out electro dance party. The powerful and progressive “Paper Crowns” acted as the anchor point of the set, but the funky, retro “Stargazer” was the highlight.
After a short intermission Euforquestra took the stage around 11:30 PM. They opened with a nasty version of Herbie Hancock’s “Hang Up Your Hangups.”
SET I: Hang Up Your Hangups, Let’s Dance> Called You, Hopscotch, Road Funk, Solutions, Price Is Right, Obatala> Change Me, The Events of December 11, Instant Coffee, Cause A Reaction, Dr. Standby> Sexx Laws
ENCORE: Yogi’s Day Out
You can download the show at http://archive.org/details/euf2012-10-06.mk41.flac16. Thanks to Eric Wilkens for posting.
Euforquestra is currently undergoing some changes. With the departure of original percussionist Matt Grundstad and bassist Ben Soltau, there has been a shift in the rhythm section. With Grosso moving back over to bass and newcomer Craig Babineau replacing him on kit, they were joined by yet another fresh face, Scott Mast on percussion. With all of the changes you would think that it would have a distinct effect on their sound, however I was amazed at how well they played together. A vocal rise gave way to David Bowie’s “Let’s Dance” which really woke up the crowd and got the night going. The bouncy “Called You” broke down into riff-.y “Hopscotch” which really gave guitarist Mike Tallman a chance to rip it up for the audience. Fan favorite “Road Funk” was a nice addition to the set, with a huge “Solutions” waiting in the wings. The energy-infused “Obatala” into “Change Me” was yet another highlight in this non-stop dance party. This band has the ability to shoot out of the gate like a bunny-crazed greyhound, or step it back into a funky groove that soothes the soul. “December 11” has become another standard from Euforquestra, but the building groove of “Instant Coffee” was a nice change of pace. They ended the set with “Dr. Standby” into Beck’s “Sexx Laws. Euforquestra performed the music of Beck at this year’s Camp Eurforia and have been sneaking his songs into their setlists from time to time ever since. They are doing a Halloween tour featuring Beck’s music at the end of the month as well. They encored the show with Ross Martin’s “Yogi’s Day Out.” This was definitely an eclectic show from Euforquestra with a little bit of everything. They pulled out a few covers and showed that even with some changes in personnel that they will continue to play well and in a manner that fans have come to expect.
What up Scampers?!?!!
This weekend I got to see an amazing show, the Kyle Hollingsworth Band, SOLD OUT at Cervantes in Denver! I must admit, I am a casual fan of SCI at best and I paid little attention to their side projects. Kyle Hollingsworth, however, is AMAZING and has opened my eyes…I once was blind but now I see…please don’t hate a wretch like me…
Well, Kyle was super funky and way more synthesizer based than I anticipated. I don’t know the names of his songs, but Michael Kang came out for a bunch and they were some awesome jams. I was way too into it at the time to pull myself away and get any footage, and for that I am deeply sorry. In any case, you can look up some clips if you like but I am telling you, you don;t need to. If the Kyle Hollingsworth band comes anywhere near you, go see him!
The same can be said for some buddies of mine, Roster McCabe. Have you hear of them? Well you will now. Roster McCabe are a great group of guys and are a well traveled band. They were opening for Kyle Hollingsworth at this show and I got a chance to ask them a few questions…You can see that below. I also managed to grab a video of them doing Fame by David Bowie with Kyle Hollingsworth. Check out the video and then check out Roster McCabe. They believe you should have some music in your life regardless of what you got in your pockets so you can download ALL their music for FREE at www.rostermccabe.com/
Jeff – Hey guys, so thanks a lot for answering some questions, let’s start off with the basics, where are you from, individually and as a band?
Roster McCabe – Jeff is from Grand Forks, ND; Alex is From Brooklyn Park, MN; Drew is from Bloomington, MN; Mike is from Oconomowoc, WI; Scott is from La Crosse, WI. We all met in the Minneapolis/St. Paul area in Minnesota.
J – Nice, I always like to ask, where did your band name come from, it’s usually a good story, no?
RM – It is a great story, yes, but it is also a secret.
J – Haha all right, playing a little hardball, this one should be easier, how long have you been playing together?
RM – Jeff solidified our lineup in January of 2008. We started full time touring in 2009, playing 150 shows in 2009; 175 in 2010; and this year we’ll get to about 180.
J – Cool, and what festivals have you played before?
RM – We’ve played a couple big ones but we’ve also played a lot of really cool smaller festies that are definitely worth mentioning. The full list is: Summerfest, Harvest Fest, Shangri-La, Bella Music Fest, Midwest Fest, Rock the Vine, Bandit, Co. Fair, Ifdakamp, Browntown, Jam-Boree, The Family Reunion, Great Aberdeen Pigout, Cosmic Railroad Family Gathering, Prairie Grass, Engelbrechts Homegrown Fest, Jam for Jam, and this year we’ll be doing Wookiefoot’s Snowball Festival in January.
J – Well hopefully this year you can add Summer Camp to the list…Including all those festivals, what would you say your biggest show has been so far?
RM – It’s a tie between opening for Stephen Marley at Summerfest, Matisyahu at Shangri-La Festival, and a show we did this past Saturday at Cervante’s Ballroom in Denver with The Kyle Hollingsworth Band and Michael Kang. Kyle sat in with us for a rendition of David Bowie’s fame. Definitely a show we’ll remember for the rest of our lives.
J – All right, let’s switch gears a little bit, because I like to know more about the inner workings of bands and to see how that all goes, so, I know it’s a rather vague question, but tell us a little about where you are at in your career as this band and what kinds of initiatives you are taking to continue moving forward…
RM – We’re still a growing and changing band because we’re still so young. This is only our third year being on the road full time and we’ve changed A LOT in that short time. I’d imagine we’ll continue to change and evolve as time goes on cause we get bored easily. We’re constantly writing and re writing our tunes to get them to a point where we’re happy with them and to get them to the point where we think they’re good enough to share with people. We’re also constantly introducing new instruments into the band as we evolve. A most recent introduction is the use of Ableton Live to get some of the new stuff sounding as close to a DJ as we can while still playing all the actual parts. We’re never satisfied with where we’re at. We always want to sound tighter. We always want to reach new highs with our performances. We always strive to be a better band in every way possible and I don’t think that we’ll ever stop doing that.
J – So, are you trying to get into Summer Camp? If so, what is that process like?
RM – Absolutely. Summer Camp has been on our list for sometime. We think it’s a great festival with awesome people so yeah, it’s definitely something we would like to do. Really we’re just trying to grow as much as possible in Chicago and the rest of the area as possible to ensure that we’ll bring people to the fest. We’ve been doing a good job of that recently, so hopefully they’ll take notice this year.
J – Anything you’d like to add to tell the fans of SC music festival?
RM – All of our music is available for free on our website at rostermccabe.com/downloads and we’ve got a bunch of live shows on the Live Music Archive. To get a good feel for what we’re doing now make sure to get a recent show because like I said before we’re always changing – even if you listen to something from 6 months ago it won’t sound how we sound now. And if you guys dig what you’re hearing make sure to let the people of Summercamp know!