The last time Old Shoe attempted to make it to Fort Collins, half the band got stranded at an airport and the other half played a few songs in a hotel lobby. This time was an absolute success in the sense that at least everyone made it to the gig. So on a Monday night in Fort Collins, Old Shoe made their triumphant return to the high desert plains. They are a recent addition to the Summer Camp family first playing at the festival in 2012. However their Chicago roots, strong attention to detail and their impressive musical interplay have quickly made them a crowd favorite at SCamp.
Up first was local group Hog MaGundy who has been making waves in the acoustic scene around Fort Collins. The room was as full as I’ve ever seen, meaning there were about thirty people scattered about the room. The audience seemed divided by allegiance with the MaGundy boys bringing a decent crowd to Avo’s. They had a nice full twang balanced by their drummer. They are essentially a jamgrass band but they describe themselves as good ol’ Colorado Slopgrass. That label was actually fairly appropriate. On the cusp of their one-year anniversary this emerging band will have the opportunity to play at Wakarusa this summer. Young Ben Hanrahan has a uniquely intricate picking style that became a focal point of their set, which went around an hour. They are a jug band on steroids with a solid understanding of the traditional. I’m glad I got the opportunity to see them live.
Old Shoe has quickly developed a fan base that stretches across the country. They are one part Dead, one part acoustic folk, and all dirty rock jam. Old Shoe has no problem bending genres to suit their needs as evident in the funky but solemn sounding “Ragweed Jones.”
Set 1: Ragweed Jones, On Your Way Down, Money In The Middle, Star, Family, Better Idea, Mystery Train, Loco Motive, High on the Mountain Top, Mouth of the Lion, Beer
Set 2: Day Rains Night, Got Me Down, Sand*, Drinkin’ Dark Whiskey*, How Mountain Girls Can Love*, Dust Bowl, Wouldstock, Let Yourself In, Kush
*w/ Garrett Burrow of Hog MaGundy on Banjo
Old Shoe went into a spot on rendition of Allen Toussaint’s “On Your Way Down.” Greg Fundis pounded out the beat nicely on “Money In The Middle” before the funky, Dead-esque “Star.” “Better Idea” was a dark psychedelic jam tune and “Mystery Train” (not to be confused with the song recorded by JGB, Elvis, and The Band) featured Joe Day possessed by the spirit of Pigpen” at the keys. Continuing with a short-lived theme they went into “Loco Motive” before breaking away to the perquisite “High on a Mountain Top.” Both tunes demonstrated the bands picking skills before they went all gospel on “Mouth of the Lion.” They closed their first set with a thirst-inducing “Beer”
This band combines decades of experience performing live. However there is an obvious influence from the Grateful Dead that seems to be present in not only their tone but also in their progressions. This is not to say they are unoriginal, if anything they are revitalizing a sound that has been stagnant for quite some time. This combined with their ability to surf across a multitude of musical genres and filter it all through a jam mentality is what makes this band a contender. Hence as their name denotes, Old Shoe’s music is comfortable without being overly nostalgic.
They opened with a deep and dark “Day and Night” that showcased some of the most interesting improvisation of the night. In fact during much of the second set Old Shoe pushed the songs into a more experimental direction. They continued with the bluesy “Got Me Down” before inviting Hog MaGundy’s Garrett Burrow on stage for a jaw-dropping banjo-tastic version of Phish’s “Sand.” I swear I heard some Theremin, but I can’t be sure.
“You Guys Like Whiskey?” – Old Shoe
They proceeded to give us “Drinkin’ Dark Whiskey,” which allowed Burrow to pick out a very nice solo with the Shoe. They kept him up for one more on the Stanley Brothers’ “How Many Mountain Girls Can Love” which is pretty much an anthem in these parts. “Dust Bowl” continued with the twang sans Burrow, but “Wouldstock” took on an almost lounge feel. “Let Yourself In” went transcendental. They opted to encore by simply asking the few remaining fans, “ You guys want one more.” They closed with a nod to Amendment 64 in the form of a sinister “Kush.” Old Shoe deserved to play to a larger audience, but that didn’t stop them from absolutely shredding for two full sets. They went on to play throughout the state and are on their way to building up a solid fan base in Colorado. I wish them luck and look for them to come back soon.
After an incredible start to their Colorado run in Fort Collins, Floodwood spent a few nights taking in the beauty of the mountains. They rendezvoused with east coast buddies Assembly Of Dust for a two-night stand at Cervantes. This is like a dream show for me. AOD is a rare visitor to this state on top of the fact that this was Floodwood’s first trip here as well.
This show was billed as brought to you by Jambase, ListenUp Denver, Marquee Magazine not to mention the 11th anniversary of Cervantes. Sisters Of Soul, Ultraviolet Hippo, Atomga, and Tori Pater’s Big Bad Band filled out the lineup over on the Other Side. The Great Guys featuring members of The Congress, Yamn and The Whales took the opening slot on the main stage. All that being said it was also the same weekend that Railroad Earth booked two nights at the Fillmore just up Colfax. The RRE fan base directly intersects with the Floodwood and AOD audiences, in fact many of my friends opted to do a night of each.
Night One: Assembly of Dust and Floodwood with The Great Guys 1.17.14
We arrived, as The Great Guys were finishing up their set. Scott Lane stood tall shredding the guitar as fellow member of The Congress Chris Speasmaker matched him at the keys. They wrapped and Floodwood quickly took the stage. They opened up with their instrumental “Whiskey After Breakfast” into their homage to the natural beauty of Upstate New York, “North Country Winds.”
Set 1: Whiskey After Breakfast> North Country Winds, Anyone But Me, Holy Sacred, Chillicothe Clouds, Revolving Door, Long Way To Virginia, Stoney Creek, 9 lb Hammer*, Instrumental Jam*, Roll On, Stomp It, I Know You Rider, Follow You Into The Dark, In The Graveyard, Jazzy Jam, Cumberland Blues
*w/ Chris Pandolfi
This was a co-bill show with Floodwood drawing the opening spot for the first night. The boys from New York State treated us to ninety minutes of unadulterated acoustic bliss. The combination of their hard hitting originals “Holy Sacred” and Nick’s Summer Camp inspired “Chillicothe Clouds” was a big high point from a great set of music. Their moe.-esque “Revolving Door” gave way to their more traditional sounding “Long Way To Virginia.” Floodwood invited Infamous Stringduster Chris Pandolfi up to add his picking skills to the mix. This was the first of many unexpected treats from this band over the weekend. He sat in on the classic “9 lb Hammer” as well as an extended instrumental jam. Floodwood kicked it into high gear with “Roll On” and “Stomp It” before giving fans a bluegrass rendition of the Grateful Dead’s “I Know You Rider.” “Follow You Into The Dark” was a deep, Al sung romp about conquering fear with love. The band gave us “In The Gravelyard” before going into a jazz-infused instrumental tune. They closed their set with another Dead tune, “Cumberland Blues.” This was just a really fun set of music with bassist Zach holding it down along with Vinnie absolutely sticking it in the pocket. Al is always a focal point but the back and forth between Nick and Jason is not to be overlooked. This set was a great, but it only did a little to foreshadow the epic-ness that would be their headlining set on night two.
Assembly Of Dust is such a rare treat in Denver. They just don’t tour too far beyond their home base in the Northeast. However, the last two years we’ve been lucky to get the band out for a night or two so maybe we are seeing a new trend. Formed by ex-Strangefolk front man Reid Genauer AOD is an Americana band that plays with an emphasis on rock and roll. You could call them Heavy Folk… ehem. After a Kickstarter funded release of their latest album Sun Shot last year they seem to be open to playing around more. Since their initial formation they have had some turnover on percussion and keys but the core three of Reid Genauer, Adam Terrell on lead guitar and John Leccese on bass has always been same since their inception. Their show at Cervantes was everything that fans have come to expect from this underrated group. They opened with a sublime “Samuel Aging.”
Set 1: Samuel Aging, Bootlegger’s Advice, Weehawkin Ferry, Zero To The Skin, Man With A Plan, Tavern Walker*, Deal*, Sun Shot, Lost and Amazed, Truck Farm, All That I Am Now, Whistle Clock, Bus Driver, Roads
Encore: 40 Reasons, Harrower
*w/ Al Schnier
Reid has an innate understanding of song craft as well as striking the right balance for ebb and flow. Peaks and Valleys are his specialty and the set got off to a rocking start a forceful “Bootlegger’s Advice.” By this point the room was full with the upstairs being closed off. I’ve seen this done at other venues but not at Cervantes. It kept the kids on the floor and made sense given attendance. The dual ticket for the night also allowed people to float back and forth between shows at The Other Side. So at any given time half of the audience could be next door. That being said the majority of fans were there for Floodwood and AOD. Finally the herd seemed fully assembled by “Weehawkin Ferry.” The band brought it down a little with the bouncy “Zero To The Skin.” AOD pulled out a classic with, “Man With A Plan” before they invited Al to sit in. The funk gospel sound of “Tavern Walker” exploded into a huge psychedelic jam with Terrell, Crosby, and Schnier all trading licks. They transitioned into a crowd-pleasing version of the Grateful Dead’s “Deal.” Apparently it was that kind of a Friday night. Next we were given the delicately bluesy title track to Sun Shot before they went into the equally arresting “Lost and Amazed.”
After a rowdy “Truck Farm” AOD performed what has become their anthem, “All That I Am Now.” I had been chatting with an older gentleman who told me this was the first Assembly of Dust song he ever heard and he fell in love. I could see that. Another long jam came with “Whistle Clock” which eventually gave way to sentimental “Bus Driver ” that featured Crosby’s violin. They closed their almost two hour set of music with a punchy “Roads.” They came back with a two-song encore “40 Reasons” into an incredible “Harrower.” It was a great night of music in 5 Points. My hope is that the lighter turnout caused by the other show doesn’t’ sour the bands on performing in Colorado. It’s bound to happen in a place so saturated with live music opportunities. Not to mention that this is the time of year that winter and spring tours are in full swing. That being said it was a pair of top-notch performances from two bands who are a rarity in this state. Both Floodwood and Assembly Of Dust brought the heat. On night two they would trade places and things would get a little strange.
Night 1 Gallery
Floodwood and Assembly Of Dust with The Great Guys 1.19.14
Night two was a literal flip of the coin with Floodwood taking the headlining spot and Assembly Of Dust supporting at Cervantes. Again we arrived as The Great Guys were wrapping up this time sans Chris Speasmaker. They were a rocking, rowdy group that seemed an odd amalgamation of all the bands that they were comprised of. I ducked next door to catch a bit of Ultraviolet Hippo and met up with J-Man and Carly from MM. We chatted briefly as the Michigan progressive rockers melted a little face with their fiery brand of jam. During set break back over at Cervantes we got chance to do a little video with Floodwood for all the Summer Campers. I’d like to give a big thanks to Zach, the crew the band that made it a quick and easy shoot. After a drink AOD was taking the stage. The room was about equally as packed as the night before. They opened with an incredible “Valhalla.”
Set 1: Valhalla, Edges, Harrower, Vaulted Sky, Rachel, Elixir, Cluttered, Growin’, Love Junky, Arkansas Down, Honey Creeper, Second Song, Sinner, Speculator*
*w/ Al Schnier
Reid’s powerful vocals floated over the crowd as the night was flicked into second gear. The brooding “Edges” came next with its deliberate and straightforward progression. “Harrower” was nice but “Vaulted Sky” went big. Crosby pulled out his violin for the hoedown that was “Rachel.” “Cluttered” was a simple rock tune off Sun Shot, but “Love Junkie” was a funky highlight. Adam Terrell has to be one of the most underrated guitarists in all of jamdom. His intricate picking along with his intense attention to detail combine to give him a leg up on most players. The bubbly track “Arkansas Down” is just another example of how strong Reid is as a songwriter. “Honey Creeper” was dark and raucous, but “Second Song” was all tenderness. They gave us a tight “Sinner” before they invited Al Schnier out for the set closing “Speculator.” Al and the boys joined in an embrace and took a bow before they all wandered backstage. Assembly Of Dust continues to be a high water mark in the world of Americana, Folk, and Rock. Their knack for crafting infectious tunes, with intricate and substantial lyrics keeps me coming back. If given the chance, go see this band you’ll thank me later.
Finally, it was time for the main event. Floodwood took the stage for what would be an epic three-hour throw down with several unexpected twists and turns. Jason led the charge on “Spend Some Time.”
Set 1: Spend Some Time, Red Hill Road, Somewhere In Kansas, Spoon Kicks, Promised Land, Friend Of The Devil, Magnolia Row, You And Me, 315, Blue Eyed Son, I’d Fall For You, St. Regis, Hello Woman, Everything Here, Jambalaya On The Bayou*, Waiting In Vain*, Molly & Tenbrooks*^, Rocky Top*^, Working On A Building*^, Me And My Old Banjo*^
Encore: The Hobo Song
*w/ Briget Law
^w/ Tim Carbone and Andy Goessling
This set was an absolute barnburner for all those lucky enough to be in attendance. Railroad Earth had a sold out show at the Fillmore on Saturday, so it obviously hurt ticket sales a bit. Nonetheless Floodwood delivered one of the best shows I’ve seen in quite some time. “Red Hill Road” demonstrated the bands bluegrass skills. The Al penned “Somewhere in Kansas” about a road trip to Colorado after a TransAmericans show at the Iowa State Fair invigorated the crowd. (Ironically I was as that show.) They proceeded to bust out the old TransAmericans track, “Promised Land.” We were all treated to another Grateful Dead tune, this time “Friend Of The Devil.” I like a band that’s not afraid to toss in a little Dead. The beautiful “Magnolia Row” is a bluegrass variation of the intro to moe.’s “Tambourine.” They performed the playful sounding “You And Me” before their homage to their hometown area code “315.” Floodwood pulled Al’s “Blue Eyed Son” which has been in the rotation more on the road with moe. We got the Nick sung “I’d Fall For You which was a nice treat.
This is about the time where things began to get crazy. Suddenly Al is welcoming the lovely and talented Bridget Law from Elephant Revival to the stage. Law and Schnier got the chance to play together last summer at the Everyone Orchestra show that preceded Phish Dick’s. They went into Nitty Gritty Dirt Band’s “Jambalaya On The Bayou.” Law and Piccininni battled back and forth on the fiddle before they went into Bob Marley’s “Waiting In Vain.” Suddenly Al hands his guitar to Nick and races off the stage. The band continues with their bluegrass reggae stylings as a sound guy appears. It’s obvious some shit is going down. Al reemerges from the darkness as they finish the tune. Keep in mind is was already around 2 AM at this point. Al proceeds to welcome Tim Carbone and Andy Goessling from Railroad Earth to the stage. That’s right we had a full-blown clusterpluck on our hands. And this was not the type of cluster pluck where 15 pickers stand around waiting for a solo. No, this was a pluck with laser beam focus and amazing stringed prowess.
After some tuning and hand shaking they went into the traditional “Molly & Tenbrooks.” They blasted off into “Rocky Top” as the dwindled audience boogied. I looked to my tired wife and said, “You know I’d go, but… “ And she simply nodded in agreement. “Working On A Building” featured a three-fiddle standoff as Carbone, Law, and Piccininni fired up their bows. Law retreated and let Carbone and Goessling finish up with “Old Banjo.” A solo Floodwood encored with “The Hobo Song.” Honestly I may be missing a song or two in there, as the setlist kind of went out the window when you have so many welcomed guests. Needless to say the late night sit-ins were a lot fun and proof again of why Floodwood needs to keep coming to Colorado. They obviously have a lot of friends out here, Al is volunteer Ski Patrol in his home state, and Colorado loves bluegrass… I could go on. This was a spectacular night of music and a really unbelievable combination of bands to play in this great state. Happy 11th Anniversary Cervantes, let’s hope we have at least 11 more.
Night 2 Gallery
Two-time Summer Camp alumni Zeta June came to Avogadro’s Number in Fort Collins for a night of resolute dance music. They brought along recent Colorado transplants by way of Iowa City, Tallgrass along for the ride.
Avo’s is a less known but highly regarded oasis for live music. Unfortunately each time I’ve went to shoot a band there the turnout has been sparse. This night was no different. I arrived and found a seat up front. Tallgrass came on promptly at 9:30 PM.
As they played, the room was almost uncomfortably silent. From time to time I tried to break the palpable calm with limited success. Tallgrass calls themselves, ‘Dirt Stomping Soul;’ I would add that they are an utterly rare intermingling of folk, gospel, indie, bluegrass, and more. To say that they are an original musical undertaking would be quite the understatement. Tallgrass is eloquent almost poetically jazzy in their delivery of said ‘dirt.’
Adam Morford blends elements of African and World percussion with more traditional rock and folk beats. They went into their captivating original “Never Try.” Adam’s drums were a distinctive juxtaposition to Matt Skinner’s raspy but clean vocals here and throughout their hour long set. Adam’s brother Austin Morford rounds out the band, he is a tight pocket bassist and holds it all together. They gave the crowd chills with an acapella version of the African traditional spiritual “Down To River To Pray” as the noiseless crowd stepped out the beat on the hardwood floors. They immediately went into the title track off their new album Better Than Medicine. They seem to be pushing into a slightly heavier sound utilizing all the rhythmic focus that this power trio has to offer. There set was a great way to spend a Thursday night and we still had the headliner.
Zeta June is a much different beast than Tallgrass. In fact the only real connection musically is their roots in Iowa City. I went to school at the University of Iowa and I can tell you the area is a bastion of music in a relative desert for good live shows. So it makes sense that both of these original acts would come from there, even though they sounds may not really mesh well.
By this time there were about 20 people in the room many of them there for Zeta June. A large led light background had been constructed, which gave off a very different vibe than Tallgrass’s acoustic set. Zeta June is a dance focused jam band that dabbles in electronic and funk with a solid rock foundation. Their set at Avogadro’s did a lot to show the variety of music that they can perform live. Originals like the boisterous “No Tell Motel” and a rocking “Resume To Consume.” We were treated to a spot on rendition of Pink Floyd’s “Comfortably Numb.” At one point they ripped into a huge EDM inspired song utilizing some snap beats and spacey jams.
“That’s our version of the dubsteps.” – Zeta June
Overall it was a great night of Iowa music in the heart of Fort Collins. I look forward to Tallgrass working their way deeper into the local scene. Since their arrival late last summer they’ve only have the opportunity to play a handful of shows here. My hope is that people will begin to realize how original and fun this band is. Zeta June continues to be a young and dynamic group that fuses diverse genres of music together incredibly well. Both of these bands are definitely worth your time and consideration.
Thomas Wolfe said, “You can’t go home again.” I think what he meant was that when you return to the place of your roots years later the changes in that environment mean that it will never really be the same. My journey to Iowa for Camp Euforia is the epitome of this statement. Ten years ago a then local band bought ten kegs of beer, set up a modest stage, and put on an event forever known as the “Euforquestra Fan Appreciation Party.” For some unknown reason they asked me to be the Master of Ceremony. The concert consisted of a handful of Iowa City acts and around 200 music fans. Everything was free including beer and food. A decade later this event endures having evolved into a full blown two-day festival with both nationally touring and homegrown bands on the bill. Many of these bands have performed as Summer Camp throughout the years as well. They asked me to return this time as the official festival video producer. We culled together a small group of young, passionate videographers to help me with my endeavor and along the way we shot over thirty hours of content. Thusly I didn’t have much time to take stills; nonetheless I managed to snap a few shots on the farm.
I arrived Thursday prior to the start of Camp Euforia 2013 and set up my tent in Robert and Ritaville. Rob and Rita were and continue to be the honorary patriarchs of the musical scene in Iowa City. In college they could be found at most shows mingling with the students, music fans, and bar flies alike. They have always camped in the front lawn of the farm and that corner of the fest has since earned that prestigious moniker. The farm itself is a sprawling space of manicured grass and structures owned by festival promoter/founder Jerry Hotz. Together with Eric Quiner (former Euforquestra keyboardist) they have shepherded this event for ten years. Camp Euforia has resided here since the very beginning. Surrounded three hundred and sixty degrees by corn and soybean fields that stretch to the horizon, this is truly an Iowa landscape. The improvements to the amenities and infrastructure from that first year are immediately apparent. Gone are the truck beds and dilapidated barn that served as the various stages in the beginning and in its place is a professional setup rivaling any festival digs in the Midwest. The second stage has been built in the second barn that ten years ago was a dirt-floored hazard. Now complete with it’s own sound and light rig, it is yet another bastion of music in this palatial panorama. They have a quaint spot set up in front of the barn for late night acoustic jamming. Perhaps the biggest improvement this year is the massive bar they constructed opposite of the shed stage and made from salvaged wood panels giving it that classic Iowa look. The vibe at Camp Euforia is one of an extended family reunion. Everyone looks somewhat familiar. For an ex-Iowa City-ian I had numerous reconnections throughout the fest.
Camp Euforia is a unique experience by any standard. Perhaps the most compelling of which besides the locale is the fact that throughout both days there are no overlapping sets of music. Thursday was full of proficiently frenzied preparations that culminated with an extended sound check by Euforquestra for the crew and festival guests. Their crew is one of the best in the business and includes many who have been working this festival for years. Camp Euforia began in earnest on Friday afternoon with The Candymakers. This band is an uplifting breath of fresh soulful air steeped in quality musicianship and irreverent absurdity. They are a throwback to the days when Motown and R&B ruled the radio waves. Decked out in polyester suits the band played an hour of powerful original tunes. At one point lead singer Al Sweet spouted off about riding a unicorn into the sunset. I found out later this is an improvised segment to one of their original tunes. They have been well regarded in blues circles in the Midwest, but it is their vibrant soul that really got my attention. Their song “I Wanna Dip You In Chocolate” was a true highlight. They rounded out their set with a robust rendition of The Beatles, “Oh Darling.”
An unexpected schedule change put Pert Near Sandstone on the main stage next. They have a solid brand of string music, which they have been diligently spreading across the country for several years now. Hailing from Minneapolis this quintet deserves to be recognized for their contribution to Midwest bluegrass. From their humble beginnings as a boozy pick session, Pert Near Sandstone has blossomed into a full-blown bluegrass experience. Their set at Camp Euforia was truly impressive and a great way to get the fest into full swing.
A blast from the past came in the form of Public Property in the barn. PP came up around the same time as Euforquestra in Iowa City. In fact their festival Exodus was a huge influence on the nascent beginnings of Camp Euforia. They played their harmony-backed brand of Roots Rock Reggae led by singer songwriter Dave Bess. Dave continues to play select Public Property dates, but primarily performs as a solo artist. Their set was jam packed with classic PP with Matt Wright and sitting in on keys and Adam Grosso on bass. They were a lot of fun and another wonderful addition to the hometown lineup.
A funksplosion occurred in the form of Dumpstaphunk. This heavily anticipated act is brimming with talent, which includes Ian and Ivan Neville (heirs to the NOLA funk scene), Tony Hall, Nikki Glaspie, and Nick Daniels III. Nikki who is the most recent addition to the group is a monster on the kit and one who definitely commands attention. They eased into the show building their songs organically with lots of collaboration. It was like entering the Church of Funk and getting an hour and half sermon. They are one of if not the best funk band touring today, and they sounded magnificent live. They primarily performed originals, however they closed out their time at Camp Euforia with an incredible version of “One Nation Under A Groove.”
Dead Larry played an hour and fifteen minute set of vibrant rock before Euforquestra took to the stage with their original lineup. This was a reunion born out of necessity. Their current drummer Craig Babineau hyper extended his shoulder so they have had a rotating cast of percussionists filling in for him in his absence. Original drummer Jos Foley suggested getting Matt Grundstad, Ryan Moris-Jeter, and Eric Quiner back in the mix for a set of classic Euforquestra. What followed was the most heartwarming and compelling Euforquestra show in quite some time. For fans that have witnessed the growth of this group, this lineup was the most cohesive of its versions. The current lineup is solid but there is something utterly nostalgic and touching about seeing these seven back together again. Even many including myself. Their two-hour set was a nod to an earlier time with spectacular renditions of “Sea Miner,” “Penny,” and “Naive Melody.” They even referenced some of their early theme shows with “Life During Wartime” and a “Pure Imagination” jam from their Charlie and The Chocolate Factory show. They encored with a powerful “Tramba.”
Family Groove Company started the late night festivities in the barn immediately following Euforquestra’s encore. They shredded late into the evening eventually wrapping up around 2 AM. They invited Chris and Wavy from Cornmeal to sit in, which was their initial appearance as the festival’s first ever artists at large. They played a stellar version of “Subterranean Homesick Blues” as well. I opted to call it a night as Dave Zollo was starting on the small stage and playing until the wee hours. Dave Bess also played a solo acoustic set.
The sun came up early, immediately turning my once shade covered tent into a burning furnace. I took it as an opportunity to get an early start and continued with my duties as the festival video producer. The music of the day started at 10:30 AM with coffee with the Grosso Family Band. Adam Grosso comes from a musical ilk and his family band included his brother and father on guitar and vocals, his mother on the upright bass, and Adam himself on kit. It really did feel like a spiritual family gathering as the Family Band went through a flurry of covers. Playing everything from The Beatles to traditional bluegrass, this Camp Euforia tradition was a welcomed start to the day. The highlight was a spot on version of “Man Of Constant Sorrow.”
Maximilian Eubank played a solo acoustic set on the main stage. Max has been a member of the Euforia family since the beginning. He played a lot with Mike Tallman in their high school days and continues to perform live, mostly in Des Moines where he currently resides. His sound is a punch you in the face acoustic detonation. Utilizing hip-hop lyrical hooks combined with stunning strum-heavy guitar riffs, Max made for a great live experience. His set included an awesome version of Widespread Panic’s “Climb To Safety” as well as an impeccable mash up of his original “Chemical Imbalances” and Martin Sexton’s “Hallelujah.”
The day was chocked full of local acts including Chasing Shade from Iowa City. The members of the band have headed up the Green Team at Camp Euforia for the last few years. After their dedication they were finally asked to play a set at the festival. Last year they diverted over 800 pounds of compost from landfills and this year they continued their hard work. Their music has a bluesy rock feel and they were definitely entertaining. Next on the main stage was The Breaker Brother Band. Comprised of highly regarded musical educators, many of who gave lessons to the members of Euforquestra in the early days. They are primarily a cover band, but the better description would be that they are paying homage to the music that sparked their passion for teaching and performing. Amazing versions of Santana’s “Black Magic Woman” as well as Eric Clapton’s “White Room.”
Recently off their performance at Summer Camp, Zeta June was on the lineup in the barn. They are a young group of musicians, with a heavy sound, and a commanding stage presence. They did a massive cover of “Comfortably Numb” during their 60-minute slot. Des Moines favorites Mr. Baber’s Neighbors and The Solar String Band, which included Mike Tallman on mandolin, represented the first bluegrass band of the day. Tallman joined the band when he was 19 and continues to play with them from time to time. They focus on a traditional styling, with an original twist. Lead by Jeff Blanchard who looks like a grizzled vet from Ice Road Truckers. He was actually very nice and spoke eloquently about the music scene in Iowa and Camp Euphoria, which they have performed at numerous times. They are absolutely some astonishing homegrown Iowa pickers, so check them out if you find yourself in that neck of the woods.
I spent much of the afternoon wrapping up interviews so I missed Fire Sale and The Uniphonics. I’m almost exaggerating with the term “missing” as the music from all of the stages is completely audible from anywhere onsite. The Pimps of Joytime hit the main stage around 5:30 and annihilated the audience with their funky assault. Blending elements of blues, jazz, rock, soul, and electronic music with their funk-focused sound the Pimps Of Joytime are a sight to see. They emerged from the murky waters of Brooklyn and have bounced around the country and festival circuit spreading their stellar approach to live music. Two incredible female vocalists and percussionists flank Brian J their bandleader; their show was a non-stop blast to the senses.
Finally it was time for the heavily anticipated Greensky Bluegrass. These guys tour relentlessly. They basically made a pit stop at Camp Euforia after playing Red Rocks the previous evening and heading to Forecastle Music Festival in Kentucky for a Sunday night show. What band does that? They wadded into the show with “Double Overtures.” Their set felt like going to an extended picking session around the campfire.
The regaled the audience with an almost silly version of John Hartford‘s “Steam Powered Aeroplane” again with Chris and Wavy from Cornmeal.
“It’s good to find brethren every once in a while… like the good, Midwestern, shit-talking, diesel drinking kind of people that Cornmeal are.” –Anders Beck
Greensky also did a bluegrass breakdown on String Cheese Incident’s “Can’t Stop Now,” before they closed with “Atlantic City.” Greenksky always pleases whenever they play live and I’m happy that they went the extra miles to peform at Camp Euforia.
Michiganders Ultraviolet Hippopotamus stormed the barn stage prior to Euforquestra’s final headlining set. On Saturday they performed with the regular lineup minus Craig who was replaced by Tallgrass’s Adam Morford on kit and Robert Espe on sax. Songs like “Wasted” and “Free” invigorated the crowd who was out in full force for this set. With around 800 people in attendance the farm looked its fullest at this point. Maximilian Eubank and Eric Quiner sat in for one of Max’s originals. The highlight of the show was Kim Dawson’s appearance for most of the second half of the set. She adds a vibrancy and beauty to Euforquestra’s wide-ranging sound. It was a solid show that rounded out the festival nicely.
The late night was filled with some rowdiness from That 1 Guy, Jaik Willis, and Tallgrass. The fans stayed up late and partied hard not wanting this great event to end. There was a combined energy of joy in the air as this special festival came to a close. It was like the end of a family reunion where no one really wants to go back to their day-to-day. Camp Euforia is unique to say the least and deserves to be recognized as such. In an era of cookie-cutter festivals Camp Euforia stands out in the crowd.
Stay tuned for the multitude of video I will be sharing on Camp Euforia’s Facebook page. – https://www.facebook.com/campeuforia
Summer Camp Music Festival continues to be one of the most diverse and interesting festivals still operating today. In an era were events come and go Summer Camp has been a constant going strong for their thirteenth year. This year plays host to yet another incredible lineup that is sure to please any music fan. One of the nice things that the organizers of this festival do that is rarely talked about is the way they break up the performances. Any festival is a “Choose Your Own Adventure” type experience, but oftentimes fans of specific genres of music are left with tough decisions on whether to see on show or the next. At Summer Camp sure there is some overlap as there are at all music festivals, but for the most part they try to make it easy. By having say a bluegrass band, an electronic act, a jam band, a local group all playing at the same time you can see the show you want without missing too many of your preferred sets. With six stages not to mention the VIP bar stage there is plenty to see and do at any given moment.
Many of the events that have gone on throughout the years are back again with a few new features that are sure to add to the experience. Favorites like The Kid’s Camp, Field Day, and The Make A Difference drives culminating with the Everyone Orchestra Performance are all back. New this year there will be a Masquerade troop featuring hoopers, fire throwers, dancers, and more. The members of the troop will be paired up with specific musicians to add a visual element to their live performances. Also Make A Difference is expanding by including a Live Art Gallery for live painters at the festival. These little touches and that fact that the organizers are always expanding on them are a big part of what makes Summer Camp such an amazing experience. Kyle Hess has been named the 2013 Summer Camp Counselor making him the third ever in a short but prestigious lineage. Both of the previous counselors and several CITs will be making it back along with an entirely new crop of CITs for 2013.
Musically the lineup is top notch. Of course Summer Camp staples moe. and Umphrey’s McGee will headline again this year, but there’s so much more. Fan favorites Family Groove Company, Cornmeal, Floodwood, Brainchild, and The Henhouse Prowlers will all be there to share in the groove again this year. Electronic fans will be happy to know Zed’s Dead, Big Gigantic, STS9, and Thievery Corporation are all on the bill for 2013. Personally I am most excited about the inclusion of Trey Anastasio Band, which continues the SCamp tradition of having a huge Sunday headliner.
Words To The Wise: Make sure you bring all the essentials for proper festival raging. Sunscreen and rubber boots are must haves, but also be sure to bring plenty of water and food. Check your gear before you get to the festival to make sure your tent is in proper festival condition. Get plenty of rest prior to Summer Camp as you will most likely get very little sleep over the four days. Know that you are driving into central Illinois and police presence will be high on the way in. They will have dogs and they will search you if you get pulled over. Illinois 55 was the preferred way in, but it seems that State Patrol is savvy to this and that was where they seem to be focusing their attention. As Bayliss pointed out last year during the UM soundcheck on Thursday, “It’s a marathon, not a sprint.” Know your limits and know when to rest. It’s easy to get caught up the excitement of the weekend and the next thing you know you’re dehydrated and in no condition to continue the party anyway. The residents of Chillicothe love Summer Campers by the way. They know how much money we bring in and tend to want us to come back. I recommend stopping by a local restaurant on Monday on your way out. You’d be surprised at the warm reception you’ll receive. Also there is a shopping center just up the road from the festival grounds, so if you forget something it’s fairly easy to hop in your car and pick up some essentials. Finally be prepared for any an all weather. Anything from rain to a blazing sun is a possibility so being equipped with warm clothes as well as summer attire is smart.
Summer Camp is a chance for all types of music fans to come together and bask and the beauty and wonder of Three Sisters Park. New friendships will be made, amazing collaborations will happen, and music will fill the air. Be safe and enjoy the ride.