Big Gigantic continues to redefine the EDM genre with their album, The Night is Young. Just 8 songs clocking in at 35 minutes, the album is jam packed with the familiar yet fresh sound of Jeremy Salken on the drums and Dominic Lalli as producer and saxophone. An eclectic combination of hip-hop and jazz, with influences of funk and electronica, Big Gigantic has continued to show their mastery of their own niche that has translated into highly successful year-round touring since forming in 2008, including 3 appearances at our very own Summer Camp Music Festival.
Two years after Nocturnal reached #2 on iTunes electronic charts, expectations were high for the latest free download album of the game-changing duo that is Big Gigantic.
The album kicks off “Clvdbvrst,” a word without any vowels, so I simply read it as “Cloudburst.” This track exemplifies the unique sound of Big Gigantic that sets them apart from the rest of the electronic scene – the dubstep intro that leads up into Lalli bursting through with a soaring saxophone solo, the signature of Big Gigantic’s live show. Like my alliteration there? “Blue Dream” really frees up more space for Lalli to explore, a song that reminds me of “Fantastic” from Nocturnal.
Things really get going now with the third track, album-titled “The Night is Young” featuring Cherub. The easiest song to dance to on the track, it wouldn’t be surprising to see The Night is Young climb through the charts and be featured on heavy radio play. One listen and you’ll see why the album is titled after this one.
Like “The Night is Young”, “Touch the Sky” features more vocals and the chemistry between Lalli and Salken really shine with their consistent synchronicity and ability to stop-and-start up the bridge into the drop.
The melody segues perfectly into “From Dusk til Dawn” which is quick to embrace Lalli’s production skills and once again proving his value is more than just his saxophone skills. Big Gigantic fans should already be familiar with “Let’s Go!”, a song already made popular from their live versions. Check out “Let’s Go!” in HD from a headlining performance with AXS TV here:
“Just For the Thrill” and “Shooting Stars” close out the album. “Shooting Stars” provides some great fitting variety to finish the album on a feel-good note. A softer tune that provides sensual emotion which isn’t typically seen from Big G which I love. I have been hoping for a bit of variety from this album, which is met in this song. A perfect song to dance under the stars with the one you love.
As usual, the album is available for free download at Big Gigantic’s website. Feeling generous? Monetarily support Big Gigantic with an iTunes download. Feeling like dancing? Check out the experience for yourself live as Big G is now touring in a city near you.
While everyone is talking about Trey Anastasio sitting in with Further over this past weekend (or as I like to call it, Phurther), I’m sitting here all excited about the 3rd album release for my favorite Nashvillian rock band, Moon Taxi. If you haven’t heard of Moon Taxi, it’s not too late to hop on the bandwagon and enjoy the ride. This quintet formed at Belmont University in 2006 and has grown from a small college band, to having now rocked out festivals like Bonnaroo, Lollapallooza, Forecastle, Hangout, and our very own Summer Camp. If you caught the Umphrey’s McGee NYE run last year, you likely were blown away by Moon Taxi’s opening set on the 30th.
Although a short album (under 40 minutes), what it lacks in quantity is made up for in quality. The theme of Mountains Beaches Cities revolves around traveling and exploration, made obvious by the album and track titles. As a whole, the album offers impressive rock beats to jam out to, while also finding a balance with catchy lyrics to sing along with. This successful musical blend offers a wide range of appeal for Moon Taxi which is sure to translate to more growth for the band going forward.
All of the tracks were new to me, save for one, Change, which was debuted on tour in 2012. With that bias, Change is my favorite track on the album, although Running Wild and Morocco both immediately got stuck in my head. The New Black and Young Journey both excite me for live versions to see what sort of improvisation will emerge from it. Overall great album and highly recommended for music fans everywhere!
- Running Wild (http://www.youtube.com/watch?v=MeQ-qZHOhjw)
- The New Black (http://www.youtube.com/watch?v=X4TCFlD4kUA)
- Young Journey
- River Water
- Struck Me Down
Not apart of the album, but I wouldn’t feel right if I wrote a blog about Moon Taxi with including one of my all time favorite YouTube videos. Seriously, check out Wes Bailey rage your face off with his keyboard skills. http://www.youtube.com/watch?v=f2lEfr5PdQ0
Ride the Moon Taxi on tour! http://ridethemoontaxi.com/tour/
Order the album now! https://itunes.apple.com/us/album/mountains-beaches-cities/id672018576
In this post-Kickstarter era the individual music fan has a new ability to directly support their favorite musicians. Many bands have taken advantage of this new crowd-sourcing technique that allows them to produce new music as well as facilitate additional concerts. Floodwood is utilizing Kickstarter to reach out to fans for a new album and a touring van. Floodwood features Al Schnier and Vinnie Amico from moe., but they should not be categorized as a side project. They are simply put, an amazing bluegrass experience. They really got a chance to debut at Summer Camp a few years back and I’ve been listening to them ever since. Jason Barady, Nick Piccininni and Zacary Fleitz round out this lineup of real talent.
Musically and stylistically Floodwood is pushing the boundaries while still maintaining a reverence for traditional bluegrass. Their songwriting is top notch. I am incredibly curious to see how they will develop the sequences of tracks on the album and what they will do to further the instrumentation of the individual songs. So much time and energy is put into working on a studio album. Kickstarter has become a real and viable tool to actually make new music happen. In essence a supporter is basically preordering the new album. However most campaigns offer high end off the wall rewards for large pledges. For instance if you donate ten grand Floodwood will make arrangements for a VIP weekend ski trip with the entire band. The van is important as well as I would like to see Floodwood branch out from primarily playing in the Northeast. It’s time to share Floodwood with the world.
Their campaign ends on September 4th so if you have a few bucks or are able to share this link on your various social media sites that is greatly appreciated.
Here is a video of Floodwood at Summer Camp 2013
He’s been compared to the likes of Jack Johnson and Ben Harper. Some have said he’s the next Bob Marley. But no. He’s the first Michael Franti. Already with a worldwide influence, having played in Australia, Indonesia, Europe, Canada, Jamaica, all across Europe, and even Iraq, Israel, and the Occupied Palestenian Territories, the much anticipated release of All People will surely be a hit.
Since I first started listening to Franti about 5 years ago, he instantly became my favorite lyricist. His songs convey messages of positivity, love, and unity, while also taking on issues of war, poverty, and injustice. All People is no different, as the title itself designates it’s worldwide aim for unity.
The album-titled track starts the album off with a nightclub-esque dance tune that is sure to make everyone move with the rhythm. “11:59″ allows Franti to show off his hip-hop roots with a few rap verses. The previously released single, “I’m Alive (Life Sounds Like)” is an instant classic hit for Franti, right next to “Say Hey (I Love You).” “Long Ride Home,” “Closer to You,” “Let it Go,” all provide the listener with a perfect melody for a great sing along. “Life is Better With You” has captured my heart as a true great love song that should be played at every wedding for the rest of humanity. “Gangsta Girl” surprised me with a funky jazz rhythm as a good chance of pace. “Do it for the Love,” is probably my favorite song off the album that should be getting more attention. All in all, this album is another success for Michael Franti & Spearhead, giving the listener a chance to sing and dance along with the feel good Spearhead vibes, able to lift anyone’s spirits.
- All People (featuring Gina Rene)
- I’m Alive (Life Sounds Like)
- Long Ride Home
- Life is Better With You
- Earth From Outer Space (featuring K’Naan)
- Closer to You
- Gangsta Girl
- Show Me a Sign
- I Don’t Wanna Go
- Do It For the Love
- Let it Go – Deluxe Edition only
- On and On – Deluxe Edition only
- Wherever You Are – Deluxe Edition only
- Say Goodbye – Deluxe Edition only
- Life is Better With You (acoustic mix) – Deluxe Edition only
Catch MF&S on tour! www.michaelfranti.com/tourdates
WATCH: MF&S perform “I’m Alive” on David Letterman: http://www.youtube.com/watch?v=igrlJNW2DQo
WATCH: MF&S perform “Life is Better With You” with Warren Haynes at Mountain Jam: http://www.youtube.com/watch?v=02OPPoHxeiw
I’ll be seeing them for the 5th time at the end of August at the Minnesota State Fair. Can’t wait!
Dumpstaphunk played the House of Blues in Chicago on Friday, July 19th as Phish’s official late night show. In all honesty, this show was the highlight of my evening, especially since Phish was forced to cancel early due to a nasty storm that swept through the city. Along with opening act, The Revivalist, Dumpstaphunk threw down one top notch funky dance party that lasted until the wee hours of the morning.
Chicago actually holds a special place in Dumpstaphunk history. Drummer Nikki Glaspie played her first show as an official member of Dumpstaphunk in Chicago just two short years ago. I got a chance to talk with Nikki before her show on Friday and let’s just say this chick is FIERCE! Her addition to the current lineup has elevated this band’s energy to a whole other stratosphere and her 15 minute drum solo Friday night completely blew me away.
Today, Dumpstaphunk will be releasing their latest album, Dirty Word, and this is the band’s first studio album since Nikki Glaspie joined the group. In the past she has helped produce, arrange, and record tracks in the studio for many other projects and artists, but Dirty Word is the first album where Nikki recorded material that she had also written.
Dumpstaphink is basically a super group of funk musicians, and Dirty Word showcases the musical range this band brings to the table. While each member has a notable musical background in funk, Nikki Glaspie is the only member not rooted in the New Orleans funk scene. Needless to say, her vocals pack quite a punch and her influence on the new album is obvious. ”I brought some of the rock element to the album. Whereas Nick Daniels brought the blues element and Ivan (Neville) brought a rock element too but a different type, almost like a Who-ish type vibe, and I brought just straight hard rock.”
Coming up with new material this day in age is often a reflection of what is already out there in the world of music. By staying true its origins, Dumpstaphunk’s mix of styles has brought funk music to a whole other level. ”We wanted people to know we are more than just a funk band,” explains Glaspie, ”We can play blues if we want to or we can play rock if we want to.”
Dirty Word was recorded in New Orleans and took about a year to complete. One of the most distinct difference between Dumphstaphunk and other funk bands is they lack a horn section. Luckily, artists Trombone Shorty and Skerik were close by to supply the horns for the album’s third track “I Wish You Would”. ”Skerik is an amazing tenor saxophone player, he’s sick!” says Nikki. They also added Rebirth Brass Band to mix for ”Raise the House,” a song that was meant to blow everyone away in true Mardi Gras fashion.
Dirty Word also contains some pretty notable contributions from artists Ani DiFranco and Art “Papa Funk” Neville. The album’s sixth track, “If I’m in Luck” is a dirty nasty Bettie Davis cover where Glaspie sings vocals and Flea from the Red Hot Chili Peppers guest stars on bass. “It is so different than what Dumpstaphunk normally does or what people think we normally do,” explains Nikki “That was actually what we wanted for the record.” The band has been covering the tune since Nikki joined back in 2011. Just like it does in their live show, ”If I’m in Luck” adds quite a sassy flavor to the Dumpstaphunk catalog.
There is a certain stigma that surrounds funk music, which often gets snubbed because it goes against most of what pop music stands for. When asked about the album’s title, Glaspie explains how it is almost the perfect description of funk music from a funk band’s perspective. ”There is no category in the Grammys for funk,” she points out. “When we register our songs on BMI or ASCAP, there is no category to register our songs as funk songs. You know it’s like it’s not even recognized as a genre of music within the music industry. So, it’s like a dirty word.” The irony is that disco, house, EDM, and Hip-hop are all rooted in funk. Therefore without funk music, most of the pop music today would not exist and pop music is something Nikki Glaspie knows all too much about.
Nikki was fortunate to land a gig touring in an all-girl band backing up pop superstar Beyoncé. While touring with one of the most successful artists in the world is a dream come true for most musicians, it just wasn’t her thing. “Literally, if I had to play “Irreplaceable” one more time, I would have shot myself in the foot.” Nikki further explains, “I just couldn’t take it anymore.” Glaspie was at a crossroads where she felt she needed to be true to her art. Playing someone else’s music in a genre she could care less about no longer appealed to her. “I wanted to spread my wings. You know it was like I was super contained in that environment and I had to play the same thing over and over again. There was just no room for growth.”
Moving forward was a big step for her career. Funk music seemed to pull her in a direction where she knew she would enjoy being challenged. “I am a funkateer first and foremost, but I am also a rocker,” explains Nikki. Dumpstaphunk has given her a creative outlet where she can perform the same type of music she would want to listen to and see live. In other words, this is her dream job.
Nikki Glaspie has now been touring with Dumpstaphunk virtually nonstop for the past two years. While it might seem like a huge leap from the all-female pop band she traveled the globe with, Nikki didn’t find adjusting all that difficult. “We all have a certain kinship living together on the road. It’s not as much of a difference as people would think or maybe as it would be in a different type of work environment. But because we are all musicians, and kind of all do the same thing, then the gender thing doesn’t really matter.”
Dumpstaphunk will continue to tour nonstop in support of the new album, which drops today. Download here.
Pretty Lights’ newest album, A Color Map of the Sun, just dropped and let me be the first to say that this is one high quality, groove pumping, tastefully produced record. The progression of the album makes the listener feel like they are on a journey through the human condition, experiencing every emotion possible through their spiral down the rabbit hole.
This album was made for vinyl with vinyl produced by Pretty Lights. In fact, it comes with a whole extra disc of bonus material that is just that: The raw vinyl cuts that were used to produce the tracks found on Color Map. Each cut was orchestrated by Colorado’s very own home grown, Derek Vincent Smith, the mastermind behind Pretty Lights, who collaborated with dozens of musicians from around the country to produce one of his most soulful pieces of art to date. If you dig music, you better dig soul music, and A Color Map of the Sun smacks you across the face with soul.
The album’s first two tracks, “Color of My Soul” and “Press Pause” pack a soulful punch before Color Map really starts to throw down his bone moving grooves with “Let’s Get Busy.” The combination of both horns as strings brings layer upon layer of energy and purpose to almost every track on the album, yet the snap crackle pop of the vinyl brings the element of raw sound full circle.
While at times the album seems to lack the hip-hop references we are so used to hearing at a PL live show, it is almost as if A Color Map of the Sun is a nod to hip hop’s roots. In fact, too literal of a hip hop reference could have damaged the integrity of an album so full of raw musical expression. Pretty Lights seems determined to show the good, bad, and downright scary side of his musical aesthetic. ”Go Down Sunshine”, “So Bright”, and “Dead Wrong” explore the depths of PL’s dark side. On the other end of the spectrum, “Yellow Bird” and “One Day They’ll Know” have a more relaxed, ethereal sound that seems to provide balance to the album. It takes guts to express these types of musical emotions and it is definitely not commonplace within this genre of music.
As with all of Pretty Lights tracks, you can download the entire album for free or it can be purchased through iTunes or Prettylightsmusic.com. As an independent artist, he has found great success by making his music available to everyone for free over the years (with only the suggestion of donation.) In order to provide a bit more incentive for fans to pay, PL is offering a variety pack of goodies in order to entice fans to open their checkbooks. Color Map vinyls, pins, t-shirts, bonus tracks, and a neat little book all about the album have nearly all sold out through pre order. Luckily, there is more swag being produced and record stores are currently stocking their shelves with LP, but I am sure they won’t last long.
PL made a sweet little video on the making of A Color Map of the Sun you can check out here!!!
The PL YouTube channel also has music videos for every track on the album, along with visual art to emphasize the overall concept that is “Pretty Lights.” Check out the playlist here.
Recently, I sat down with Assembly Of Dust and former Strangefolk front man Reid Genauer. On the verge of releasing their Kickstarter Campaign funded album Sun Shot, Assembly of Dust spent a couple of nights performing in Colorado. I talked with Reid about everything from whether or not jam is dying to his infatuation with GaGa.
Reid also peformed a solo acoustic version of “You Lay The Dust.”Thanks to Reid for taking the time and thanks to 4 Cs Recording Group for setting up the interview.