Recently I got the opportunity to meet with a person who is an integral part of the music industry that often goes unnoticed. Dr. Charlie Kautz, DC., is a chiropractor who specializes in treating musicians before their performances. Dr. Charlie and I sat down and discussed his services.
Me: Dr. Charlie, your website states that you provide specialized treatment protocols for professional touring musicians. Can you elaborate?
CK: Hey thanks, Alex! I’m a licensed chiropractor and my business, “Epic Performance Integrative Chiropractic”, to put it simply, provides a service to musicians to decrease pain and increase function to allow them to focus on what is important while they perform – the music. Along with chiropractic adjustments, I utilize a soft tissue technique called Active Release Technique and the application of kinesiology sports tape in my typical treatments.
Me: What is Active Release Technique?
CK: Active Release is a technique designed to treat repetitive stress injury and there is a unique protocol for each muscle in the body. I identify the muscle that needs to be treated, based on the type of musician I am working on, and use my unique treatment protocols to improve range of motion, increase muscle memory speed and decrease pain.
Me: As a chiropractor, what happened to inspire you to focus specifically on musicians?
CK: I’ve always been a big fan of music and it’s been a huge part of my life. During chiropractic school, I had a “light bulb moment.” While everyone wanted to be a “sports chiropractor”, I spent time trying to figure out how I could be different. By becoming a “music chiropractor”, I could incorporate what I love with my professional aspirations by treating a group of people that I feel need chiropractic more than anyone. Between the repetitive stress they put on their muscles and joints everyday and traveling and experiencing the rigors of touring, every musician can really benefit from what we have to offer. My friend, Wes Bailey, is really the first musician I started doing regular work on. If you haven’t heard of his band, Moon Taxi, you need to jump on the bandwagon ASAP.Me: This sounds like a relatively new field of work. Have you come across other chiropractors that specialize with musicians, or would you say you’re starting a new trend?
CK: I’m a member of the Chiropractic Performing Arts Network (CPAN). It’s a national organization of chiropractors who share a common vision of providing natural healthcare to performance artists by enhancing performance, increasing vitality, and increasing overall body awareness. I would be surprised if there were many other chiropractors out there with the drive and motivation that I have to study musicians and their ailments, especially one who is also certified in several soft tissue techniques. It’s really a niche I feel I’ve discovered. It’s a great time working with and treating the talented people that I admire and then seeing the looks on their faces after a treatment and getting to watch them perform on stage.
Me: What does your typical work week look like? Are you more in the office or traveling to work with bands?
CK: I work Monday through Thursday at Chiropractic and Wellness on Pewaukee Lake in Pewaukee, Wisconsin. Any time bands are playing in the Milwaukee or Madison area, I will go to the venues and work with them. On weekends I do a lot of traveling between seminars and working on bands out of state. So, pretty much I am a really busy guy (laughs).
Me: So you’ve just been doing this for a few years now. What bands have you worked with? What has been the best experience so far?
CK: I’ve gotten my hands on a countless amount of musicians already but I’m somewhat limited to what I can say. I’ve received testimonials from members of Umphrey’s McGee, Moon Taxi, Roster McCabe, The Motet, Steez, Indigo Sun, and Undercover Organism, just to name a few. You can read their testimonials on my website. It was a lot of fun to be able to work Umphrey’s McGee recently during their Halloween run at The Riverside Theater in Milwaukee. They’re a great group of guys and even more talented than I ever imagined before getting to meet and talk music with them. I also recently had the opportunity to provide my services to John Densmore, legendary drummer of The Doors. That was a really cool experience for me. I discovered that at the height of their touring career, the band would have a chiropractor come to the venue at least twice a week to treat them before they played. Mr. Densmore explained that chiropractic has been a vital tool he has utilized throughout his career to help with all of the aches and pains associated with being a musician. That was great for me to hear and offered a sense of validity to the mission of my business and what I can offer.Me: What aspirations do you have for Epic Performance Integrative Chiropractic going forward?
CK: I’d really like to expand my services to music festivals and connect with event organizers and promoters. I’ve been able to connect and work 1-on-1 with the bands really well so far, but one of my goals is to totally redefine artist hospitality at the big summer music festivals by taking the pre-show massage to a whole new level. While a massage feels great, it doesn’t address the underlying structural problems often associated with pain symptoms and dysfunction. I’d also like to establish some sort of “residency” with the bigger venues in the states that I’m licensed in, like I’ve done with some of the venues in the Milwaukee and Madison areas. Who knows, maybe you’ll see me at Summer Camp (laughs).
Summer Camp favorites, The Everyone Orchestra is the musical monstrosity that pairs incredible talent with the razor-sharp mind of Matt Butler. While the lineup itself takes on many forms Butler and his white board are the one constant. Prior to Phish’s three-night run at Dick’s The Bianchi Brothers arranged for a little shindig under the stars. They have produced a couple of these ‘music in the park’ type events with positive feedback. This was the first to take place in Sculpture Park in front of the Denver Performing Arts Center. Giant, androgynous statues dance in the field, and they immediately became everyone’s go-to meeting place. The Dead Phish Orchestra opened up, but we arrived just as they finished up their set. Several vendors lined the ample-sized field, with the beer garden being the biggest draw.
The lineup on this particular night was absolutely stellar, consisting of Kyle Hollingsworth (SCI, KHB) on keys, Michael Kang (SCI, Panjea) on electric mandolin, Dave Watts (Motet) on kit, Jans Ingber (Motet) on percussion and vocals, Jennifer Hartswick (TAB, JHB) on trumpet and vocals, Al Schnier (moe., Floodwood) on guitar, Kai Eckardt (Garage Mahal) on bass, and Bridget Law (Elephant Revival) on fiddle, with Butler orchestrating. Jason Hann (SCI) and Ted Tilton (DPO) both sat in during the second set as well. The sheer aptitude for music in this configuration of Everyone Orchestra is utterly mind-blowing. I’ve seen many different EO shows, but this has to be at the top of heap simply from musicianship. The show began with a vocal jam between Butler and the crowd. Watts’ lockstep beat was in full effect as Kyle tickled the keys elegantly.
This two set show featured some extensive jamming from EO. Strong vocal interplay between Jans and Hartswick were yet another highlight of this musical journey. With the majority of their “songs” hitting almost twenty minutes, they had plenty of time to pass the potato around. Al was a focal point for many all night as he simply shredded. Kai too was impressive to watch as he held it all down with his funky bass riffs. The first set was a little tame, as they got into their groove during the second set. Watching improvisation happen live can be a lot like watching a flower bloom. Sure everyone on stage is an absolute talent, but they have to be truly in synch with other musicians, several of whom they may never have met before, to actually perform together. That takes a special kind of genius. Everyone Orchestra played well into the evening as the sun set behind Sculpture Park. EO would claim that they are there to have fun, but with each show they continue to foster the spirit of improvisation. The show in Sculpture Park featured a lot of crowd interaction, more than a few vocal based songs, and epic jamming. At one point during the second set I was fairly sure they were jamming on Daft Punk’s “Get Lucky.” This was a great way to start my weekend with Phish. EO always gets the musical juices flowing. They are a jam institution as far as I’m concerned. Butler travels all over the country paring up players, and spreading the power of improvisation. In what other venue is it even possible to see members of The Motet, SCI and moe. all jamming together onstage? It’s special every time they perform and their show in Sculpture Park was definitely a unique experience.
Few places in this great state are as picturesque and stunning as Telluride. This quant mountain town is the cultural mecca of the southwestern region of Colorado and plays host to several music and film festivals throughout the year. Telluride Jazz Festival is perhaps the most reserved and underrepresented of all of their events, but this year featured an all-star lineup at the famed Town Park Stage. It is the 37th year for Telluride Jazz, and it has been the host to some of the most renowned musicians in the genre. Galactic, John Scofield, Stanley Clarke, and Dr. Lonnie Smith were all headlining; meaning this weekend in Telluride was sure to be one for the books.
My wife and I drove though the night to reach our destination. There was a massive storm percolating over the San Juan Range, which could be seen as far away as Glenwood Springs. Lighting flashed in the distance as we rode over seven hours to Telluride from the Front Range. The one downside is just how far Telluride is from Denver. It’s a trek, but one that is very much worth the trip. As we made our way past Montrose we hit the eye of the storm. Torrential downpour threatened to wash out the road as we finally hit the highway that would take us down valley and into town. We set our tent up in the rain and darkness and quickly went to bed. With three days of music and camping ahead of us, it was time for rest.
We awoke to a beautiful blue sky on Friday morning. For those that have never been, Town Park where the venue is located is actually a campground. This meant we were a mere three hundred yards from the entrance to the festival grounds. The weather all weekend alternated between absolutely perfect to downright drizzly. The music began around 1 PM on Friday with 2013 Band Contest Winners New Sound Underground. These young men had an explosively funky sound. The entire band biked from Minnesota to Telluride. It took around 30 days. With songs like “Natural High” and “Our Thing” it was obvious why these guys rose to the top to win their place at the festival. New Sound Underground put on a great set and it was a solid beginning to this one of a kind festival.
We watched the Telluride Allstars Leaders and Alumni Quintet next on the Town Park Stage. This band had an incredibly dynamic ability just play together. Made up of alumni of Telluride’s all-star program, and lead by Bob Montgomery on trumpet as well as Josh Quinlan on saxophone. Together they direct the program and spread the joy of music. Their set had a super laid back sensibility but with a solid intensity. They ranged from tightly performed jazzy jams to all out Latin detonations. They were impressive musicians.
Nigel Hall has long been known for his work with Royal Family Records. He is currently recording with Chapter 2 as well. His set took on an almost gospel feel as he blended jazz, funk, R&B, and more. They played for just under ninety minutes during which we got a little bit of rain. It was hardly enough to dampen anyone’s spirits. Front Range favorites The Motet lead by Dave Watts took the stage next. They have a sleeker lineup with Jans Ingber on percussion and vocals. With a performance of “Shake Your Booty” the crowd was in sync. They sun began to drift down the valley basking the canyon walls in a beautiful Alpenglow light. The Motet continues to be one of the most versatile bands playing in Colorado. They can pretty much play anything on cue and have spent the last two summers bouncing around the festival circuit. Their set at Telluride was truly spectacular. They invited Nigel Hall back up to the stage to sing on their closing tune.
The John Scofield Uberjam Band closed out Friday night in high musical fashion. This super group is comprised of Scofield on guitar, Adam Deitch on drums, Andy Hess on bass, and Avi Bortnick on guitar and samples. This is an insane collection of talent and their set at Telluride was flawless. Instead of sticking to their straight funk and groove sound they are known for from their first album, they pushed it up a notch utilizing samples and some far out sounds. They performed songs new and old including “Every Night is Ladies Night” and “I Brake 4 Monster Booty.” They recently release a second album, which was the impetus for an extended tour. This group defies genre by simply playing together and riffing off of each other. This was straight avant-garde jazz at it’s finest. At times they included some electronic sampling that was a little off putting, but overall they played an incredible set of music. As Uberjam finished up we walked the short distance back to our camp and called it an early night.
On Saturday Morning I opted out of the first couple bands and made my way via gondola up to the disc golf course. They have recently expanded the course to eighteen holes and it was a lot of fun. We made it to the Town Park Stage for the Doug Lawrence Organic Trio. The word “organic” defines this group nicely. They incorporated some soaring sax work from Lawrence, and focused on some swing-heavy jazz. Musically they were intrepid and impressive. They truly created full sound, which might not be expected from a three-piece group.
Latin Jazz extraordinaires Son Como Son were on the stage next. This eclectic group featured some of the most dance-centric music of the entire weekend. Hailing from New Mexico, this salsa band has the ability to play a wide range of Latin music. From bolero to the cha-cha, Son Como Con lead by Cesar Bauvallet is a nonstop musical powerhouse. This elevated energy Latin experience was yet another highlight from this amazing weekend in Telluride. During their set the festival featured a very popular wine tasting for all of the attendees.
Up next was fan favorite Meshell Ndegeocello. Her sultry voice played a little bit more down key for the audience, but she was definitely a sight to behold. She is a ten-time Grammy nominee; making her one of the most celebrated acts to perform all weekend. She defies categorization by playing off of a wide range of styles and sounds. Her set at Telluride was a gentle trip with an almost minimalist approach, accentuated by impeccable vocals from Meshell. Her set was delicately beautiful. It was another chance to witness some serious talent that many including myself have not had the pleasure of seeing live. She and her band played an awesome version of The Animals’ “Don’t Let Me Be Misunderstood.”
The festival headliner Dr. Lonnie Smith had been getting rave reviews all day from his set the previous night at the Sheridan Opera House. He only played for about an hour but people were talking about it all day. As he took the stage on Saturday night it was obvious why. This man is a monster on the organ and he has enough tools and tricks to suck in even the most jaded of music fans. His set was a bit delayed due to some technical issues, however he was finally underway around 6:45 PM. The crowd seemed to squeeze in a bit as the Dr. got going. His music was hypnotic, sucking you into a trance like state. This was intense music ranging from straight up funk to all out acid jazz. His set was fire.
Co-headlining the night was Mr. Stanley Clarke and his bass. He is widely renowned for his work, which again seems to defy genre. He is perhaps best known for his project with Chick Corea, but he is truly established in his own right. He has done it all from film and television work to actually inventing two instruments. His set in Telluride was one of the best we saw all weekend. His show went a bit late pushing back all of the Jazz After Dark festivities along with it.
I trekked up the gentle slope to the Sheridan Opera House to see the New Orleans Suspects. They are playing a long set of music in this historic room. This group is like taking all of the greatness of the music of New Orleans and juicing it down into a single serving. The band is made up of members of The Neville Brothers, The Radiators, and Dirty Dozen Brass Band. Does it get any more NOLA than that? They got the crowd moving by playing a massive “Food For Thought.” I hung out for a while, but headed over to Fly Me To the Moon Saloon for a little bit of The Stooges Brass Band. These guys are like a younger Dirty Dozen or Rebirth Brass Band. They are high energy and almost playful at times in their delivery. They had some humorous exchanges especially on “Got A Big Fat Woman.” They were hard hitting funky brass jam. It was enjoyable. They also busted out their own take on “It’s All Over Now” made famous by the Rolling Stones. I headed back to my tent in the moonlight and got ready for day three.
Sunday came far too quickly and it was arguably the best day on the lineup. It began with a parade through the streets of Telluride lead by The Stooges. They all met up at the entrance to Town Park for a jam in the street before Boulder’s own Springdale Quartet started the show. Fresh off of the release of their new album Heist, which was produced by Alan Evans, Springdale has been performing all over Colorado. They won the band contest three years prior and were invited back to play in 2013 at Telluride Jazz. For this special set they decided to play all of Heist for the crowd. It was an excellent chance to see all of the new tracks live. Their performance was absolutely stellar with “IBM 22” and their instrumental version of Weezer’s “Say It Ain’t So” really demonstrated how this band has evolved. Tight bass lines from Jordon Roos accented by Chase Terzain’s keys made for a stunning set. They closed with “Noise Factory” off their first album.
Although I’m highly familiar with Mike Dillon’s work with Garage A Tois and various projects over the years, this was my first chance seeing his new solo group. It’s a percussive collision of the best kind. The band consists of Dillon on vibraphone, Carly Meyers on trombone and percussion, Adam Gertner on drums, Patrick McDevitt on bass, and they also added Johnny Durkin on percussion as well. Their set in Telluride ran from playful to downright sinister. The focal point was an energetic Meyers who bounced around the stage between solos. There were several all out drum and percussion jams that punctuated an incredible performance of music. One jam featured a sit in from Stanton Moore.
“We’re gonna end with 10 minutes of punk rock.” – Mike Dillon
The Stooges Brass Band continued the New Orleans vibe, which would be the theme for the remainder of the evening. They are a bold new addition to the NOLA brass tradition. The Stooges engaged the crowd with their song “Wind It Up” and subsequent dance of the same name. Their energetic stage presence and strong musical ability are truly worth seeing live. They closed with a funked out version of “Hey Baby.” The New Orleans Suspects followed and just as the night before they shredded through a long set that was utterly reminiscent of all things Louisiana. This band seems to distill that Mardi Gras sound down to it’s root elements and just play with them in every tune. Everything about the band is fun. They have a familiar sound without being nostalgic. The New Orleans Suspects are another fresh approach to a music with a very long history.
Appropriately, Galactic headlined the last night with their set starting right around 7 PM. This band has toured relentlessly since they formed 18 years ago as a Mardi Gras band. They invited Mike Dillon out who sat in on percussion for the entire show. Corey Glover who has been touring with the band for the last couple years was there to add his prodigious vocals to the mix. Their performance sparked an all out dance party as the stars became visible in the sky. Galactic invited members the Mike Dillon Band, The New Orleans Suspects, and The Stooges Brass Band to close out their set. It became a massive clusterfunk as the musicians passed around solos and simply jammed it out for the very attentive audience. This was the true highlight of the weekend; witnessing stellar collaboration happening on the fly in Telluride. Galactic finished around 9 PM and the field slowly emptied.
As the eclectic audience headed back to their tents I was struck with a feeling of gratitude to be in Telluride. It’s good to know that festivals like this have a special place. Telluride Jazz Festival is truly a unique experience. It’s a slightly older crowd. There seemed to be more locals in attendance. It is by far one of the most family friendly environments I’ve ever seen at an event. Children ran around in the backfield and played throughout all three days. There were no overlapping sets, so everything felt relaxed. There was plenty of time to head back to the tents, which were only a few steps away from the gate. Security was lax and friendly. As I drove back the next day I was hard-pressed to think of one bad thing about the weekend. If a chill festival experience with some top rate musicians is what you are looking for, get to Telluride Jazz.