A more perfect day could not have been planned for Summer Camp on Friday. Music lovers arose to the crispy, bluebird sky of central Illinois with a bright beautiful sun shinning down from above. As fans shook off the grogginess of Thursday’s pre-party they found that Summer Camp was beginning in earnest and the weather was perfect. The light rain of the prior day kept down the dust promising that attendees would not be blowing a Rorschach Test into their hankies. A light breeze blew across the fields making for a sweet balance of warm and cool as the day began. Chicago Summer Camp regulars Old Shoe got the music started with an 11 AM shotgun start.
This quintet is quintessential jam with an acoustic sensibility thrown in for good measure. As Matt Robinson donned his “Easy Scampin’” shirt it was clear that not only was Old Shoe ready to have fun, they were ready to play. This band has so much potential as their local fan base already knows, They are a blend of rock, funk, folk, and more, Old Shoe just seems to fit. As their name would insinuate there is a comfortable vibe that emulates from everything they do. Their hour-long set was a perfect way to officially start Friday at Summer Camp.
Just as Old Shoe was finishing up Reverend Peyton’s Big Damn band was getting warmed up on the Starshine Stage. These guys put the power in power trio. Their sound is reminiscent of a revving engine approaching the red line. They have a growl that would make a dire wolf question its masculinity. They opened with a roaring “That Train Song.”
Set 1: That Train Song, Something For Nothing, Easy Come Easy Go, Regular Ole’ Guitar> Peter Gun Theme, Big Blue Chevy ’72, You Can’t Judge a Book by its Cover, Worn Out Shoes, Clap Your Hands, Devils Look Like Angels, Some of These Days> When the Saints Go Marching In, Glory Glory
The Rev. is as much of a storyteller as he is a rocker. Joined by his wife Breezy and drummer Ben “Bird Dog” Bussell, Reverend Peyton can rip on anything with a fret board. In fact during “Easy Come, Easy Go” he absolutely shredded on a cigar box guitar. I’ve never seen one let alone heard one sound like a Les Paul. Their hour on the stage went by far to quickly and ended with a rolling version of “Some Of These Days into a raucous version of “When The Saints Go Marching In” followed by a very untraditional take on “Glory, Glory.” Let’s just say it got spiritual.
Next up was Keller Williams in the VIP Lounge. This was the first year with an actual schedule set up for VIP, rather than just a few random sets throughout the weekend. Keller was running late, taking the stage a full twenty minutes after he was scheduled. The set began ceremoniously with an introduction from promoter and festival organizer Ian Goldberg. He is Jay’s son and basically runs the whole show. Keller began by saying, “I have no plan.” He performed an acoustic, loopless show, which is something I haven’t seen since 2005 at Summer Camp. Keller is always a sort of flow of conscience type show, but his loopless shows take it to another level. Strumming away we were treated to a set that was all K-Dub. The highlight was beautiful rendition of The Grateful Dead’s “Eyes Of The World.” I would have stayed longer, but it was time for moe.
2013 Camp Counselor Kyle Hess gave the intro, which was short but sweet. Having stood in his shoes, it’s a lot of pressure to announce your heroes to 15,000 or so people. He did so marvelously. moe. opened their festival with a huge “Captain America” into “Recreational Chemistry.” This was the equivalent of throwing down the gauntlet as far as I’m concerned.
Set 1: Captain America> Recreational Chemistry, Deep This Time> Downward Facing Dog, Puebla> Ricky Marten> Seat Of My Pants, Okayalright
moe. is one of the few jambands that has never broken up, never taken an extended hiatus, and never left their fans in the lurch. It absolutely shows in their live performances. They simply grind and for that reason I’ve been a fan for well over a decade. Their guitarists Al Schnier and Chuck Garvey are so dialed in, watching them is like witnessing a two-headed shred monster. They toss each other lead and rhythm parts like hot potatoes shot from a grenade launcher. This was a classic jam-filled set with a massive “Okayalright” to close. With five more sets on the horizon they set the bar pretty high with this show filled to the brim with badassery.
The Wailers were up next on the Sunshine Stage. I’ve always been a bit confused by The Wailers , The Original Wailers and were the two diverged. The fact that Bunny Wailer is still alive and not a member of either band is enough to make me question the namesake. Originally The Wailers was comprised of Bob Marley, Peter Tosh, and Bunny Livingston. Afterwards the band morphed into Bob Marley and The Wailers with Aston “Family Man” Barrett and his brother Cody Barrett on drums with the I Threes. Both of the Barretts were members of Lee “Scratch” Perry’s studio band The Upsetters. So basically Aston is the only real member of Bob’s band, but they continued performing after Bob’s death. They were lead by Koolant Brown on vocals who was like a bucket of jazzercise. His energy was infectious and his tone was spot on. The other notable member is Keith Sterling on keys who was also a part of The Upsetters among other Jamaican groups. They sounded solid with awesome versions of “Africa Unite” and “Stir It Up.” The highlight of their set was a mashup of “Waiting In Vain” with Tina Turner’s “What’s Love Got To Do With It.” As I was heading over to MMW I could hear them playing “I Shot The Sheriff” to an enthusiastic crowd.
Medeski, Martin, & Wood plays jazz with a jam mentality. It’s not so much about the groove because at times they go down the trail blazed by greats like Charlie Parker. Utilizing dissonance that to the untrained ear can be unsettling. However the fact is that MMW is capable of absolutely anything. Their most crowd-pleasing shows include funkiness, which was definitely present at points during their set at Summer Camp. They are simply one of the most incredible live acts touring today and it was a pleasure to see them on a beautiful day in central Illinois.
As Keller Williams ages his projects become more and more sophisticated. No longer is he content playing alone. The last few years have seen numerous projects spring from his mind. The latest is Keller Williams and The More Than A Little. This is his most soulful endeavor incorporating two female vocalists and a full band. They started the set with the song from which they take their name. K-Dub hit the stage in a black suit, smacking his talking drum and looking pretty suave. I would have to say the man won best dressed for Friday if not the entire fest. There was smoothness to this group and a focus on the funkier side of Keller. This is probably my favorite band that Keller has formed and I hope this group actually tours rather than being just a flash in the pan. This was also the most painful overlap of the day with Yonder Mountain String Band starting just a half hour after Keller, so shortly after it started, it was time to mosey.
Colorado bluegrass ambassadors Yonder Mountain String Band have been a hallmark of Summer Camp for years now. Their main stage set this year was chocked full of stringy goodness. They started with an energetic “If You’re Ever In Oklahoma” into “East Nashville Easter.”
Set 1: If You’re Ever in Oklahoma> East Nashville Easter> 40 Miles From Denver, 20 Eyes, Irondale, Pretty Daughter, Casualty, Kentucky Mandolin*, Dear Prudence*> Raleigh & Spencer*, Two Hits and the Joint Turned Brown*
*w/ Roosevelt Collier on Pedal Steel
This set was a beautiful, rambunctious journey with one of my favorite bands. Jeff Austin’s face contorted as he wore the finish off his mandolin, by straight ripping it up. They invited Lee Boy, Roosevelt Collier to the stage to play the pedal steel with the band. This added a whole new dimension to their group. He wasn’t even on the official lineup, but he ended up being an artist at large of sorts playing around all weekend long. Their take on “Dear Prudence” with him was definitely memorable as was their set closing “Two Hits.”
Finally it was time for the main event with Umphrey’s McGee. Basically Summer Camp has become their home fest as they now share the bill with moe. They have such a dedicated following and are actually from the Midwest so it makes a lot of sense. They eased into a two set extravaganza with “There’s No Crying In Mexico.”
Set 1: There’s No Crying in Mexico > All in Time > Mantis Ghetts, Nothing Too Fancy> Ringo, Eat, Believe the Lie, Conduit, Comma Later > Nothing Too Fancy
Set 2: Puppet String > Plunger > All in Time, Sociable Jimmy, Bright Lights, Big City1, Glory> Plunger > Puppet String
*w/ Dom (Big Gigantic)
Umphrey’s is the most technical band in jam and this show demonstrated just that. The boys let us know that they are still Death Metal with “All In Time.” “Nothing Too Fancy” into “Ringo” was the climax of their first set and again raised the bar from a band that might as well be professional bar raisers. “Eat” actually had me a little frightened as again their Metal was showing, before the progressive “Believe The Lie” eased the tension. Umphrey’s is not an easy band to watch. They don’t just give it to you. They make their fans concentrate in a way that no other member of the jam community does. You have to work to understand what this band is doing. They are the opposite of dubstep in that regard. They ended their first set by going back into “Nothing Too Fancy.”
Their second set was bookended by “Puppet String” and included a sit in from Big Gigantic’s Dominic Lalli. It was a little more reserved than the blowout that was set one. “The Bright Lights, Big City” on which Lalli sat in was a definite highlight of a set full of technical turns and rage heavy jam. Umphrey’s is a big part of what makes Summer Camp so great and this was their night to blow it all out. They did so marvelously. During “Glory” they teased The Smashing Pumpkin’s “Rhinoceros” which got fans hopeful, but I’m glad they stuck to the script. This is one my favorite UM tunes and really demonstrates a different side of their sound. With a little bit of the theatrical moes came to the stage for the encore. The Umph boys gave them a look like, “We got this,” and proceeded to bust out a highly mechanical “Rebubula.” It was a nice touch to show the interconnectivity of these two groups at this particular festival.
After Umphrey’s I opted to nap it out for bit to be ready for the late night in the Red Barn with moe. and YMSB. I arrived at the Barn around 12:45 and made my way inside. The Barn is 400-person shell complete with lasers and a high ceiling. moe. opened with “Mar-Dema.”
Set 1: Mar-Dema > Kyle’s Song > Kids, In a Big Country, Wind it up > Sensory Deprivation Bank, lylelovit. > Waiting For The Punchline
Their hour and fifteen minute set left fans wishing they would play until the sun came up. This was classic moe. with a wonderful “Kyle’s Song” as well as a bust out on “Big Country” which hadn’t been played in 929 shows. Before playing “Sensory Deprivation Bank” Rob said, “This is the most downloaded song in the history of porn… it’s true.” I’m not sure if that’s actually a fact but it was absolutely huge. The set closing “Waiting For The Punchline” whipped the crowd up into a frenzy. This was solid moe. and a fun way to spend a late night.
After a stage swap that went a little too long Yonder took to the boards. They got going with a solid sandwich in the form of “New Horizons“ into “Blue Collar Blues” back into “New Horizons.”
Set 1: New Horizons > Blue Collar Blues > New Horizons, Left Me in a Hole, Fingerprint, My Gal, Steep Grade Sharp Curves > Gut Feeling/Slap your Mammy, New Deal Train, Another Day, Little Lover, Ten
Encore: Southern Flavor
Yonder took us on a late night bluegrass romp that saw classics flirting with a few new tunes. It was simply a great day of music and YMSB was the perfect end to it all playing well into the wee hours of the morning. Additional highlights of their set included “Let Me In A Hole,” “New Deal,” and “Ten.” They encored with an awesome “Southern Flavor.”
As I walked down the trail back to my tent the birds were beginning to chirp and I knew that Saturday would be coming all too soon. Summer Camp is non-stop run and if you do take a break you are going to miss something. That’s just the nature of the beast. It’s always important to pace yourself, but it’s even more important to see as much live music as possible. Two down, two to go.
While at Scamp this year, I brainstormed a few ridiculous questions to shoot by a few of the Umphrey’s McGee members to keep them on their toes and hopefully get some juicy, fun facts from the band. Here’s what I found out for all of you Umfreaks and for you moe-rons, stay tuned for the finale at the bottom! This photo really sums it all up:
So I posed the question to bassist Ryan Stasik of Umphrey’s McGee: “If you had to describe yourself in one song which song would it be and why?” His answer: “Smooth Operator” by Sade along with the quippy remark, “Do I really need to explain why?” Ohhh mister Stasik knows he’s a sexy moustached stallion. Who would have thought?
With a blush and a smirk I rambled off my next question: “If you were invisible and could go anywhere in the world, where would you go and why?” Stasik firmly retorted, “Well how old would I be” to which I replied, “You can be as old as you want.” He grinned and looked up for a minute then shot back at me, “Well I would be 18 years old and I would hang out in a girl’s locker room at the hot yoga studio.” Whew. Well we see where your mind is at buddy. And after walking around to a fan who bought a ticket for the Umphrey’s Picnic and was sitting in the barn enjoying a sandwich out of their newly prized Umphrey’s lunchbox, I saw the photo above. With iphones snapping like an MTV red carpet event, the photo certainly took a few UM fans by surprise. Yes, V is for Vagina. Thanks for that gem
Later on in the VIP tent where Summer Camp so amazingly put together meet and greets with some of the big boys at camp this year, I ran into Rob Derhak, bassist and vocalist for moe. When I asked him where he would go if he were invisible and why, he gave me a much more sophisticated response- “Well I would go to the White House of course and dig around for a bit.”
There you have it friends- the short and skinny on the thoughts of Stasik and Derhak. Whew, now we can all rest easy. More to come. Stay tuned….
Sunday was EASILY the best day of music for me. Also, it was easily the worst day of weather. No way I was gonna let that affect my mood, though, and for many Scampers, it was the same.
I was able to catch Umphrey’s day time show, and they just continue to get better every time I see them, as now this was the 15th show for me. Highlights include a beautiful version of Dear Lord, one of my all time favorites and a rarity, with a sit-in from Luther Dickinson. They closed the set with a rockin’ Miss Tinkle’s Overture. Check out my video of it (right here): http://www.youtube.com/watch?v=F0M7GMT3F74&feature=youtu.be
Hands down, the show by The Everyone Orchestra was one of the best shows I have ever seen. Wow. I was just blown away. On stage was Joel Cummins of Umphrey’s McGee on keys, Vinnie Amico, Jim Loughlin, and Al Schnier of moe. on drums, percussion, and guitar, respectively, Victor Wooten on bass, Allie Kral of Cornmeal on violin, Roosevelt Collier on steel guitar, and Alex Steele of Roste McCabe on vocals. There was also another girl on trombone who was just stunningly good, but I am not sure who her name was unfortunately. Of course, it was orchestrated by Matt Butler. For those unfamiliar with The Everyone Orchestra, it is all improv and the jams are literally conducted by Butler as he is leading the artists with the tempos and grooves. Their final jam had some “Love Love Love” lyrics bouncing around that got the crowd going crazy inside the intimate Red Barn.
Finally, there was Trey. Words can’t even begin to describe the musical journey he takes me on every time I see him perform. He came out on stage, did a nice little awkward and goofy half-bow to the crowd, picked up Ocelot (the name of his guitar) and got right into First Tube, a classic song that gets me rocking every time. He didn’t let up from there in his first set got better and better with each song. Unfortunately it was raining for most of the first set, so I didn’t get many pictures or videos, but it let up enough for me to catch the end of “Money, Love, & Change.” Check it out! http://www.youtube.com/watch?v=ysUBGexwkKU&feature=youtu.be
His second set was cut short due to the nasty flash flood, which to be honest, came as a sort of relief to me. I found myself at such a predicament because a gust of wind, or Trey’s peak in one of his jams, snapped my umbrella in half. Once that happened I just got SOAKED. I mean soaked. And muddy. But I mean, it’s Trey! During the jam of Push on til The Day, the final song he ended up playing, a small child arose on the shoulders of someone in the front row, and he just danced danced and danced away for all to notice. The crowd cheered him on as he had all the spins and moves, mostly with his arms, and even Trey went up and gave him a high five after the song ended. It reminded me of when Alpine Valley last summer, in which Trey pulled up a bunch of phans on stage during their encore song of Meatstick, showing despite the level of stardom he has reached, he still has the heart and joy of music to share it with others and acknowledge great moments when it happens. By the way, I was one of those guys doing the Meatstick dance on stage. Here’s the video! http://www.youtube.com/watch?v=5nIFwpRxFLA
Well, Summer Camp, it was GREAT. Although the rainstorm cut the night a little young, I had a hell of a time and am already counting down the days til next year.
And just like that, we’re on to the last day of Summer Camp. Last night consisted of another marathon of music and good times while trekking through all the mud throughout the grounds. I saw Victor Wooten, a humbling experience, in the VIP lounge jamming with some special guests. After some dancing at Thievery Corporation, I went to check out both sets of one of my long time favorite bands, Umphrey’s McGee. A rainy first set did nothing to stop the crowd of Umphreaks dancing and raging along on the Sunshine stage. The second set featured one of my all time favorite concert moments: during the buildup of their Der Bluten Kat jam, some fans started blasting off fireworks. The band quickly got on cue and coordinated their jam, and of course Jeff Waful synchronized the lights to create a mesmerizing moment that seemed to last hours. One of the great things I’ve witnessed about Umphrey’s is their uncanny ability to just pull you in, capture your attention and consume you completely in their flow of the jam, and leave you stunned and jaw dropped. Face melting at its finest.
After Umphrey’s I was able to catch most of the second set of moe on the Moonshine stage. During this set I decided the Moonshine is most definitely the coolest stage of the three big ones here at Scamp. The slope incline of the lawn combined with the surrounding trees and hanging canopies create an intimate feeling that connects the crowd more with the band. I’m not all too familiar with many moe. songs at this point, but that didn’t stop me from enjoying every moment of the show. For the encore, as a tribute to Umphrey’s covering their Rebubula Friday night, moe. did their own take on UM’s classic tune In the Kitchen. The crowd, as did I, quickly recognized the song and loved the recognition of the co-headliners’ presence of each other. I must admit the end of the song got pretty sloppy with the ending and lyrics, but still another great moment in Summer Camp history.
Thievery Corporation at the Moonshine ^
I also made it to the premiere show of Big Grizmatik, a combination of Big Gigantic, Griz, and Gramatik all playing together in the Red Barn. The intimacy of the Red Barn is great because 1) the band realllly feeds off the crowd’s energy, and 2) it was refreshingly warm in there! Big Grizmatik played a little bit over an hour, with a few Big G songs mixed in with other DJ remixes for a constant dance frenzy.
Video: Big Grizmatik – Fantastic http://www.youtube.com/watch?v=dqnXPapmbck&feature=youtu.be
Looking forward to the last day now here today! Gonna for sure check out Umphrey’s final set, and I heard that guy from Phish is also playing tonight, so I’m sure I’ll see his show
Stay warm and stay dry, Summer Camp!
So through my first two days here at Summer Camp, I’ve come to realize the culture that exists here. Three Sisters Parks has become its own city, separate from the rest of Chillicothe, as well as the rest of society, where everyone here is here for the same reason – to celebrate life and enjoy the music having a great time. Yesterday I celebrated life with several fantastic concerts, spanning nearly 8 hours of music.
I started out my day waiting in line for Umphrey’s McGee’s Golden Ticket merch event. What this was is they were selling 600 bags of random merchandise, with 24 of those bags luckily including a “Golden Ticket,” redeeming the recipient with random great prizes from winning 2 tickets to every show to a year to an umVIP pass for the rest of the festival for an on-stage viewing experience, among other things. Unfortunately, I did not win a Golden Ticket, but still got a solid bag of merch goodies including a t-shirt and a coozie. Stasik was there taking pics with fans and I was able to snap one.
Medeski, Martin, & Wood was next for me. I’ve never listened to the psychedelic jazz trio before this show, and was blown away by their chemistry and flow in their music. They were all on the same key throughout the show and kept the crowd dancing throughout their set under the beautiful sun.
I took a break after MMW to grab some food and head over to the Sunshine Stage to catch the first set of Umphrey’s McGee. The crowd was raging along in full force as the full moon began to shine in the east as the sun set in the west. Closing the set with a sandwich of one of my all time favorites, Nothing too Fancy, I felt good about stage hopping over to check out Roster McCabe. As always, they did not disappoint as I danced along with the smaller but energetic crowd at the Camping Stage before heading back to catch the latter part of Umphrey’s second set. I’m disappointed to have missed Dominic Lalli sit in with them for Bright Lights, another of my favorite song, but they still killed it the second set, and encored with Rebubula. Yes, you read that right, Rebubla by moe. Truly an epic moment in UM history that will be talked about for years to come of Summer Camp Highlights. – Video: http://www.youtube.com/watch?v=Hze_chSCO5U&feature=youtu.be
After Umphrey’s I headed to see Nahko & Medicine for the People at the Campfire Stage. Medicine had the vibes with them tonight as they packed in all the love for music in a tight hour long set, but only left us wanting more. For those unfamiliar with this band, they sound a lot like Michael Franti and Matisyahu. Nahko even sang a few verses of Matisyahu’s “One Day,” but instead changed the chorus to “Today,” representing his message of making the world a better place right now.
^Nahko & Medicine for the People
After Medicine, I caught the final half of Big Gigantic’s set over at the Sunshine, a show I’ve been ready for for quite some time. Big Gigantic’s fusion of jazz and dubstep is unlike any other band I’ve heard before, and they truly feed off the crowd’s relentless energy. I am absolutely stoked to see them again tonight for the late night. After Big G, I headed to the Barn to catch moe.’s late night set. The Red Barn is such an intimate venue, I was truly captivated by that feeling of everyone in there just loving the music so much, and could tell that moe. felt the same way; they were relaxed and just having a good time. Unfortunately I couldn’t last long enough to make it through Yonder Mountain, so I called it a night after moe.
Today, as crazy at it seems, looks to be even better than yesterday; the best part I’ve learned about Summer Camp is that the next day is better than the last. I’m looking to check out Victor Wooten & Friends at the VIP Lounge, (a very nice perk of being a CIT!), Thievery Corporation, 2 sets of Umphrey’s then moe., and a late night with STS9 and Big Gigantic.
Friday was way to much fun. Woke up with an early morning bite to eat. The birds were chirping, the sky was blue, and all I could think about was Moe playing at 2! So after we had made our way back to the campsite and i had a quick change of clothes we decided to go do a little wondering around and find some people to hang out with.
2:00 rolled around pretty quickly, so we headed over to Moe. Thousands and thousands of people came in all different directions came flooding in before the first guitar riffs were firing up. Kyle came out on stage to announce the first Moe set of scamp and then the place got wild.
After Moe, we went back to the campsite to make a few adjustments before heading off to the wailers. Good jams even better times. So much funky reggae everywhere it was quite a site
Unfortunately, I had to pass on yonder this year because I lost track of time inside all of the fun we were having and just totally forgot all about it. We ended up walking around till about 8 when we started to head over for EOTO. A few people who have never heard of them before asked me what the show was going to be like. I couldn’t answer them because each EOTO concert is different than the last. Everything is just open jam an I just couldnt tell them what to expect except awesomeness.
Umphrey’s, Minnesota, to tribe oh my. Always moving forward never slowing down. Music, music everywhere. Always pushing forward and have the time of my life.
Big G was one of the best sets of the night. It was super loud and hype but was comfortable chill. Makes sense huh?
After everything was done we jumped around a lot going from tent to tent, through tons of trails running into people and objects all night. I would have to say that Friday was a total success and cant wait to see how my Saturday goes.
Until next time guys and girls, stay scampy!!
Saturday started to remind me of the monsoon that came through a couple years ago pretty early in the morning. The rain was coming down and the paths were turning into slip and slides. But the ponchos came out and life moved on. And what a life it was! Saturday’s line-up was off the hook and the scheduled late night of STS9 and Big Grizmatik had people roaming the paths looking for extra late night tickets all day long. Luckily…I already had tickets! But first…
The first show I actually saw was the Cornmeal show. One of my favorite bands. I’ve been going to shows for nearly 10 years as I went to school on the north side of Chicago. This set was a must see as Allie Kral (the awesome chick on the fiddle) will soon be moving on. There’s no way to tell how many more times anyone will get to see this particular group together and I’m glad I had one more chance.
I took shelter after cornmeal until KDTU, who I wish was at Summer Camp every year. Then another break to get rested for the 3 – 4 hours that I long for ALL YEAR LONG. Umphrey’s Mcgee > Moe. > Umphrey’s Mcgee > Moe. This epic back and forth between Moe. and Umphrey’s is in my opinion one of the biggest things that sets Summer Camp apart from the rest. Moe. and UM have been on 10 straight Summer Camp lineups together and it gets better every year. Summer Camp is uniquely set up that its actually possible to make it back and forth between stages for each set. Good luck doing that at Bonnaroo or ever some of the smaller Fests!
Although rainy all day, it cleared up a bit at night and left the late night sets alone. This was perfect, because I needed a couple of breaks from the energetic sets taking place in the barn. With the doors closed, IT WAS HOT, shoulder to shoulder (I think a few people may have snuck in! HAHA!) and the music was even hotter. I dance hard and even when Big Gigantic has teamed up with Griz and Gramatik, sometimes you just need a break! It was nice to be able to take a break from the heat now and then and check out the Ragbirds and Floodwood on the campfire stage while I was at it.
All in all, Saturday was an amazing day. I had a poncho though…
Ohhh wowy wow wow! Happy Tuesday and the first day of Scamp recovery friends. I must say that today is rolling around like a haze after a utopian dream. Until I make it out of the office to give you the extended version of my weekend, I wanted to at least give you the short and scrumptious of it all:
A quickie to get you through: What Made my Scamp one of the Most EPIC Experiences of my Life:
- Actually getting a moe. Rebubula cover from Umphrey’s Mcgee (first ever for me) and actually an old staple for UM to cover- check out fan footage HERE!!
- Hugging Gumby- yes Gumby was there. I have no idea where his damn pony Pokey was because I certainly needed a ride to main stage!
- Hearing moe. totally crush ‘In the Kitchen’ and later having the pleasure of hearing moe-rons talk about how much they couldn’t resist the urge to groove to it
- Boogyin’ down to Umphrey’s as they blew the doors off of a small church in the middle of a Chilicothe field…now that’s a rare moment in life. Church rage!
- Watching two naked girls covered in mud share a plate of lo mein and look the happiest they have ever been in their lives- mud, sun, good music, no clothes & lo mein = happiness (And while I was too far away to slug through the field and give you both a giant muddy hug, I felt exactly the same.)
Thank you yet again Chilicothe, IL. That was one of the most heartfelt journeys through the wild I’ve ever had….can’t wait to do it all again. More details, photos and juicy Scamp downlow to come friends….
Whoa! Thursday truly was a pre-party rager. Getting into Summer Camp was very smooth and everyone was clearly ready to party since the moment their cars entered the grounds. There was a nice mist flowing in when I first arrived in line, and it felt super refreshing and actually got me really pumped up! Every time the sun started peaking, everyone in line started getting rowdy.
My crew set up camp really fast in an awesome spot in the woods, and I was eager to go see some music with some awesome friends! I was able to catch a glimpse of Cosby Sweater on the Campfire stage and they killed it. My main goal Thursday night was to see Cornmeal since it would be my last time to see Allie play on stage and they killed it! Looking around, everyone in the whole crowd was dancing away with nothing but smiles. I was very happy that I was able to see them as that line up one last time. Right when Cornmeal ended, I wondered into the Vibe Tent and caught Positive Vibra8tions, and they killed it. I love being able to catch artists I have never heard of before, and even more so when they kill it!
Digital Tape Machine was up next and they are another act I have been waiting to see for a long time and they truly were awesome. Their set kept evolving and by the end it kept me wanting more. They really got the crowd pumped up for the weekend to come! This is the reason I love music festivals, and especially Summer Camp! You just keep going back and forth between awesome music and the stages are just minutes walk.
I went into the Red Barn at 11 to check it out in there and it was for sure a party. Minnesota killed it! He really had everyone going crazy in there, it was a rager. I love UV Hippo and was so pumped to catch them. The first time I saw them, I was hooked. They really kill it in the festival scene, and was so pumped to see them rage the Vibe Tent.
It was time for bed after that. It was an awesome first day of Summer Camp and I’m so excited for the awesome music to come. Friday is going to be a blast, announcing Moe and the awesome music to come. I’m really looking forward to Yonder, STS9, and Big Gigantic to name a few.
2013 Summer Camp Counselor
So I made it through Thursday night and it was amazing to say the least. I started off the night at Roster McCabe which just killed it. Majorly killed it, I woke up in a morgue this morning they killed it so hard. They did a cover of Daft Punk’s new single “Get Lucky”. When they started the first notes of “Get Lucky” my mind immediately jumped to that song, Though I wasn’t sure if I’d be so lucky. Sure enough what laid ahead was one of the best covers of that song I have heard yet.
After that we headed over to Digital Tape Machine. Also an amazing show. The energy in the crowd was prevalent. You couldn’t help but breaking into dance. I barely got any good shots of the show, dancing came as a priority at this one. I still feel the energy of it into the next morning. Though the show wasn’t done yet, we still had one show of the night to go to.
The last show that I hit up was Minnesota. This one man show is one that will put hair on your chest. He fuses an electronic feel with an acoustic jam. It was mind blowing. A perfect way to finish the night. Everytime I see this gentlemen her has such a strong stage presence, will be sure you to leave you smiling
Today I’m finishing up this blog, cutting it very close to Moe’s first set. Being the huge Moe-ron I am I am itching to get over there.