Night two of my clandestine run started with a rendezvous in Denver and a quick cab ride over to the Fillmore. It was during their gig at Red Rocks that Umphrey’s McGee announced that they would be doing three nights on Colfax for New Year’s. They too subsequently announced a private VIP show for the 30th at the newly renovated 1 Up. The fact that the 30th was initially left open by YMSB, SCI, and UM lead many including myself to speculate that there would be a benefit on par with the 4 Mile Canyon show. However this did not come to pass, but I can’t help but feel that we missed a real opportunity for some incredible fundraising and some unforgettable collaboration. So it goes. I arrived just moments before Dumpstaphunk hit the stage and opened with their own funk explosion “Everybody Want Sum.”
Set 1: Everybody Want Sum, Blueswave, They Don’t Care, If I’m In Luck, Put It In The Dumpsta, Dancin’ To The Truth, Immigrant Song
Dumpstaphunk is a band directly descended from the New Orleans funk tradition. Led by multi-instrumentalist virtuoso Ivan Neville, the lineup is literally a super group of funk masters. Nikki Glaspie on drums with the three-pronged attack of Ian Neville, Tony Hall, and Nick Daniels III on guitar. This unique array of musicians allows for some amazing give and take. Their anthem to positive thinking, “Put It In The Dumpsta” was one highlight in a full and funky hour-long opening set. They closed with a smoking version of Led Zeppelin’s “Immigrant Song” that seemed to properly welcome everyone for the night’s festivities.
Dumpstaphunk is a great addition to any bill, but they were especially fun at The Fillmore. After a quick instrument change the lights dimmed and Umphrey’s McGee emerged from the darkness. This show was being streamed live and the room was just short of capacity. They opened with the Kris Meyer’s tune, “Flamethrower.”
Set 1: Flamethrower> Mulche’s Oddessy, Miami Virtue> Plunger > Day Nurse, No Comment> Plunger, Nemo> Dear Lord> Nemo, Dump City*
Set 2: Der Bluten Kat> Amble On> Der Bluten Kat**, Wife Soup, Ringo, River People^
*w/ Ivan Neville on keys
Joshua Redman sat in for the entire 2nd Set and Encore
**w/ Jaden Carlson on guitar
^First Time Played (Weather Report Cover)
The band bounced along almost innocently before ripping into a face-melting “Mulche’s Odyssey.” The prog-tastic “Miami Virtue” always makes me feel like I’ve just been plopped smack dab in the middle of a dance off scene in a John Hughes film. Plunger went dark and flashy before they dipped into a sneaky “Day Nurse,” which featured some sick synthesizer work from Joel Cummins. The song broke out into a tight but frenetic jam, which dissolved into funky “No Comment.” In classic Umph fashion they went succinctly back into “Plunger.” The somewhat rare “Dear Lord” jam during “Nemo” was a very nice touch. Umphrey’s invited Ivan Neville out for their set closing “Dump City.”
Umphrey’s diverged into a world of deep and intricate jams for set two. I’ve talked before about the magic of six song sets. It all began inconspicuously enough with a textbook “Der Bluten Kat” opener. However the segue into “Amble On” and back into “Der Bluten Kat” contained some of the most poignant and extended jamming of my entire New Year’s run. The inclusion of Joshua Redman on sax for the entire second set obviously added a level of class, but more than that it elevated the entire band. Umphrey’s has performed with a number of different horn players over the years, but Redman is simply a powerhouse of sophistication.
During the return to “Der Bluten Kat” the boys also invited local guitar phenom Jaden Carlson up to shred with Jake and Bayliss. For those that don’t know this kid is akin to a young female Derek Trucks. Just barely a teenager she is playing gigs many three times her age would kill for. She is definitely one to look out for and it’s awesome that Umphrey’s McGee took the opportunity to invite her up to play. “Wife Soup” was massive and contained perhaps the best back and forth with Redman and UM of the show. The “Ringo” was sublime and again went to the deep end. They closed with a debut of a “Weather Report” cover “River People.” It seemed to fit the mood of the evening very well. The encore again featured Redman for a fully realized “1348.” For many the 29th night may have lacked the pizzazz of the two following nights. However, Umphrey’s McGee is one of the most technical and musically elaborate bands touring today. Their show on Sunday was like bowing down at the altar of funk, jazz, and progressive rock. The genre bending and the amazing collaboration was definitely worth the price of admission.