The first night of February seemed doomed for a mediocre turnout. For reasons unbeknownst to me, this incredible musical collaboration that included Eric McFadden, Norwood Fisher, Willie Waldman, Paulo Baldi, & the legendary Mr. Herman Green was moved across town to Donkey OTs. You may remember in 2012 when Banyan opened up Sunday at Summer Camp with Green and Waldman. That live collaboration including Stephen Perkins, Rob Derhak, and Clint Wagner as well.
This lineup performed an early set the previous night opening for Stir Fried with Michael Kang and Allie Kral. The move for Saturday seemed silly for a number of reasons. Let’s take a step back. Firstly when a bar is known as Quixote’s why on Earth would anyone name another venue Donkey OTs? (Say it phonetically, I know it took me a second too. DON-key-0-Ts). Well apparently that complaint has not fallen on deaf ears, as it will be transitioning to the name of Darkstar Lounge at some point in the not to distant future. Secondly, as usual this show was so under promoted that the turnout beyond friends and family could be counted on two pairs of hands. This is nothing new of course, but when they had a perfectly good model from Friday night why change it up? I can only believe that someone actually cares about the venue and wants to provide good talent. It isn’t exactly clear to me what situation caused this show to be moved.
So for the record lets take a second and evaluate who was in the room to play music. Eric Byron McFadden is a guitar virtuoso from the psychedelic school of San Francisco. His background in traditional jazz, Gypsy, Flamenco, Punk, Rock, and more has given him the ability to play with absolutely anyone. McFadden’s history with drummer Paulo Baldi, of Cake and Les Claypool’s Fancy Band, fame goes back to 1994 when they were in the group Liar. Baldi and McFadden currently play together in the Eric McFadden Experience when they get the chance. Willie Waldman is a founding member of Banyan and an amazing musical collaborator who has performed live with everyone from Jane’s Addiction to Snoop Dog. One of the founding members of the seminal west coast cult band Fishbone, John Norwood Fisher was there to lend his flawless bass skills. Last but most certainly not least Herman Green, this guy has played with everyone from Dave Brubeck to Miles Davis to John Coltrane. He is the founder of the influential Memphis group Freeworld, which was a band from Waldman’s formative years. I said all that to ask why would you move this group to club on Federal with no advertisement? That’s too much talent to waste on a show that literally no one knows about.
That being said, the room itself was a spectacular place to see a live performance. The bar was being refurbished so bottles of beer or mixed drinks were the only option. That was of little concern. The venue is also home to the New Speedway Burger, which isn’t half bad. The back wall of the room is one long row of windows giving an unmatched view of Sports Authority Field and the Denver skyline. The nondescript wood paneling façade in the front did very little to indicate the picturesque scenery. In fact they have had their most profitable days when the Broncos were playing across the tracks. The room has plenty of space and if they finish the bar and get a few local micros on tap this could be an extraordinary place to see live music.
This impressive collaboration began around 10:30 PM and it was a primarily instrumental journey into the musical madness of these five players. The rapport between Baldi and McFadden was palpable and indicative of their two decades of experience playing together. Waldman has been sort of chaperoning Green around the country on a tour that began in early January. The pair had a performance with Wilco’s Nels Cline in New York and have been continuing out west. This tour has been an unusually lengthy run for the aging duo. Waldman appeared a bit more subdued on this particular Saturday than his normally boisterous self. That may or may not have been a result of the turnout.
The show began with a huge bass solo from Fisher, which served as a launching pad for Baldi. McFadden gave us searing guitar solos throughout the night. His incredible technical ability and versatility with his instrument are simply something to witness. He has been called a ‘modern day Hendrix’ and I don’t feel that’s too far off. Baldi was given the opportunity to jam on the dirty funk jazz for two sets while Fisher continued to systematically slap out the rhythm. Green and Waldman took turns lending their horns to the fill. Even at his ripe old age of 82 Green can still nail the solos that he has been playing live for sixty years. Waldman bounced in and out occasionally riffing with his old mentor.
The two sets of music were inspired and went well past 1 AM. At one point a local guitarist joined the group for a few jams. Waldman once told me, “I don’t mind playing to the dirt.” Meaning he’s down to play whenever and for whoever shows up. However I can’t help but feel this band would have been better utilized playing a co-bill with Stir Fried and Genetics supporting. All that being said and despite the lack of a crowd this show was awe-inspiring. These five talented performers fell into a freeform rage and the venue was an experience in itself. I look forward to a time when this room will be properly promoted and the day when music of this caliber will get the attention it deserves
Few places in this great state are as picturesque and stunning as Telluride. This quant mountain town is the cultural mecca of the southwestern region of Colorado and plays host to several music and film festivals throughout the year. Telluride Jazz Festival is perhaps the most reserved and underrepresented of all of their events, but this year featured an all-star lineup at the famed Town Park Stage. It is the 37th year for Telluride Jazz, and it has been the host to some of the most renowned musicians in the genre. Galactic, John Scofield, Stanley Clarke, and Dr. Lonnie Smith were all headlining; meaning this weekend in Telluride was sure to be one for the books.
My wife and I drove though the night to reach our destination. There was a massive storm percolating over the San Juan Range, which could be seen as far away as Glenwood Springs. Lighting flashed in the distance as we rode over seven hours to Telluride from the Front Range. The one downside is just how far Telluride is from Denver. It’s a trek, but one that is very much worth the trip. As we made our way past Montrose we hit the eye of the storm. Torrential downpour threatened to wash out the road as we finally hit the highway that would take us down valley and into town. We set our tent up in the rain and darkness and quickly went to bed. With three days of music and camping ahead of us, it was time for rest.
We awoke to a beautiful blue sky on Friday morning. For those that have never been, Town Park where the venue is located is actually a campground. This meant we were a mere three hundred yards from the entrance to the festival grounds. The weather all weekend alternated between absolutely perfect to downright drizzly. The music began around 1 PM on Friday with 2013 Band Contest Winners New Sound Underground. These young men had an explosively funky sound. The entire band biked from Minnesota to Telluride. It took around 30 days. With songs like “Natural High” and “Our Thing” it was obvious why these guys rose to the top to win their place at the festival. New Sound Underground put on a great set and it was a solid beginning to this one of a kind festival.
We watched the Telluride Allstars Leaders and Alumni Quintet next on the Town Park Stage. This band had an incredibly dynamic ability just play together. Made up of alumni of Telluride’s all-star program, and lead by Bob Montgomery on trumpet as well as Josh Quinlan on saxophone. Together they direct the program and spread the joy of music. Their set had a super laid back sensibility but with a solid intensity. They ranged from tightly performed jazzy jams to all out Latin detonations. They were impressive musicians.
Nigel Hall has long been known for his work with Royal Family Records. He is currently recording with Chapter 2 as well. His set took on an almost gospel feel as he blended jazz, funk, R&B, and more. They played for just under ninety minutes during which we got a little bit of rain. It was hardly enough to dampen anyone’s spirits. Front Range favorites The Motet lead by Dave Watts took the stage next. They have a sleeker lineup with Jans Ingber on percussion and vocals. With a performance of “Shake Your Booty” the crowd was in sync. They sun began to drift down the valley basking the canyon walls in a beautiful Alpenglow light. The Motet continues to be one of the most versatile bands playing in Colorado. They can pretty much play anything on cue and have spent the last two summers bouncing around the festival circuit. Their set at Telluride was truly spectacular. They invited Nigel Hall back up to the stage to sing on their closing tune.
The John Scofield Uberjam Band closed out Friday night in high musical fashion. This super group is comprised of Scofield on guitar, Adam Deitch on drums, Andy Hess on bass, and Avi Bortnick on guitar and samples. This is an insane collection of talent and their set at Telluride was flawless. Instead of sticking to their straight funk and groove sound they are known for from their first album, they pushed it up a notch utilizing samples and some far out sounds. They performed songs new and old including “Every Night is Ladies Night” and “I Brake 4 Monster Booty.” They recently release a second album, which was the impetus for an extended tour. This group defies genre by simply playing together and riffing off of each other. This was straight avant-garde jazz at it’s finest. At times they included some electronic sampling that was a little off putting, but overall they played an incredible set of music. As Uberjam finished up we walked the short distance back to our camp and called it an early night.
On Saturday Morning I opted out of the first couple bands and made my way via gondola up to the disc golf course. They have recently expanded the course to eighteen holes and it was a lot of fun. We made it to the Town Park Stage for the Doug Lawrence Organic Trio. The word “organic” defines this group nicely. They incorporated some soaring sax work from Lawrence, and focused on some swing-heavy jazz. Musically they were intrepid and impressive. They truly created full sound, which might not be expected from a three-piece group.
Latin Jazz extraordinaires Son Como Son were on the stage next. This eclectic group featured some of the most dance-centric music of the entire weekend. Hailing from New Mexico, this salsa band has the ability to play a wide range of Latin music. From bolero to the cha-cha, Son Como Con lead by Cesar Bauvallet is a nonstop musical powerhouse. This elevated energy Latin experience was yet another highlight from this amazing weekend in Telluride. During their set the festival featured a very popular wine tasting for all of the attendees.
Up next was fan favorite Meshell Ndegeocello. Her sultry voice played a little bit more down key for the audience, but she was definitely a sight to behold. She is a ten-time Grammy nominee; making her one of the most celebrated acts to perform all weekend. She defies categorization by playing off of a wide range of styles and sounds. Her set at Telluride was a gentle trip with an almost minimalist approach, accentuated by impeccable vocals from Meshell. Her set was delicately beautiful. It was another chance to witness some serious talent that many including myself have not had the pleasure of seeing live. She and her band played an awesome version of The Animals’ “Don’t Let Me Be Misunderstood.”
The festival headliner Dr. Lonnie Smith had been getting rave reviews all day from his set the previous night at the Sheridan Opera House. He only played for about an hour but people were talking about it all day. As he took the stage on Saturday night it was obvious why. This man is a monster on the organ and he has enough tools and tricks to suck in even the most jaded of music fans. His set was a bit delayed due to some technical issues, however he was finally underway around 6:45 PM. The crowd seemed to squeeze in a bit as the Dr. got going. His music was hypnotic, sucking you into a trance like state. This was intense music ranging from straight up funk to all out acid jazz. His set was fire.
Co-headlining the night was Mr. Stanley Clarke and his bass. He is widely renowned for his work, which again seems to defy genre. He is perhaps best known for his project with Chick Corea, but he is truly established in his own right. He has done it all from film and television work to actually inventing two instruments. His set in Telluride was one of the best we saw all weekend. His show went a bit late pushing back all of the Jazz After Dark festivities along with it.
I trekked up the gentle slope to the Sheridan Opera House to see the New Orleans Suspects. They are playing a long set of music in this historic room. This group is like taking all of the greatness of the music of New Orleans and juicing it down into a single serving. The band is made up of members of The Neville Brothers, The Radiators, and Dirty Dozen Brass Band. Does it get any more NOLA than that? They got the crowd moving by playing a massive “Food For Thought.” I hung out for a while, but headed over to Fly Me To the Moon Saloon for a little bit of The Stooges Brass Band. These guys are like a younger Dirty Dozen or Rebirth Brass Band. They are high energy and almost playful at times in their delivery. They had some humorous exchanges especially on “Got A Big Fat Woman.” They were hard hitting funky brass jam. It was enjoyable. They also busted out their own take on “It’s All Over Now” made famous by the Rolling Stones. I headed back to my tent in the moonlight and got ready for day three.
Sunday came far too quickly and it was arguably the best day on the lineup. It began with a parade through the streets of Telluride lead by The Stooges. They all met up at the entrance to Town Park for a jam in the street before Boulder’s own Springdale Quartet started the show. Fresh off of the release of their new album Heist, which was produced by Alan Evans, Springdale has been performing all over Colorado. They won the band contest three years prior and were invited back to play in 2013 at Telluride Jazz. For this special set they decided to play all of Heist for the crowd. It was an excellent chance to see all of the new tracks live. Their performance was absolutely stellar with “IBM 22” and their instrumental version of Weezer’s “Say It Ain’t So” really demonstrated how this band has evolved. Tight bass lines from Jordon Roos accented by Chase Terzain’s keys made for a stunning set. They closed with “Noise Factory” off their first album.
Although I’m highly familiar with Mike Dillon’s work with Garage A Tois and various projects over the years, this was my first chance seeing his new solo group. It’s a percussive collision of the best kind. The band consists of Dillon on vibraphone, Carly Meyers on trombone and percussion, Adam Gertner on drums, Patrick McDevitt on bass, and they also added Johnny Durkin on percussion as well. Their set in Telluride ran from playful to downright sinister. The focal point was an energetic Meyers who bounced around the stage between solos. There were several all out drum and percussion jams that punctuated an incredible performance of music. One jam featured a sit in from Stanton Moore.
“We’re gonna end with 10 minutes of punk rock.” – Mike Dillon
The Stooges Brass Band continued the New Orleans vibe, which would be the theme for the remainder of the evening. They are a bold new addition to the NOLA brass tradition. The Stooges engaged the crowd with their song “Wind It Up” and subsequent dance of the same name. Their energetic stage presence and strong musical ability are truly worth seeing live. They closed with a funked out version of “Hey Baby.” The New Orleans Suspects followed and just as the night before they shredded through a long set that was utterly reminiscent of all things Louisiana. This band seems to distill that Mardi Gras sound down to it’s root elements and just play with them in every tune. Everything about the band is fun. They have a familiar sound without being nostalgic. The New Orleans Suspects are another fresh approach to a music with a very long history.
Appropriately, Galactic headlined the last night with their set starting right around 7 PM. This band has toured relentlessly since they formed 18 years ago as a Mardi Gras band. They invited Mike Dillon out who sat in on percussion for the entire show. Corey Glover who has been touring with the band for the last couple years was there to add his prodigious vocals to the mix. Their performance sparked an all out dance party as the stars became visible in the sky. Galactic invited members the Mike Dillon Band, The New Orleans Suspects, and The Stooges Brass Band to close out their set. It became a massive clusterfunk as the musicians passed around solos and simply jammed it out for the very attentive audience. This was the true highlight of the weekend; witnessing stellar collaboration happening on the fly in Telluride. Galactic finished around 9 PM and the field slowly emptied.
As the eclectic audience headed back to their tents I was struck with a feeling of gratitude to be in Telluride. It’s good to know that festivals like this have a special place. Telluride Jazz Festival is truly a unique experience. It’s a slightly older crowd. There seemed to be more locals in attendance. It is by far one of the most family friendly environments I’ve ever seen at an event. Children ran around in the backfield and played throughout all three days. There were no overlapping sets, so everything felt relaxed. There was plenty of time to head back to the tents, which were only a few steps away from the gate. Security was lax and friendly. As I drove back the next day I was hard-pressed to think of one bad thing about the weekend. If a chill festival experience with some top rate musicians is what you are looking for, get to Telluride Jazz.
Having friends come to town is an easy excuse to head down to The Ogden for a Galactic fueled rager. The Ogden continues to be major hub for jam bands in Denver. As we entered San Francisco based band The Monophonics were already in high gear warming up the crowd. These guys brought a rowdy soulful sound to the mix. Originally formed as an instrumental group, they are currently led by keyboardist Kelly Finnigan who exudes energy from every pore. A blend of psychedelic, funk, and soul The Monophonics are a polished unit that simply gobsmacked the early arrivers. We were greeted by a flawless version of Cher’s “Bang Band (She Shot Me Down).” First of all, an unusual cover to choose, which made popular as the opening credit track for Kill Bill. “Bang Bang” fit The Monophonics like a glove. The driving original “High Off Your Love” was another nice addition to the show. They closed the set with a cover of Aretha Franklin’s “Baby I Love You.” To say, I was impressed by The Monophonics would be an understatement. They come to play and leave every ounce of energy on the stage; I hope they make it back to Denver soon.
Just prior to Galactic taking the stage Don Strasburg with AEG announced that Galactic would be at Red Rocks this summer with Greensky and Railroad Earth on July 12th. Looks like that will be yet another incredible night on the rocks.
Galactic has long been my generation’s representation of New Orleans funk. Dr John, The Indian Chiefs, The Meters, and all the early NOLA players paved the way for Galactic. Birthed from the depths of the musical Louisiana swamp, Galactic is the true torchbearers of New Orleans Jazz, Funk, and Soul. Having transitioned from the days of House, Galactic has been touring for the last year or so with Corey Glover of Living Colour fame. Playing it much like House used to, Glover floats on and off the stage transforming the band from instrumental force, to full on musical volcano. Singing songs like his hit “Cult Of Personality” and The Beatle’s “I Am The Walrus,” Glover is a powerful and incredibly controlled singer who seems to be capable of belting out anything. They ended the first set with a beautiful “Bittersweet.”
The second set would see some hip-hop make it into the mix with trombone player Corey Henry singing one and cussing profusely. Hey I enjoy that. Corey is originally from Rebirth Brass Band, but he may have found a permanent home with Galactic. Lyrics Born who was on day two’s lineup made an unannounced appearance to sing a song in his signature spitfire fashion. Stanton was a monster all night and was given a nice solo that mesmerized the capacity crowd. Galactic ended the second set with Toussaint’s “What Is Success.” After a moment they were back to encore with “Does It Make A Difference At All” into The Stones’ “Sympathy For The Devil.” Wow. This was a big show with lots of twists and turns. Galactic is an assemblage of the some of the best funk players on the planet today. They have grown from a relentless bar band when I first saw them in 2001 to ambassadors of New Orleans music. Galactic continues to play with an energy and vibrancy that is a rare find in today’s music scene. Go find the funk.
It was a big night in Fort Collins. The Aggie brought in an impressive lineup consisting of some of the best jazz and funk artists touring today. Hodi’s was celebrating their grand re-opening under new ownership with Dave Watts and Friends (aka The Motet) and free beer. The people that wanted to party headed to Hodi’s, the music fans went to The Aggie. I honestly would have loved to catch both, but the amazing music unfolding before my eyes kept me from moving on.
Up first was Garrett Sayers Trio lead by bass virtuoso and local phenom Mr. Garrett Sayers. This lineup consisting of Garrett on bass, Patrick Lee on keys, and Johnny Jyemo on drums has had a longstanding Wednesday night residency at the Highland Tap & Burger. They have intrigued me for a long time, but this was my first chance catching them live. GS3 took the stage around 9:15 and dazzled the crowd for just short of an hour. It was a rollercoaster ride with this nimble trio weaving together a massive sound for such a tight unit. The diversity within the GS3, was evident from the beginning. Each member of the band seems to be coming from distinctly different musical backgrounds. The result was this amazing blending of funk, jam, jazz, R & B, and so much more percolated in and out of every song. Garrett Sayers Trio is an instrumental band as were all the bands on the bill minus Kung Fu who will occasionally feature a song with vocals. There is something freeing about going to see an instrumental band. The show doesn’t get all convoluted with silly things like lyrics. I’m being facetious but it really does allow the audience to focus strictly on the music. It was impossible not to focus on GS3 as all three members wowed the slowly growing crowd. They finished their remarkable set and headed down the road where Garrett joined his Motet band mates for their gig at Hodi’s. He really is a hard worker.
Kind Recordings has the show up on Archive. Thanks to Corey for taping the show. http://www-tracey.archive.org/details/gstrio2013-01-24.fob.mc803.kindrec
Last year jam super group Kung Fu made several visits to Colorado, and they definitely made an impression. This time they were on a 5-day mission from God that took them from Aspen through Breckenridge and down to the Front Range. This was night three of that run and their set again came in at just under an hour was truly mind melting. While the Aggie was only about a third full, I was impressed with the variety of people in the crowd. I chatted with a couple of older gentlemen who had won tickets off of the radio with little knowledge of what was in store for them. I saw young college kids mingling with middle-aged hipsters. Perhaps the most alarming thing about this show was the distinct lack of chatter during the show. As you can hear in the recordings, people were definitely there to see the music. Kung Fu is Tim Palmieri on guitar (The Breakfast), Robert Somerville on tenor sax (Deep Banana Blackout), Todd Stoops on keyboards (RAQ), Christopher DeAngelis on bass guitar (The Breakfast), and Adrian Tramontano on drums/percussion (The Breakfast). This is truly a powerhouse lineup that did not disappoint. They opened with “Do The Right Thing.”
Set 1: Do The Right Thing, Snaggle, Scapegoat Blues> Letters From Bobby Portugal> Hollywood Kisses, Chakrabarty Overdrive
Kung Fu is a hard-hitting amalgamation of funk-fueled fire assaulting the senses of all those who dare to enter the ring. It’s a constant onslaught from Palmieri who literally had to have a stagehand douse him with an extinguisher after his massive solo during “Scapegoat Blues.” “Hollywood Blues” was the only song of the entire evening that featured vocals. They closed their ‘not long enough’ set with “Chakrabarty Overdrive” which as it’s name would insinuate caused me to need to go outside for some air. Keep coming back Kung Fu, and keep playing bigger and bigger shows. Colorado needs your brand of funky goodness.
Finally it was time for the B3 master himself Robert Walter to take the stage with his 20th Congress. Now this band has had several incarnations and has a rotating list of members. Fans at The Aggie were treated to a stunning lineup consisting of Cheme Gastelum (Sharon Jones & The Dap Kings), Chris Stillwell (Greyboy Allstars), and Simon Lott (Charlie Hunter Trio). Just unbelievable. They opened with a gritty “Hunk.”
Set 1: Hunk, Snakes & Spiders, Cory’s Snail and Slug Death, Sweetie Pie, Dog Party, He’s Really Gone, Rivers of Babylon, Get Thy Bearings, Who Took the Happiness Out?, Fox Hunting, Don’t Chin The Dog, Impervious, Instant Karma
Encore: Don’t Hate Congratulate
Robert Walter is best known for his work with Greyboy Allstars, however his solo band is truly not to be missed. I really felt that it has been such a long gap between his tours, that many are no longer in the know. And it’s too bad really, because the show we received from this lineup was nothing short of top notch. The lack of guitar really put the focus on Walter and Gastelum and their interplay was outstanding. The highlight of the show for me was the Phantom of the Opera-esque intro to the instrumental “Rivers Of Babylon.” They closed their set with a massive jam on Lennon’s “Instant Karma.” This is the caliber of music I would like to see more of on The Front Range. Despite the conflicting shows, I feel I made the right choice and left feeling musically satisfied in a way that I have not been in quite some time. Watching truly gifted musicians jam together is the reason I started really covering live shows. Seeing this stellar lineup on a Thursday night in Fort Collins just validates that decision.