I have personally been harassing Floodwood’s management for the better part of the last two years to get them to come out to Colorado. Given Al’s predilection for skiing it’s kind of a no brainer. Ever since first seeing them at Summer Camp I have been smitten with their sound. Floodwood’s brand of punchy acoustic music anchored by two members of jam powerhouse moe is the perfect fit for any music fan. So finally it was announced that Floodwood would be embarking on their inaugural tour of Colorful Colorado. Their schedule included a short run into the mountains before two nights with Assembly Of Dust in Denver. Their first stop was a Tuesday night in Fort Collins. The evening began with local acoustic favorites, Gipsy Moon from Nederland.
Gipsy Moon is an utterly fun experience. Their music imparts an impression of a romanticized nomadic existence framed by the kind of strings that you would hear around a roaring campfire. Silas Herman son of famed bandleader Vince Herman takes the silent lead. He is quiet on stage by he simply shreds on the mandolin. Live Painter turned live musician; Mackenzie Page is another focal point from this young but impressive group. Their set lasted about an hour before they disappeared into the darkness behind the stage.
Al came out and gave us all a warm welcome before informing us that this was in fact Floodwood’s first time performing in the state. They opened with a tight but twangy original “In The Gravel Yard.”
Set 1: In The Gravel Yard, Revolving Door, You And Me, Spoon Kicks, I Know You Rider, Mother, Long Way To Virginia, Caught, Blue Eyed Son, Waiting In Vain, North Country Winds, 315, Nine Pound Hammer, Spend Some Time, Somewhere In Kansas, Chillicothe Clouds, Holy Sacred, Stomp It, Roll On, Waiting For The Punchline
Encore: Old Banjo, Cumberland Blues
Given the fact that it was a Tuesday and turnout was decent but only approaching half capacity, Floodwood opted to play one long set of music. This included several tracks off their new album including “North Country Winds” and a sublimely rowdy “Stomp It.”
“Every time I come to Colorado I can’t help but wonder why the fuck I don’t live here.” – Al
However the big news of the night was the release of their new live album This Is Live, which was available for purchase for the first time. Traditional bluegrass renditions of “Long Way To Virginia” and Merle Travis’s “9lb Hammer” took on a fresh feel while maintaining their nostalgic roots. We were treated to Al’s tribute to his autistic child “Blue Eyed Son,” which has become a regular on moe set lists as of late. Covers like Bob Marley’s “Waiting In Vain” and The Grateful Dead’s “I Know You Rider” were sprinkled in throughout the set for good measure. Nick Piccininni absolutely tore up his original instrumental “Chillicothe Clouds” which was a tune he wrote about his first experience at Summer Camp Music Festival.
“Pretty good for a Tuesday Night, pretty good for any night really.” – Nick
The audience was definitely comprised of a lot of moe fans that spent time yelling out silliness like, ‘Play Rebubula.’ Overall, the crowd was pretty attentive and definitely appreciated of the music. They closed with an amazing acoustic version of “Waiting For The Punchline.”
Floodwood returned for a two-song encore. First up was the bouncy “Old Banjo” followed by a bluegrass interpretation of the Grateful Dead’s “Cumberland Blues.” According to the setlist the last song was an audible. This was just a top-notch night of music from two of my new favorite bands. Gipsy Moon is definitely worth catching live whenever possible. Floodwood is an acoustic barnstormer that can’t help but impress music fans across this great country. I for one am thrilled that they finally made it out to Colorado. Let’s hope it’s the beginning of a new tradition for Floodwood.
When you go to as many concerts as I have it’s a relatively difficult to catch me off guard. As I entered Hodi’s Half Note on a cool fall evening in October I was welcomed by the warm embrace of bluegrass lofting over a silent crowd. Colorado is such an amazing hub for live music that many of the regular attendees become blasé and often chat during any given performance. So to enter a normally raucous bar and not hear anyone but the bartender asking, “What’ll you have” and the music from the stage is just something I don’t expect. As I headed toward the front to take a few photos it was immediately evident that this was not a Bisco crowd. The majority of the silent sold out audience were there to see the vibrant Mr. Snider, but they were treated to a powerful send up from the Henhouse Prowlers. This string band continues to teeter on the edge of traditional and rage-grass. Their set began around 8:45 PM as the early arrivers staked out their spots.
They opened with “Silver Eagle” and the game of shuffleboard began. Utilizing a traditional single microphone setup, every show is like a ballet as each member rearranges himself to the mic stand. In recent years, Henhouse Prowlers had to persevere through the theft of all of their band equipment as well as some personnel changes, and they have emerged more focused and cohesive than ever. Ben Wright continues to lead by example through effortless vocals and powerful picking. The newest member Starr Moss has really gelled with the band and doesn’t miss a chance to absolutely shred his guitar. Staples like “Track Song” and “Lonesome Road” dotted their hour-long set. The highlight was their closing Syracuse into Ruby into Syracuse that has become a showstopper for the Prowlers. The Henhouse Prowlers are one of those bands that is often overlooked and with a new album out and their relentless touring its time to spread to good word. If bluegrass is your bag the Prowlers should be in it.
The ever-vigilant crowd allowed themselves to murmur during the set break before Todd Snider appeared from backstage. Snider is like a modern day Dylan and I don’t make that analogy lightly. By appearance he’s all patchwork and floppy hat, but his lyrics belie a deeper spiritual journey. One in which he is not afraid to call out fraud or injustice with his own variety of realism and humor. I first saw Snider working with Leftover Salmon and subsequently Great American Taxi. However this was my first time seeing him in a small room with his dedicated fan base. He opened up with “Play A Train Song” and quickly went into “If Tomorrow Never Comes, a kind of rowdy rollercoaster ride that extrapolates on his Catholic School days. He treated us to his song “Broke;” a humorous indictment of the current economic situation told through the eyes of regular Joe. He did an amazing version of Jerry Jeff Walker’s “Mr. Bojangles” to round out the first set.
After a short break he returned and continued his bard-like ways. Snider is a storyteller, but that’s only if the audience cooperates. At one point he was ready to break into a tangential story when someone in the attentive audience shouted out. Snider reprimanded him by not telling the anecdote and simply launching into the next song. “Conservative Christian” was an absolute peak for the show, and it should be an anthem for any self-proclaimed hippie. Snider finished around midnight. He is a true teller of tales in every way. He entertains through his docile nature and cutting satire. The way to see Snider is by himself and hopefully with an audience as dedicated as the fans at Hodi’s. All in all it was a very good night for acoustic music.
Kyle Hollingsworth has taken part in a wide array of events at Summer Camp. From sitting in with moe. on “Happy Hour Hero” to hosting a seminar on brewing beer, he’s definitely a welcomed guest at the festival. Back near his home in Boulder, Colorado it’s becoming a winter tradition that Kyle takes a trip down the Front Range sharing good music and first-class beer. This year he upped the ante by including Soulive as well as a couple fresh brews. He warmed up for two nights in Denver by bringing Eric Krasno to sit in for the show at Hodi’s in Fort Collins. Kyle also brought a variation on Avery’s dry-hopped Winter Day IPA that he collaborated on with the brewery. It was a spicy ale, balanced by an abundance of hoppy goodness. It’s definitely a nice holiday beer.
Video Link – http://youtu.be/tJdcdEImhEE