Kyle Hollingsworth has taken part in a wide array of events at Summer Camp. From sitting in with moe. on “Happy Hour Hero” to hosting a seminar on brewing beer, he’s definitely a welcomed guest at the festival. Back near his home in Boulder, Colorado it’s becoming a winter tradition that Kyle takes a trip down the Front Range sharing good music and first-class beer. This year he upped the ante by including Soulive as well as a couple fresh brews. He warmed up for two nights in Denver by bringing Eric Krasno to sit in for the show at Hodi’s in Fort Collins. Kyle also brought a variation on Avery’s dry-hopped Winter Day IPA that he collaborated on with the brewery. It was a spicy ale, balanced by an abundance of hoppy goodness. It’s definitely a nice holiday beer.
Video Link – http://youtu.be/tJdcdEImhEE
Euforquestra returned to Fort Collins for a hometown show at the Aggie with friends Roster McCabe and D. Bess. Both Euforquestra and D. Bess have performed at Summer Camp. In FoCo Euforquestra historically has been a solid draw, but the venue never completely filled in on Friday. D. Bess is the former lead singer of Iowa City reggae outfit Public Property. He currently performs as a solo project utilizing loops and his diverse skills as a multi-instrumentalist. Playing a blend of originals and covers, he slowly built up each song one riff at a time. Having seen D. Bess before, I have to say that he as come a long way with his looping skills. His performance lasted just under an hour before he gave up the mic for Minneapolis’ Roster McCabe.
Roster McCabe is an amalgamation of jam. They blend elements of soul and funk with electronic, dance, and rock. The band has been making regular jaunts out to Colorado for years now, and continues to energize audiences throughout the country.
SET I: The Traveler, MMM, Spark A Light, Paper Crowns, Speed, Regulate, Stargazer, Take A Breath
Their one-hour set blasted by rather quickly leaving some fans wanting more. The silky vocals of Alex Steele washed over the crowd, as their consistent rhythm section made up of Jeff Peterson and Scot Muellenberg stayed tight throughout the set. This allowed for some incredible interplay between the guitarists. They ran the gamut alternating between funky break beats and an all out electro dance party. The powerful and progressive “Paper Crowns” acted as the anchor point of the set, but the funky, retro “Stargazer” was the highlight.
After a short intermission Euforquestra took the stage around 11:30 PM. They opened with a nasty version of Herbie Hancock’s “Hang Up Your Hangups.”
SET I: Hang Up Your Hangups, Let’s Dance> Called You, Hopscotch, Road Funk, Solutions, Price Is Right, Obatala> Change Me, The Events of December 11, Instant Coffee, Cause A Reaction, Dr. Standby> Sexx Laws
ENCORE: Yogi’s Day Out
You can download the show at http://archive.org/details/euf2012-10-06.mk41.flac16. Thanks to Eric Wilkens for posting.
Euforquestra is currently undergoing some changes. With the departure of original percussionist Matt Grundstad and bassist Ben Soltau, there has been a shift in the rhythm section. With Grosso moving back over to bass and newcomer Craig Babineau replacing him on kit, they were joined by yet another fresh face, Scott Mast on percussion. With all of the changes you would think that it would have a distinct effect on their sound, however I was amazed at how well they played together. A vocal rise gave way to David Bowie’s “Let’s Dance” which really woke up the crowd and got the night going. The bouncy “Called You” broke down into riff-.y “Hopscotch” which really gave guitarist Mike Tallman a chance to rip it up for the audience. Fan favorite “Road Funk” was a nice addition to the set, with a huge “Solutions” waiting in the wings. The energy-infused “Obatala” into “Change Me” was yet another highlight in this non-stop dance party. This band has the ability to shoot out of the gate like a bunny-crazed greyhound, or step it back into a funky groove that soothes the soul. “December 11” has become another standard from Euforquestra, but the building groove of “Instant Coffee” was a nice change of pace. They ended the set with “Dr. Standby” into Beck’s “Sexx Laws. Euforquestra performed the music of Beck at this year’s Camp Eurforia and have been sneaking his songs into their setlists from time to time ever since. They are doing a Halloween tour featuring Beck’s music at the end of the month as well. They encored the show with Ross Martin’s “Yogi’s Day Out.” This was definitely an eclectic show from Euforquestra with a little bit of everything. They pulled out a few covers and showed that even with some changes in personnel that they will continue to play well and in a manner that fans have come to expect.
Bohemian Nights is the cornerstone of the summer in Fort Collins. It is a celebration of music and highlights some of the incredible homegrown acts in Colorado. The musical performers are a literal smorgasbord of everything this great state has to offer. The nice thing for any music fan is that you can pick and choose your experience to suit your tastes. Being a fan of bluegrass and jam it was easy to cull through the offerings and check out what was appealing to my preferences. In addition to the great local acts performing across six stages, New West Fest brought in several headliners that are some of the most sought after live acts touring today. With over ninety concerts over three days there was a lot to take in for everyone in attendance. Friday night witnessed a three pack of Summer Camp Alumni on the main stage, which was a nice touch.
On Friday I made the choice to stay at the main stage for Dubskin, Euforquestra, and the headliner Michael Franti with Spearhead. Dubskin began the night with their brand of fiery American Reggae. Jamal Skinner has an amazing authenticity that permeates everything he does on stage. With the power duo of Ryan Jalbert and Mike Tallman on guitar this band exudes raw talent. Their approach to the reggae genre leaves nothing to be desired. This 7-piece lineup has everything going for them right now with shows at Summer Camp, Red Rocks, and Wakarusa under their belt the future is looking bright. Their show at New West Fest was simply a blast. They brought a powerful energy and really invigorated the crowd for a night of music.
Next up was Fort Collins transplants Euforquestra. It’s no secret that I love these guys. They bring the heat every time they play. With the recent departure of bassist Ben Soltou the band has shaken up things a bit. Adam Grosso went back into the bass slot while newcomer Craig Babineau has taken his spot behind the kit. Grosso has a more “driving the bus” style as opposed to Soltou’s funky roots, which makes for a distinct change in the band’s sound. That being said, this was the first time I had the chance to see the reformatted lineup and I was definitely impressed. Awesome versions of “Soup” and “Road Funk” really hit the mark in a big way. The crowd definitely began to fill in; in anticipation of Franti. Euforquestra did a great job opening for the headliner. Their version of Beck’s “Nicotine and Gravy” was a high water mark of the show.
Michael Franti and Spearhead took the stage around 8:30 PM to a capacity crowd on Mountain Avenue. This guy is a bucket of liveliness and his show in Fort Collins was no exception. Within the first couple songs he was off the stage and in the crowd. A common occurrence at Spearhead shows to be sure, but it’s always a thrill for those in attendance. Versions of “Everyone Deserves Music” and “Hey Hey Hey” were highlights of the hour and half set. Franti bounced around the stage while Carl Young on bass and Manas Itiene on drums held the rhythm down tightly. While Franti may not be everyone’s cup of tea, I have to say his positivity is simply infectious. It was an excellent end to the first night of New West Fest.
The Bohemian Foundation in association with the Downtown Fort Collins Business Association went above and beyond in the creation of this one of a kind event. They worked tirelessly for months to make it all happen and it is one of the best-run festivals in Colorado. In their eight year the organizers continue to raise the bar every summer. With countless volunteers and some incredible staff they give local musicians an astonishing opportunity to perform in front of massive crowds.
It’s no secret that I dig what Keller Williams does. From his early loop filled days playing small clubs to his latter band based projects performing in front of massive festival crowds one thing remains true, Keller is fun. Summer Camp has always stood behind K-Dub, in fact he has performed in one incarnation or another every year at Summer Camp except two. It’s safe to say that he and the festival itself are pretty intertwined. His most recent endeavor is as a front man for the Travelin’ McCourys. His acoustic chops fit in nicely with the bluegrass powerhouse from Appalachia. Obviously he is not trying to replace Del McCoury, no on could do that, but is simply looking to play with a full string lineup. What better string band could he possible find other than the Travelin’ McCourys? There was no opening group, so Keller and the McCourys took the stage just before 10 PM. They started the night with an entertaining “Mullet Cut,” here if the rest of the setlist.
SET I: Mullet Cut, Gallivanting, The Graveyard Shift, The Hobo Song, Pepper, Road is Rocky, My Mine Never Closes, Foggy Mountain Breakdown, American Car, Corn Liquor, All In My Mind, Blame It On The Lonesome Wind, Ain’t About The Money, Sweet Mountain Soul
SET II: My Something Else, Freeker By The Speaker, Heads Will Turn, Friend Of The Devil, Loser, Evangelina, Kidney In A Cooler> Deep Elum Blues> Kidney In A Cooler, Forty Years To Life, Port-o-Potty, I’m A Man, Franklin’s Tower
ENCORE: My Grass Is Blue
Thanks to eman for posting the recording on Archive.
The first set was a mix of the traditional and the innovative. Some great versions of classics like The Old And In The Way’s “Hobo Song” and Earl Scruggs’ “Foggy Mountain Breakdown.” However they got a little crazy on some covers like the Butthole Surfers’ “Pepper” and Mike Doughty’s “American Car.” It was certainly an interesting mix with Keller taking the vocal duties much of the time. They passed around solos nicely proving that the McCourys have truly learned from the best. Ronnie McCoury, was simply astonishing but the MVP may have been Jason Carter on fiddle. His playing cut through the whole crowd, giving a real flair and authenticity to the overall sound.
The second set seemed more freeform and centered around classic Keller. Freeker got everyone excited and ignited an all out dance party at the Aggie. I will say that while the show did not appear to be sold out there was definitely a good crowd in the room. We got a much-anticipated Dead interlude with “Friend Of The Devil” and “Loser.” However the real highlight of the show may have been the Kidney In A Cooler into Deep Elum Blues into Kidney In A Cooler. Port-o-Potty got everyone dancing again and the set closing Franklin’s Tower was a nice touch. They encored with a quick My Grass is Blue. The show was great, and it’s nice to see Keller really stretching out with his musical chops. He could easily have stuck with his classic shtick, but he wants to grow and expand his capability on stage. It is apparent that he is always evolving and looking for new ways to entertain. Check out Keller at this year’s Summer Camp, you won’t be disappointed.
For the past few years Summer Camp has fostered an amazing opportunity for local bands. It’s a chance to perform at the festival, called the On The Road tour. It’s like the minor league of Summer Camp literally feeding the fest with fresh talent. It’s a prospect for bands who could get overlooked to make a name for themselves and reach a wider audience at a national event. As Summer Camp continues to grow and cultivate a vibrant musical community they continue to be on the lookout for new bands that could be the next headliner. Last year Trichome took the honor and got to play with moe. bassist Rob Derhak at Summer Camp. Local bands perform in cities across the country and are voted on by concert attendees. The band with the most votes at the end of the night gets a set at Summer Camp. When the On The Road tour wound its way through Fort Collins, I headed down to Hodi’s to catch the show and cast my vote.
On the bill were Sun Squabi, Trichome, and The Magic Beans. Up first was Boulder electro-fusion group Sun Squabi. They were a mixture of organic playing and pre-produced electronic tracks, very much in the same vein as bands like Signal Path. They combined the electronic and the rock seamlessly, but I would say that their instrumentation fell into a minimalist realm at times relying heavily on their Macintosh computers to fill out their sound. Given their youth I was impressed with their passion and ability to mix, but the combination of their opening slot with the lack of early arrivers doomed them from the start.
Next up was the aforementioned Summer Camp alums Trichome. Brining a full horn section as well a large group of local followers, they set themselves up for a good show. They opened with a funky Hands Up, here is the rest of the setlist.
SET I: Hands Up, Down and Dirty, 1999, Sway, Strawberry
Trichome blends elements of funk, rock, jazz, and electronic as they whip their crowd into a frenzy of fun. Having seen them several times since Summer Camp last year, one thing I can say for sure is that they bring the energy every time they play. They tossed in a special version Prince’s 1999 that really set off their performance. They would have to wait until The Magic Beans finished to find out if they had done enough to win the slot at Summer Camp.
The Magic Beans hailing from Nederland, Colorado have been exciting crowds up and down the Front Range for the past couple years. I’ve had the enjoyment of seeing them several times. My main criticism of them is that at times they have failed to play to the crowd. However, everything was fair game tonight considering this was their opportunity to showcase their style of music. The Beans did their best to rally the troops bringing a bus up from Boulder full of fans. This show was by far their best outing I’ve seen. They focused on jamming and playing in sync and showed the crowd that they were in it to win it. Here is their setlist.
SET I: Jam> Zumbai> Lazer Lady, Mountain Sky*> Space Cadet**> Zumbai
**I Got Your Number Jam
The show basically became two long extended jams with them returning to Zumbai to close. I was very impressed and would say they left it all out on the stage and put forth a solid performance to win the spot.
In the end it was announced that Trichome pulled the win for the second year in a row and once again claimed a their place at Summer Camp Music Festival. The On The Road tour is just one more great thing Summer Camp does to spread the love and give nascent bands an opportunity. And I for one fully support it.
The Motet rang in 2012 with a funk-fueled extravaganza supported by Euforquestra at the Aggie in Fort Collins. Euforquestra is a multi-year alumni of Summer Camp, but surprisingly Colorado jam stalwart The Motet has never made the trek. We headed down to the show around 9 PM. The crowd was already gathering as Euforquestra took the stage soon after our arrival. They opened up with their now classic Cause A Reaction; here is the rest of the setlist.
SET I: Cause A Reaction, Road Funk, Feels Good, Melody Truck, Free >Excuse O, Berrington / Brown Medley, Fool In The Rain> Soup> Fool In The Rain, Life During Wartime, Feel Together
Their set was a high-octane journey through funk, afrobeat, reggae, and jam. There was a palpable buzz around the music as the show began. People were ready to say goodbye to 2011 in a big way with one last hurrah. Lasting around an hour and half the opening set took on a headliner feel. The temperature of the room rose as the people packed in tightly. In fact by the end of the set it was practically impossible to move around comfortably. The highlight of their set was their Fool In The Rain Sandwich with Soup taking the place of the beef. As the setlist indicated Life During Wartime was to be the close, but Euforquestra threw a cherry on the sundae with Feel Together. I was very happy with their set and by the end it was obvious they had made many new fans with this performance.
After a short equipment change The Motet took to the stage with members of Euforquestra around 11:30 PM. Opting for one long set this two-hour plus journey through electro funk and jam was the perfect way to ring in the New Year. They opened the show with Fela Kuti’s Expensive Shit. Here is the rest of the setlist.
SET I: Expensive Shit, Afrodisco Beat> NYE Countdown, I’ve Got That Boogie Fever, Power> Push> Power, Back In Love, Nemesis> Shakara, Shake Your Booty, Only So Much Oil, Roforofo Fight
ENCORE: Drop It In The Slot, Gas Money
The show might as well have been billed as Motequestra because that’s just what we witnessed. With the various members of Euforquestra bouncing on and off the stage The Motet were rarely playing alone. At times the horn section swelled to five members giving a full brass sound to many of the jams throughout the evening. These bands compliment each other so well mainly because they are both immersed in afrobeat and funk but Euforquestra has enough world flair to juxtapose nicely to The Motet’s electro edge. The New Year’s Countdown came quickly and I raced back from the front fearing I wouldn’t find Amy in time. Luckily she was waiting on the stairs for me and we got to take the leap into 2012 together. After the rowdiness of the countdown the show broke down into an all out dance-off. Arms flailed in the air as everyone shuffled for space on the floor. The Nemesis into Shakara was the highlight of the show and again demonstrated how deeply The Motet is interested in delivering the funk in a big way. The driving rhythm of Nemesis melted into the spacey afrobeat of Fela Kuti’s Shakara.
They ended their set as they began with yet another Fela Kuti tune. Roforofo Fight is another track that The Motet have pretty much adopted it as their own track and it was a great way to close the show. They encored with the one two punch of Drop It In The Slot and Gas Money. The pounding afrobeat and funky rhythms that permeated this show are the reason I see both of these bands. When they team up it makes for an incredible experience, and I was happy to welcome 2012 with them. Happy New Year everybody, I’m looking forward to another year of amazing live experiences and another year at Summer Camp.
The date was Saturday, August 10th. The place was Fort Collins, CO. And the show was the Tedeschi Trucks Band. Dear lord. If anyone can show me a better husband and wife guitar duo, I’ll buy you a late night ticket to SCAMP 2012…While Tedeschi Trucks was not the only act to play that night, they were certainly the headliners of the Bohemian Nights Music Festival held for FREE by the city of Fort Collins, Colorado. What a beautiful thing. Probably the best slide guitar player in the world and its free. Just sayin, all other cities out there…
Anyway, I was there not only for Tedeschi Trucks, but also for my buddies, the Fox Street Allstars who had the opportunity to open for the big guns. I’m sure I’ve mentioned Fox Street before, but if I haven’t go check them out here: www.foxstreetallstars.com Rumor has it they’ll be touring this winter with another SCAMP artist that I can’t really talk about so if you see their name on a bill make sure you get a ticket. If you need any convincing I’m pretty sure Derek Trucks was on the side of the stage for the performance and I’m pretty sure I saw his mouth move in the shape of “Holy shit, these guys are good, we better bring the thunder…” I could easily be mistaken.
Whether or not I was, bringing the thunder is exactly what the Tedeschi Trucks Band did. I’m not sure, but I think there were 11 people on stage playing and it was awesome. Derek, as I mentioned, is probably the best slide guitar player in the world…so much control and such an interesting right hand technique…I hear he just kind of picked up the guitar at 5 and just knew how to play it…probably why he was touring with and opening for the Allman Brothers at age 14. If you don’t listen to Derek Trucks, check him out. His wife, Susan Tedeschi is no guitar slouch herself, mostly strumming and singing with the voice of an angel who loves to drink, she has the ability and often does rip great blues guitar solos. Together these two make some amazing music and I for one am super jealous of the musical opportunities that will no doubt be available to any and all of their children they may have or will have…but I digress. In addition to an amazing show, the technical side of it was super cool as well. With a great light rig, and the sun setting just before they took the stage, we were all treated to a wonderful visual display, I’ve included a pic…I especially liked the hanging LED strips…
The show was amazing; the horn players each had their time to shine, each back up vocalist got an opportunity to sing lead, a very democratic band if I’ve ever seen one. Most of the songs they played came off their new album, Revelator, which I’ve had stuck in my CD player for a few months straight now…If you ever get the chance to see Derek Trucks, even if you aren’t into his music, go see him play. In my opinion, it’s just phenomenal to watch anyone who is great at whatever it is they are doing, and as one of the greatest guitar players of our generation, I’d have to say Derek Trucks falls into that category.