Mountain Standard Time a band that immediately rose to Front Range fame, as a stalwart jamgrass group seemed to disappear almost as quickly. Over just a few years MST performed on some of the biggest stages in Colorado as well as festivals across the country. They left the scene amid rumors, but now MST emerges after all the speculation with a new lineup and a three-night Mardi Gras run with Jeff Austin. The first stop on that run was Fort Collins.
Continuing my streak of Thursdays at the Aggie, I headed down early to catch the opening set from North Lake Tahoe exports Dead Winter Carpenters. This five piece Americana, rock group has continued to endear audiences across the country. They performed a classic DWC set opening the night with “Making A Living 101.”
Set 1: Making A Living 101, San Antoine, Nothing At All, Bootleg Jack, One Foot In The Gutter, Whiskey Ain’t My Wife, Levi, Nobody’s Fault, Walkin’ Shoes, I Shot Him, Holy Moses
Jenni Charles made her fiddle purr throughout their hour-long opening set, with a special kind of veracity that made every note seem special. Song titles like “Bootleg Jack” and “Whiskey Ain’t My Wife” hint at a simpler time in music, but there is absolutely nothing simple about their performance. Blending styles of country, folk, Americana, rock, roots, and so much more; the Dead Winter Carpenters are truly worth showing up early for. Sharing vocal duties with Jenni, bassist Dave Lockhart and duel guitarists Jesse Dunn and Bryan Daines add so much versatility to what this band can do in a live setting. They finished their set by inviting Nick Dunbar to jam on the last couple songs. In all honesty with shows like this one at the Aggie, it won’t be long before they are headlining the evening.
Finally after much anticipation, Mountain Standard Time took the stage sans Jeff Austin. By this point in the evening the room had filled in with eager college students. I talked to two who seemed slightly annoyed that more people hadn’t turned out.
“Don’t people know who Jeff Austin is?”- Bleary Eyed College Student
Actually the room was fairly full compared to what I have seen on Thursdays at this venue over the last month. And for the record I’m pretty sure people know who Jeff Austin is. Mountain Standard Time opened with “Door Jamb.”
Set 1: Door Jamb> Lioness, Behind The Bar, EMS, Daises, Moon Rocks, Picture, Annabelle, Wandering, No Expectations, Tear It Down
Set 2: Oxytocin, Fairy Meadows, Katy Anne, Guitar Playin’ Man, Speckley Boy, Mamow, Kentucky Mandolin, No One Sees, Boatman, PS
Encore: Rollin, Solace
Out of the gate Mountain Standard Time ripped through their classic repertoire with a tenacity that one would expect from a band hungry to tour. The first look at the group revealed two new members including Otis Lande on bass and former Yamn! keyboardist Ryan Ebarb. Ryan’s departure from Yamn sidelined them for a bit as well, so it’s great to see both of the local jam monsters out playing again. They delivered a searing set before suddenly inviting Mr. Austin to the stage. Starting in the MST catalog they segued nicely into Yonder Mountain String Band’s “No Expectations.” This song featured some sweet back and forth between Jeff and Nick Dunbar. They closed the first set with a massive “Tear It Down.”
The second set turned it up a notch with MST coming back strong. Opening with “Oxytocin” and stepping it up a bit Mountain Standard Time was definitely up to some of their old tricks. Stanton Sutton stood like a young John Oates on the stage, shredding the guitar for the crowd. The highlight of the show was another Jeff lead Bill Monroe instrumental, “Kentucky Mandolin.” They closed their set with a fiery “PS.” Mountain Standard Time is on the cusp of coming back in a big way in Colorado. With younger and younger bands flooding the airwaves, it’s good to see MST back in business. They are a refreshing band to watch and I’m glad they decided to return to their seat at the jamgrass table.
With the departure of Vince Herman to greener pastures in Oregon, the region has experienced a deficit in the random acts of music he would regularly bestow upon our community. He was a regular fixture in Ned, his former home, and down on The Front Range. It would be difficult not to find Vince Herman playing somewhere on any given weekend in Colorado. Now Vince is a commodity, so I made it point to head down to see Great American Taxi at the Aggie Theater. As fate would have it they were recording the entire run for an upcoming live album.
Up first were Bonnie And The Clydes, a six-piece country and rock outfit lead by Miss Bonnie Sims. They opened with “Dear Departed.”
Set 1: Dear Departed, My Love Will Keep, Lonely Love, Eye To Eye, Storm On Its Way, Rocky Mountain Town, Waltz For The Seasons, LA County, Man In Me, Darkside, Still House, Ophelia, Hold On Me
Relatively new to scene, Bonnie And The Clydes are an interesting addition to the already bountiful music of the Front Range. They are lead by firecracker Bonnie Sims, who belts it out as well as she plays a six string. She is flanked by a full band consisting of her husband Taylor Sims on electric guitar, Nancy Steinberger on fiddle, Michael Schenkleberg on bass, Chris Ramey on pedal steel, and Damon Smith on drums. Their renditions of Dylan’s “Man In Me” and The Band’s “Ophelia were spot on and really got the crowd moving. They had a rowdy tone that was a perfect fit for Great American Taxi.
Great American Taxi is the side project of Leftover Salmon front man Vince Herman. He has assembled an incredible lineup of musicians to fill out his group. In addition to Vince Taxi is Chad Staehly on keys, Jim Lewin on guitar, Brian Adams on bass, and Chris Sheldon on drums. They really seemed to have gelled since I saw them last summer. This show being part of the Snowball Tour it was the first time Vince has made it back since moving out of state. Honestly, it could have gone either way. They opened with their original “Standing All Alone.”
Set 1:Standing All Alone, Appalachian Soul, New Millennium Blues, Linning Track, Penny Arcade, Jack London, Twilight, Swamp Song, Going To Brownsville, Tough Job, Angel Dust, Poor House, Coming Home To You, Travlin’ Man, West L.A. Fadeaway, Little Liza Jane, Dirty Old Town, Instrumental, Reckless Habits, Cold Lonely Town, Great American Taxi, When I Die, Ain’t Gonna Work Tomorrow
Encore: Good Night To Boogie
For a Taxi fan this show has absolutely everything you could want in a live show. Their mix of bluegrass, Americana, and rock is so approachable it seems impossible not to have fun seeing them live. Songs like “Appalachian Soul” and “Poor House” address real issues in American society like the working conditions in the coal mining industry as well as the plight of the impoverished in this country. Great American Taxi really has evolved and it’s great to see them playing at this level. Their covers included everything from Leadbelly’s “Linning Track” to Ry Cooder’s “Going Down To Brownsville” to the Grateful Dead’s “West L.A. Fadeaway.” It really was a fun and musically eclectic night. They closed the set with their version of the Flatt & Scruggs classic “Aint Gonna Work Tomorrow.” Great American Taxi encored with “Good Night To Boogie.” With the departure of Vince to Portlandia it’s even more important for him to come back to the Front Range with memorable shows. That is exactly what Great American Taxi accomplished on their swing through the Aggie. With the live recording coming out, it will be awesome to get a greatest hits album from such a solid run
It was a big night in Fort Collins. The Aggie brought in an impressive lineup consisting of some of the best jazz and funk artists touring today. Hodi’s was celebrating their grand re-opening under new ownership with Dave Watts and Friends (aka The Motet) and free beer. The people that wanted to party headed to Hodi’s, the music fans went to The Aggie. I honestly would have loved to catch both, but the amazing music unfolding before my eyes kept me from moving on.
Up first was Garrett Sayers Trio lead by bass virtuoso and local phenom Mr. Garrett Sayers. This lineup consisting of Garrett on bass, Patrick Lee on keys, and Johnny Jyemo on drums has had a longstanding Wednesday night residency at the Highland Tap & Burger. They have intrigued me for a long time, but this was my first chance catching them live. GS3 took the stage around 9:15 and dazzled the crowd for just short of an hour. It was a rollercoaster ride with this nimble trio weaving together a massive sound for such a tight unit. The diversity within the GS3, was evident from the beginning. Each member of the band seems to be coming from distinctly different musical backgrounds. The result was this amazing blending of funk, jam, jazz, R & B, and so much more percolated in and out of every song. Garrett Sayers Trio is an instrumental band as were all the bands on the bill minus Kung Fu who will occasionally feature a song with vocals. There is something freeing about going to see an instrumental band. The show doesn’t get all convoluted with silly things like lyrics. I’m being facetious but it really does allow the audience to focus strictly on the music. It was impossible not to focus on GS3 as all three members wowed the slowly growing crowd. They finished their remarkable set and headed down the road where Garrett joined his Motet band mates for their gig at Hodi’s. He really is a hard worker.
Kind Recordings has the show up on Archive. Thanks to Corey for taping the show. http://www-tracey.archive.org/details/gstrio2013-01-24.fob.mc803.kindrec
Last year jam super group Kung Fu made several visits to Colorado, and they definitely made an impression. This time they were on a 5-day mission from God that took them from Aspen through Breckenridge and down to the Front Range. This was night three of that run and their set again came in at just under an hour was truly mind melting. While the Aggie was only about a third full, I was impressed with the variety of people in the crowd. I chatted with a couple of older gentlemen who had won tickets off of the radio with little knowledge of what was in store for them. I saw young college kids mingling with middle-aged hipsters. Perhaps the most alarming thing about this show was the distinct lack of chatter during the show. As you can hear in the recordings, people were definitely there to see the music. Kung Fu is Tim Palmieri on guitar (The Breakfast), Robert Somerville on tenor sax (Deep Banana Blackout), Todd Stoops on keyboards (RAQ), Christopher DeAngelis on bass guitar (The Breakfast), and Adrian Tramontano on drums/percussion (The Breakfast). This is truly a powerhouse lineup that did not disappoint. They opened with “Do The Right Thing.”
Set 1: Do The Right Thing, Snaggle, Scapegoat Blues> Letters From Bobby Portugal> Hollywood Kisses, Chakrabarty Overdrive
Kung Fu is a hard-hitting amalgamation of funk-fueled fire assaulting the senses of all those who dare to enter the ring. It’s a constant onslaught from Palmieri who literally had to have a stagehand douse him with an extinguisher after his massive solo during “Scapegoat Blues.” “Hollywood Blues” was the only song of the entire evening that featured vocals. They closed their ‘not long enough’ set with “Chakrabarty Overdrive” which as it’s name would insinuate caused me to need to go outside for some air. Keep coming back Kung Fu, and keep playing bigger and bigger shows. Colorado needs your brand of funky goodness.
Finally it was time for the B3 master himself Robert Walter to take the stage with his 20th Congress. Now this band has had several incarnations and has a rotating list of members. Fans at The Aggie were treated to a stunning lineup consisting of Cheme Gastelum (Sharon Jones & The Dap Kings), Chris Stillwell (Greyboy Allstars), and Simon Lott (Charlie Hunter Trio). Just unbelievable. They opened with a gritty “Hunk.”
Set 1: Hunk, Snakes & Spiders, Cory’s Snail and Slug Death, Sweetie Pie, Dog Party, He’s Really Gone, Rivers of Babylon, Get Thy Bearings, Who Took the Happiness Out?, Fox Hunting, Don’t Chin The Dog, Impervious, Instant Karma
Encore: Don’t Hate Congratulate
Robert Walter is best known for his work with Greyboy Allstars, however his solo band is truly not to be missed. I really felt that it has been such a long gap between his tours, that many are no longer in the know. And it’s too bad really, because the show we received from this lineup was nothing short of top notch. The lack of guitar really put the focus on Walter and Gastelum and their interplay was outstanding. The highlight of the show for me was the Phantom of the Opera-esque intro to the instrumental “Rivers Of Babylon.” They closed their set with a massive jam on Lennon’s “Instant Karma.” This is the caliber of music I would like to see more of on The Front Range. Despite the conflicting shows, I feel I made the right choice and left feeling musically satisfied in a way that I have not been in quite some time. Watching truly gifted musicians jam together is the reason I started really covering live shows. Seeing this stellar lineup on a Thursday night in Fort Collins just validates that decision.
My general aversion to electronic music is well known. Although I have enjoyed a few forays into the genre at Summer Camp last year my general reaction is not usually positive. However, I’ve seen some electronic groups that play organically, as a unit, and the music is more textural than dubstep. These are the types of electronic artists I’m drawn to. Particle is one such band. They are one of those bands that hit early Summer Camp lineups for three years between 2003 and 2005. Those early shows were a lot of fun as was their performance of 80′s tunes at The Aggie.
Up first was New Orleans natives EarPhunk. These guys are the next generation behind the Galactics and the Dumpstphunks of The Big Easy. The fluidly blend jam and funk in a balanced way that makes it fun for the audience. They did get riff-y at times, but that’s to be expected from a younger band still developing their sound. They started their set to a sparsely filled room, which would eventually get about a third full. Overall their brand funk influenced jam won me over and will give me plenty of reason to give them another listen.
Having seen Particle for the first time around 2001 in a tiny bar in Iowa, I’ve watched this band grow and evolve over the years. The recent inclusion of former full-time guitarist into the mix certainly seems to have reinvigorated Particle. Their show at the Aggie was both hilarious and technically stunning. Let’s start with the hilarious.
Set 1: Sledgehammer, Funkytown, Let’s Go Crazy, Electric Avenue, Once In A Lifetime, Pump Up The Volume> Rockit> Material Girl> Pump Up The Jam, The Final Countdown> Money For Nothing, Safety Dance> Launchpad Outro, It Takes Two>
Wild Thing> It’s Tricky> Bust A Move, Don’t Forget About Me, You Can Call Me Al, Sweet Dreams
Encore: Paradise City, Eye Of The Tiger> Sun Mar 11 Outro
From the opening guitar line of “Sledgehammer” I was grinning from ear to ear. Particle has their specific smooth style of electronica, but their take on the music of the 1980’s was fairly straightforward and strangely accurate. The setlist screams of lightheartedness, but don’t be fooled they absolutely shredded these classics. None more so the massive “Pump Up The Volume’ lead run that featured an enormous version of “Pump Up The Jam.” It was like a big musical sandwich with wheat bread on the bottom and rye on top. Particle never shied away from intricate composed pieces such as “The Final Countdown.” Perhaps the silliest moment of the night came in the form of “Safety Dance.” They ended the set with their version of the Eurythmics version of a country song, “Sweet Dreams.” The massive encore included a nod to both Guns N’ Roses as well as Survivor. It was just an amusing and entertaining show all around. Combe killed the guitar adding a new and interesting layer to their sound overall. Molitz continues to be the musical focal point with the lockstep rhythm section of Gould and Pujalet holding it all in check. Here is Particle back to their old tricks, firing on all cylinders, and truly gelling on stage. I would definitely do it all again.
As we age in the scene, the generations change and the music evolves. Summer Camp seems to develop by leaps and bounds every year. With a lineup of over 100 musical acts offered they are constantly bringing in new groups and continuing to be an innovator in the festival scene. This year Jay Goldberg is bringing in Phish front man Trey Anastasio along with the regular cast of characters including moe., Umphrey’s McGee and so much more. As we approach the thirteenth Summer Camp it really feels like a whole new ballgame. Younger fans hopping on the bus, different styles of music all getting a chance on the array of stages, and additionally so many incredible events taking place all over the grounds throughout the four days beyond the music. They all combine to make Summer Camp one of the leading festivals in the country. As Summer Camp finds itself on the cusp of a new era, I found myself reflecting on the festival at a local show. On a recent frigid night out in Fort Collins I headed out to see Gipsy Moon.
Gipsy Moon represents a turning of the page for Americana and Gypsy Bluegrass. I’ve seen Silas Herman, son of famed front man and Summer Camp veteran Vince Herman, perform with Leftover Salmon several times. Gipsy Moon is his current foray into a touring band. Seeing the son of a musician that I admire so much, performing on his own is what got me thinking about the future of music and current state of affairs within the scene.
Gipsy Moon consists of multi-talented, multi-instrumentalists. Silas flanks live painter and singer, Mackenzie Page, who belts it out as well as she handles a paint brush. David Matters is a singer/songwriter who plays banjo as well as the guitar. Finally, Collin Huff holds it all down on bass. We arrived as Gipsy Moon was beginning their set at Avogadro’s Number. Avo’s is a series of three rooms divided by purpose. The first is a bar, the second is a quaint music venue, and the third is a restaurant. Inside the band performed for a small crowd already seated in the middle of the room. We came to find out the show was a bit of a homecoming for Page with many of her family and friends filling out the crowd. They opened up the night with “Ramblin’.”
Set One: Ramblin’, Little Maggie, Seven Seas, Autumn Leaves, The New Thing, Cowboy Vessel, Dark Eyes, Long Time Comin’, Away We Go, Trumpet and the Drum, Nocturnal, Swallow Tail Jig, Sweet Thing, Independence Day, Pensl-tucky, Angeline the Baker / Chinquipin Hunting, House of The Rising Sun, Hunger, Right Before The Dawn
The Gipsy Moon show was a mix of originals and traditional bluegrass style covers. They dub themselves “Gipsygrass” and their entire delivery had a free flowing style that was incredibly inviting. They each took turns at the microphone and mixed up the instrumentation often. Matters had a nice vocal range that harmonized nicely with Page who at times shook the room with her powerful delivery. Silas simply shredded the mandolin throughout the set even though he at times seemed to shy away from the spotlight. Covering everything from Russian and Irish folk songs to a smoking version of “House Of The Rising Sun” Gipsy Moon really demonstrated their range and ability. All in all it was a relaxing night of music with some talented musicians from Nederland. I foresee big things from this band; I hope they continue to venture down from the mountains to play for the masses on the Front Range. As I headed back home I was truly inspired by this new generation of musicians and it got me excited about Summer Camp this year. The art, music, and people will all be off the hook this year. I look forward to yet another amazing time in the heart of Illinois.
Kyle Hollingsworth has taken part in a wide array of events at Summer Camp. From sitting in with moe. on “Happy Hour Hero” to hosting a seminar on brewing beer, he’s definitely a welcomed guest at the festival. Back near his home in Boulder, Colorado it’s becoming a winter tradition that Kyle takes a trip down the Front Range sharing good music and first-class beer. This year he upped the ante by including Soulive as well as a couple fresh brews. He warmed up for two nights in Denver by bringing Eric Krasno to sit in for the show at Hodi’s in Fort Collins. Kyle also brought a variation on Avery’s dry-hopped Winter Day IPA that he collaborated on with the brewery. It was a spicy ale, balanced by an abundance of hoppy goodness. It’s definitely a nice holiday beer.
Video Link – http://youtu.be/tJdcdEImhEE
Euforquestra returned to Fort Collins for a hometown show at the Aggie with friends Roster McCabe and D. Bess. Both Euforquestra and D. Bess have performed at Summer Camp. In FoCo Euforquestra historically has been a solid draw, but the venue never completely filled in on Friday. D. Bess is the former lead singer of Iowa City reggae outfit Public Property. He currently performs as a solo project utilizing loops and his diverse skills as a multi-instrumentalist. Playing a blend of originals and covers, he slowly built up each song one riff at a time. Having seen D. Bess before, I have to say that he as come a long way with his looping skills. His performance lasted just under an hour before he gave up the mic for Minneapolis’ Roster McCabe.
Roster McCabe is an amalgamation of jam. They blend elements of soul and funk with electronic, dance, and rock. The band has been making regular jaunts out to Colorado for years now, and continues to energize audiences throughout the country.
SET I: The Traveler, MMM, Spark A Light, Paper Crowns, Speed, Regulate, Stargazer, Take A Breath
Their one-hour set blasted by rather quickly leaving some fans wanting more. The silky vocals of Alex Steele washed over the crowd, as their consistent rhythm section made up of Jeff Peterson and Scot Muellenberg stayed tight throughout the set. This allowed for some incredible interplay between the guitarists. They ran the gamut alternating between funky break beats and an all out electro dance party. The powerful and progressive “Paper Crowns” acted as the anchor point of the set, but the funky, retro “Stargazer” was the highlight.
After a short intermission Euforquestra took the stage around 11:30 PM. They opened with a nasty version of Herbie Hancock’s “Hang Up Your Hangups.”
SET I: Hang Up Your Hangups, Let’s Dance> Called You, Hopscotch, Road Funk, Solutions, Price Is Right, Obatala> Change Me, The Events of December 11, Instant Coffee, Cause A Reaction, Dr. Standby> Sexx Laws
ENCORE: Yogi’s Day Out
You can download the show at http://archive.org/details/euf2012-10-06.mk41.flac16. Thanks to Eric Wilkens for posting.
Euforquestra is currently undergoing some changes. With the departure of original percussionist Matt Grundstad and bassist Ben Soltau, there has been a shift in the rhythm section. With Grosso moving back over to bass and newcomer Craig Babineau replacing him on kit, they were joined by yet another fresh face, Scott Mast on percussion. With all of the changes you would think that it would have a distinct effect on their sound, however I was amazed at how well they played together. A vocal rise gave way to David Bowie’s “Let’s Dance” which really woke up the crowd and got the night going. The bouncy “Called You” broke down into riff-.y “Hopscotch” which really gave guitarist Mike Tallman a chance to rip it up for the audience. Fan favorite “Road Funk” was a nice addition to the set, with a huge “Solutions” waiting in the wings. The energy-infused “Obatala” into “Change Me” was yet another highlight in this non-stop dance party. This band has the ability to shoot out of the gate like a bunny-crazed greyhound, or step it back into a funky groove that soothes the soul. “December 11” has become another standard from Euforquestra, but the building groove of “Instant Coffee” was a nice change of pace. They ended the set with “Dr. Standby” into Beck’s “Sexx Laws. Euforquestra performed the music of Beck at this year’s Camp Eurforia and have been sneaking his songs into their setlists from time to time ever since. They are doing a Halloween tour featuring Beck’s music at the end of the month as well. They encored the show with Ross Martin’s “Yogi’s Day Out.” This was definitely an eclectic show from Euforquestra with a little bit of everything. They pulled out a few covers and showed that even with some changes in personnel that they will continue to play well and in a manner that fans have come to expect.
Bohemian Nights is the cornerstone of the summer in Fort Collins. It is a celebration of music and highlights some of the incredible homegrown acts in Colorado. The musical performers are a literal smorgasbord of everything this great state has to offer. The nice thing for any music fan is that you can pick and choose your experience to suit your tastes. Being a fan of bluegrass and jam it was easy to cull through the offerings and check out what was appealing to my preferences. In addition to the great local acts performing across six stages, New West Fest brought in several headliners that are some of the most sought after live acts touring today. With over ninety concerts over three days there was a lot to take in for everyone in attendance. Friday night witnessed a three pack of Summer Camp Alumni on the main stage, which was a nice touch.
On Friday I made the choice to stay at the main stage for Dubskin, Euforquestra, and the headliner Michael Franti with Spearhead. Dubskin began the night with their brand of fiery American Reggae. Jamal Skinner has an amazing authenticity that permeates everything he does on stage. With the power duo of Ryan Jalbert and Mike Tallman on guitar this band exudes raw talent. Their approach to the reggae genre leaves nothing to be desired. This 7-piece lineup has everything going for them right now with shows at Summer Camp, Red Rocks, and Wakarusa under their belt the future is looking bright. Their show at New West Fest was simply a blast. They brought a powerful energy and really invigorated the crowd for a night of music.
Next up was Fort Collins transplants Euforquestra. It’s no secret that I love these guys. They bring the heat every time they play. With the recent departure of bassist Ben Soltou the band has shaken up things a bit. Adam Grosso went back into the bass slot while newcomer Craig Babineau has taken his spot behind the kit. Grosso has a more “driving the bus” style as opposed to Soltou’s funky roots, which makes for a distinct change in the band’s sound. That being said, this was the first time I had the chance to see the reformatted lineup and I was definitely impressed. Awesome versions of “Soup” and “Road Funk” really hit the mark in a big way. The crowd definitely began to fill in; in anticipation of Franti. Euforquestra did a great job opening for the headliner. Their version of Beck’s “Nicotine and Gravy” was a high water mark of the show.
Michael Franti and Spearhead took the stage around 8:30 PM to a capacity crowd on Mountain Avenue. This guy is a bucket of liveliness and his show in Fort Collins was no exception. Within the first couple songs he was off the stage and in the crowd. A common occurrence at Spearhead shows to be sure, but it’s always a thrill for those in attendance. Versions of “Everyone Deserves Music” and “Hey Hey Hey” were highlights of the hour and half set. Franti bounced around the stage while Carl Young on bass and Manas Itiene on drums held the rhythm down tightly. While Franti may not be everyone’s cup of tea, I have to say his positivity is simply infectious. It was an excellent end to the first night of New West Fest.
The Bohemian Foundation in association with the Downtown Fort Collins Business Association went above and beyond in the creation of this one of a kind event. They worked tirelessly for months to make it all happen and it is one of the best-run festivals in Colorado. In their eight year the organizers continue to raise the bar every summer. With countless volunteers and some incredible staff they give local musicians an astonishing opportunity to perform in front of massive crowds.
It’s no secret that I dig what Keller Williams does. From his early loop filled days playing small clubs to his latter band based projects performing in front of massive festival crowds one thing remains true, Keller is fun. Summer Camp has always stood behind K-Dub, in fact he has performed in one incarnation or another every year at Summer Camp except two. It’s safe to say that he and the festival itself are pretty intertwined. His most recent endeavor is as a front man for the Travelin’ McCourys. His acoustic chops fit in nicely with the bluegrass powerhouse from Appalachia. Obviously he is not trying to replace Del McCoury, no on could do that, but is simply looking to play with a full string lineup. What better string band could he possible find other than the Travelin’ McCourys? There was no opening group, so Keller and the McCourys took the stage just before 10 PM. They started the night with an entertaining “Mullet Cut,” here if the rest of the setlist.
SET I: Mullet Cut, Gallivanting, The Graveyard Shift, The Hobo Song, Pepper, Road is Rocky, My Mine Never Closes, Foggy Mountain Breakdown, American Car, Corn Liquor, All In My Mind, Blame It On The Lonesome Wind, Ain’t About The Money, Sweet Mountain Soul
SET II: My Something Else, Freeker By The Speaker, Heads Will Turn, Friend Of The Devil, Loser, Evangelina, Kidney In A Cooler> Deep Elum Blues> Kidney In A Cooler, Forty Years To Life, Port-o-Potty, I’m A Man, Franklin’s Tower
ENCORE: My Grass Is Blue
Thanks to eman for posting the recording on Archive.
The first set was a mix of the traditional and the innovative. Some great versions of classics like The Old And In The Way’s “Hobo Song” and Earl Scruggs’ “Foggy Mountain Breakdown.” However they got a little crazy on some covers like the Butthole Surfers’ “Pepper” and Mike Doughty’s “American Car.” It was certainly an interesting mix with Keller taking the vocal duties much of the time. They passed around solos nicely proving that the McCourys have truly learned from the best. Ronnie McCoury, was simply astonishing but the MVP may have been Jason Carter on fiddle. His playing cut through the whole crowd, giving a real flair and authenticity to the overall sound.
The second set seemed more freeform and centered around classic Keller. Freeker got everyone excited and ignited an all out dance party at the Aggie. I will say that while the show did not appear to be sold out there was definitely a good crowd in the room. We got a much-anticipated Dead interlude with “Friend Of The Devil” and “Loser.” However the real highlight of the show may have been the Kidney In A Cooler into Deep Elum Blues into Kidney In A Cooler. Port-o-Potty got everyone dancing again and the set closing Franklin’s Tower was a nice touch. They encored with a quick My Grass is Blue. The show was great, and it’s nice to see Keller really stretching out with his musical chops. He could easily have stuck with his classic shtick, but he wants to grow and expand his capability on stage. It is apparent that he is always evolving and looking for new ways to entertain. Check out Keller at this year’s Summer Camp, you won’t be disappointed.
For the past few years Summer Camp has fostered an amazing opportunity for local bands. It’s a chance to perform at the festival, called the On The Road tour. It’s like the minor league of Summer Camp literally feeding the fest with fresh talent. It’s a prospect for bands who could get overlooked to make a name for themselves and reach a wider audience at a national event. As Summer Camp continues to grow and cultivate a vibrant musical community they continue to be on the lookout for new bands that could be the next headliner. Last year Trichome took the honor and got to play with moe. bassist Rob Derhak at Summer Camp. Local bands perform in cities across the country and are voted on by concert attendees. The band with the most votes at the end of the night gets a set at Summer Camp. When the On The Road tour wound its way through Fort Collins, I headed down to Hodi’s to catch the show and cast my vote.
On the bill were Sun Squabi, Trichome, and The Magic Beans. Up first was Boulder electro-fusion group Sun Squabi. They were a mixture of organic playing and pre-produced electronic tracks, very much in the same vein as bands like Signal Path. They combined the electronic and the rock seamlessly, but I would say that their instrumentation fell into a minimalist realm at times relying heavily on their Macintosh computers to fill out their sound. Given their youth I was impressed with their passion and ability to mix, but the combination of their opening slot with the lack of early arrivers doomed them from the start.
Next up was the aforementioned Summer Camp alums Trichome. Brining a full horn section as well a large group of local followers, they set themselves up for a good show. They opened with a funky Hands Up, here is the rest of the setlist.
SET I: Hands Up, Down and Dirty, 1999, Sway, Strawberry
Trichome blends elements of funk, rock, jazz, and electronic as they whip their crowd into a frenzy of fun. Having seen them several times since Summer Camp last year, one thing I can say for sure is that they bring the energy every time they play. They tossed in a special version Prince’s 1999 that really set off their performance. They would have to wait until The Magic Beans finished to find out if they had done enough to win the slot at Summer Camp.
The Magic Beans hailing from Nederland, Colorado have been exciting crowds up and down the Front Range for the past couple years. I’ve had the enjoyment of seeing them several times. My main criticism of them is that at times they have failed to play to the crowd. However, everything was fair game tonight considering this was their opportunity to showcase their style of music. The Beans did their best to rally the troops bringing a bus up from Boulder full of fans. This show was by far their best outing I’ve seen. They focused on jamming and playing in sync and showed the crowd that they were in it to win it. Here is their setlist.
SET I: Jam> Zumbai> Lazer Lady, Mountain Sky*> Space Cadet**> Zumbai
**I Got Your Number Jam
The show basically became two long extended jams with them returning to Zumbai to close. I was very impressed and would say they left it all out on the stage and put forth a solid performance to win the spot.
In the end it was announced that Trichome pulled the win for the second year in a row and once again claimed a their place at Summer Camp Music Festival. The On The Road tour is just one more great thing Summer Camp does to spread the love and give nascent bands an opportunity. And I for one fully support it.