After an incredible start to their Colorado run in Fort Collins, Floodwood spent a few nights taking in the beauty of the mountains. They rendezvoused with east coast buddies Assembly Of Dust for a two-night stand at Cervantes. This is like a dream show for me. AOD is a rare visitor to this state on top of the fact that this was Floodwood’s first trip here as well.
This show was billed as brought to you by Jambase, ListenUp Denver, Marquee Magazine not to mention the 11th anniversary of Cervantes. Sisters Of Soul, Ultraviolet Hippo, Atomga, and Tori Pater’s Big Bad Band filled out the lineup over on the Other Side. The Great Guys featuring members of The Congress, Yamn and The Whales took the opening slot on the main stage. All that being said it was also the same weekend that Railroad Earth booked two nights at the Fillmore just up Colfax. The RRE fan base directly intersects with the Floodwood and AOD audiences, in fact many of my friends opted to do a night of each.
Night One: Assembly of Dust and Floodwood with The Great Guys 1.17.14
We arrived, as The Great Guys were finishing up their set. Scott Lane stood tall shredding the guitar as fellow member of The Congress Chris Speasmaker matched him at the keys. They wrapped and Floodwood quickly took the stage. They opened up with their instrumental “Whiskey After Breakfast” into their homage to the natural beauty of Upstate New York, “North Country Winds.”
Set 1: Whiskey After Breakfast> North Country Winds, Anyone But Me, Holy Sacred, Chillicothe Clouds, Revolving Door, Long Way To Virginia, Stoney Creek, 9 lb Hammer*, Instrumental Jam*, Roll On, Stomp It, I Know You Rider, Follow You Into The Dark, In The Graveyard, Jazzy Jam, Cumberland Blues
*w/ Chris Pandolfi
This was a co-bill show with Floodwood drawing the opening spot for the first night. The boys from New York State treated us to ninety minutes of unadulterated acoustic bliss. The combination of their hard hitting originals “Holy Sacred” and Nick’s Summer Camp inspired “Chillicothe Clouds” was a big high point from a great set of music. Their moe.-esque “Revolving Door” gave way to their more traditional sounding “Long Way To Virginia.” Floodwood invited Infamous Stringduster Chris Pandolfi up to add his picking skills to the mix. This was the first of many unexpected treats from this band over the weekend. He sat in on the classic “9 lb Hammer” as well as an extended instrumental jam. Floodwood kicked it into high gear with “Roll On” and “Stomp It” before giving fans a bluegrass rendition of the Grateful Dead’s “I Know You Rider.” “Follow You Into The Dark” was a deep, Al sung romp about conquering fear with love. The band gave us “In The Gravelyard” before going into a jazz-infused instrumental tune. They closed their set with another Dead tune, “Cumberland Blues.” This was just a really fun set of music with bassist Zach holding it down along with Vinnie absolutely sticking it in the pocket. Al is always a focal point but the back and forth between Nick and Jason is not to be overlooked. This set was a great, but it only did a little to foreshadow the epic-ness that would be their headlining set on night two.
Assembly Of Dust is such a rare treat in Denver. They just don’t tour too far beyond their home base in the Northeast. However, the last two years we’ve been lucky to get the band out for a night or two so maybe we are seeing a new trend. Formed by ex-Strangefolk front man Reid Genauer AOD is an Americana band that plays with an emphasis on rock and roll. You could call them Heavy Folk… ehem. After a Kickstarter funded release of their latest album Sun Shot last year they seem to be open to playing around more. Since their initial formation they have had some turnover on percussion and keys but the core three of Reid Genauer, Adam Terrell on lead guitar and John Leccese on bass has always been same since their inception. Their show at Cervantes was everything that fans have come to expect from this underrated group. They opened with a sublime “Samuel Aging.”
Set 1: Samuel Aging, Bootlegger’s Advice, Weehawkin Ferry, Zero To The Skin, Man With A Plan, Tavern Walker*, Deal*, Sun Shot, Lost and Amazed, Truck Farm, All That I Am Now, Whistle Clock, Bus Driver, Roads
Encore: 40 Reasons, Harrower
*w/ Al Schnier
Reid has an innate understanding of song craft as well as striking the right balance for ebb and flow. Peaks and Valleys are his specialty and the set got off to a rocking start a forceful “Bootlegger’s Advice.” By this point the room was full with the upstairs being closed off. I’ve seen this done at other venues but not at Cervantes. It kept the kids on the floor and made sense given attendance. The dual ticket for the night also allowed people to float back and forth between shows at The Other Side. So at any given time half of the audience could be next door. That being said the majority of fans were there for Floodwood and AOD. Finally the herd seemed fully assembled by “Weehawkin Ferry.” The band brought it down a little with the bouncy “Zero To The Skin.” AOD pulled out a classic with, “Man With A Plan” before they invited Al to sit in. The funk gospel sound of “Tavern Walker” exploded into a huge psychedelic jam with Terrell, Crosby, and Schnier all trading licks. They transitioned into a crowd-pleasing version of the Grateful Dead’s “Deal.” Apparently it was that kind of a Friday night. Next we were given the delicately bluesy title track to Sun Shot before they went into the equally arresting “Lost and Amazed.”
After a rowdy “Truck Farm” AOD performed what has become their anthem, “All That I Am Now.” I had been chatting with an older gentleman who told me this was the first Assembly of Dust song he ever heard and he fell in love. I could see that. Another long jam came with “Whistle Clock” which eventually gave way to sentimental “Bus Driver ” that featured Crosby’s violin. They closed their almost two hour set of music with a punchy “Roads.” They came back with a two-song encore “40 Reasons” into an incredible “Harrower.” It was a great night of music in 5 Points. My hope is that the lighter turnout caused by the other show doesn’t’ sour the bands on performing in Colorado. It’s bound to happen in a place so saturated with live music opportunities. Not to mention that this is the time of year that winter and spring tours are in full swing. That being said it was a pair of top-notch performances from two bands who are a rarity in this state. Both Floodwood and Assembly Of Dust brought the heat. On night two they would trade places and things would get a little strange.
Night 1 Gallery
Floodwood and Assembly Of Dust with The Great Guys 1.19.14
Night two was a literal flip of the coin with Floodwood taking the headlining spot and Assembly Of Dust supporting at Cervantes. Again we arrived as The Great Guys were wrapping up this time sans Chris Speasmaker. They were a rocking, rowdy group that seemed an odd amalgamation of all the bands that they were comprised of. I ducked next door to catch a bit of Ultraviolet Hippo and met up with J-Man and Carly from MM. We chatted briefly as the Michigan progressive rockers melted a little face with their fiery brand of jam. During set break back over at Cervantes we got chance to do a little video with Floodwood for all the Summer Campers. I’d like to give a big thanks to Zach, the crew the band that made it a quick and easy shoot. After a drink AOD was taking the stage. The room was about equally as packed as the night before. They opened with an incredible “Valhalla.”
Set 1: Valhalla, Edges, Harrower, Vaulted Sky, Rachel, Elixir, Cluttered, Growin’, Love Junky, Arkansas Down, Honey Creeper, Second Song, Sinner, Speculator*
*w/ Al Schnier
Reid’s powerful vocals floated over the crowd as the night was flicked into second gear. The brooding “Edges” came next with its deliberate and straightforward progression. “Harrower” was nice but “Vaulted Sky” went big. Crosby pulled out his violin for the hoedown that was “Rachel.” “Cluttered” was a simple rock tune off Sun Shot, but “Love Junkie” was a funky highlight. Adam Terrell has to be one of the most underrated guitarists in all of jamdom. His intricate picking along with his intense attention to detail combine to give him a leg up on most players. The bubbly track “Arkansas Down” is just another example of how strong Reid is as a songwriter. “Honey Creeper” was dark and raucous, but “Second Song” was all tenderness. They gave us a tight “Sinner” before they invited Al Schnier out for the set closing “Speculator.” Al and the boys joined in an embrace and took a bow before they all wandered backstage. Assembly Of Dust continues to be a high water mark in the world of Americana, Folk, and Rock. Their knack for crafting infectious tunes, with intricate and substantial lyrics keeps me coming back. If given the chance, go see this band you’ll thank me later.
Finally, it was time for the main event. Floodwood took the stage for what would be an epic three-hour throw down with several unexpected twists and turns. Jason led the charge on “Spend Some Time.”
Set 1: Spend Some Time, Red Hill Road, Somewhere In Kansas, Spoon Kicks, Promised Land, Friend Of The Devil, Magnolia Row, You And Me, 315, Blue Eyed Son, I’d Fall For You, St. Regis, Hello Woman, Everything Here, Jambalaya On The Bayou*, Waiting In Vain*, Molly & Tenbrooks*^, Rocky Top*^, Working On A Building*^, Me And My Old Banjo*^
Encore: The Hobo Song
*w/ Briget Law
^w/ Tim Carbone and Andy Goessling
This set was an absolute barnburner for all those lucky enough to be in attendance. Railroad Earth had a sold out show at the Fillmore on Saturday, so it obviously hurt ticket sales a bit. Nonetheless Floodwood delivered one of the best shows I’ve seen in quite some time. “Red Hill Road” demonstrated the bands bluegrass skills. The Al penned “Somewhere in Kansas” about a road trip to Colorado after a TransAmericans show at the Iowa State Fair invigorated the crowd. (Ironically I was as that show.) They proceeded to bust out the old TransAmericans track, “Promised Land.” We were all treated to another Grateful Dead tune, this time “Friend Of The Devil.” I like a band that’s not afraid to toss in a little Dead. The beautiful “Magnolia Row” is a bluegrass variation of the intro to moe.’s “Tambourine.” They performed the playful sounding “You And Me” before their homage to their hometown area code “315.” Floodwood pulled Al’s “Blue Eyed Son” which has been in the rotation more on the road with moe. We got the Nick sung “I’d Fall For You which was a nice treat.
This is about the time where things began to get crazy. Suddenly Al is welcoming the lovely and talented Bridget Law from Elephant Revival to the stage. Law and Schnier got the chance to play together last summer at the Everyone Orchestra show that preceded Phish Dick’s. They went into Nitty Gritty Dirt Band’s “Jambalaya On The Bayou.” Law and Piccininni battled back and forth on the fiddle before they went into Bob Marley’s “Waiting In Vain.” Suddenly Al hands his guitar to Nick and races off the stage. The band continues with their bluegrass reggae stylings as a sound guy appears. It’s obvious some shit is going down. Al reemerges from the darkness as they finish the tune. Keep in mind is was already around 2 AM at this point. Al proceeds to welcome Tim Carbone and Andy Goessling from Railroad Earth to the stage. That’s right we had a full-blown clusterpluck on our hands. And this was not the type of cluster pluck where 15 pickers stand around waiting for a solo. No, this was a pluck with laser beam focus and amazing stringed prowess.
After some tuning and hand shaking they went into the traditional “Molly & Tenbrooks.” They blasted off into “Rocky Top” as the dwindled audience boogied. I looked to my tired wife and said, “You know I’d go, but… “ And she simply nodded in agreement. “Working On A Building” featured a three-fiddle standoff as Carbone, Law, and Piccininni fired up their bows. Law retreated and let Carbone and Goessling finish up with “Old Banjo.” A solo Floodwood encored with “The Hobo Song.” Honestly I may be missing a song or two in there, as the setlist kind of went out the window when you have so many welcomed guests. Needless to say the late night sit-ins were a lot fun and proof again of why Floodwood needs to keep coming to Colorado. They obviously have a lot of friends out here, Al is volunteer Ski Patrol in his home state, and Colorado loves bluegrass… I could go on. This was a spectacular night of music and a really unbelievable combination of bands to play in this great state. Happy 11th Anniversary Cervantes, let’s hope we have at least 11 more.
Night 2 Gallery
And there we were, pulling up to the festival, beautiful faces, beautiful weather, getting ready to just take it all in. This is my first fest and I am absolutely shocked by the energy here. I had no expectations other than good music and good music is what we got!!! We also got some damn good food too!!! Go check the Cresent Sensations right in the middle of the main vending area. Got in at about 3 and the first show we hit was Elephant Revival, and I tell you what, that chick playing the washboard was totally groovin! I recommend that you guys check them out, they’re kind of have a new age upbeat folk sound. They were playing just at the sun was going down and if you weren’t there on Thursday, the sunset was absolutely beautiful. Next up was Trichome and if they can’t get you to get your funk on I don’t know who will. They had a sax player that ripped it up, lots of energy and big sound. From what I hear Cornmeal is where the rage begins and they kicked it off like no other. I have never heard anyone play the violin with so much passion like she did. Next two bands we hit were The Werks and Future Rock. The Red Barn shows are amazing, I highly recommend that you guys go and buy at least one late night Red Barn ticket. Its a good time that you really don’t want to miss out on.
Lets see what Friday has to offer!
After shaking off the night before with some wake and bacon and eggs my Friday opened with Keller Williams on the Moonshine Stage. Front row center I was able to finally witness the extraordinary one man band do his funky bass thang and was not disappointed. I’m not sure if Keller’s facial mannerisms signal anything to the other instruments onstage, but they amused the audience as they baked in the mid-afternoon sun.
Keller came out with a black bandana draped over his mouth and moved between his three guitars and a mixing board as he started looping his masterpiece. His set highlights included a throwback gem in “Freaker by the Speaker” and bass infused covers of Cage The Elephant’s “Ain’t No Rest for the Wicked” and a baritone raspy version of Flight of the Concords “I Told You I was Freaky.” Keller is so tuned into the music he adapted to minor feedback issues in the monitor by simply moving it away from the speaker. Guess that’s what is to be expected considering he’s been working with the same sound guy for 15 years. For the last song special guest Al Schnier joined Keller onstage for Steppenwolf’s “Born to be Wild.”
Our crew stepped on over to Starshine to drop by and investigate the legendary Weir, Robinson, Greene Acoustic Trio. Slinking along the VIP fence I cozied up to a patch of grass just in time to hear “Truckin” which was played beautifully as cloud cover brought a hazy calm over the crowd. “New Speedway Boogie” with Chris Robinson on vocals followed with a nice little harmonization to end the Grateful Dead classic.
The soulful southern Dead classic “Deep Elem Blues” followed with Bob on vocals and transitioned into Bob Dylan’s “When I Paint My Masterpiece” with Jackie Greene playing a mean mandolin. I left after “Uncle John’s Band” and headed towards the Campfire Stage which would be my home for the next three shows. I met up with my pals in Family Groove Company for the first course in The New Orleans Suspect. FGC went to school out in Los Angeles with one of their musicians who also plays in The Dirty Dozen Brass Band and it was a nice appetizer funk fest near the Red Barn before the main course in Elephant Revival and Cornmeal later that evening.
I had missed the Thursday sets of Elephant Revival, the five piece folk ensemble out of Colorado, and was not going to let another chance pass me by as the buzz around this band has been high. After fiddling with the sound to get things just perfect they launched into a new tune opening with “Woodstock.” Wearing long white gloves and straddling a stomp box Bonnie Paine’s feathery lilting voice brought back memories of Cranberries lead singer Dolores O’Riordan. She wore a perma-smirk for nearly the entire set as she strummed her washboard to an celtic influenced sea shanty jig with Bridget Law starring on a few timely placed solos. Bridget plugged the bands release of a new song book before Sage Cook and Daniel Rodriguez provided background vocals and plucking prowess on banjo and guitar with Bonnie on lead for the water inspired “Drop.” The energy of the set was felt on a changing tempo “Old Oak River” which was played a cappella style and had a Johnny Cash type feel as the late night revelers swayed and clapped along. I’m very excited that this group is touring the summer festival circuit more extensively and will get a chance to see them again later this year at Shoe Fest.
Cornmeal’s first two sets for the pre-party I also missed out on due to schedule conflicts, but was Allie side for the annual acoustic Campfire Stage set. They brought out Elephant Revival for the first few songs. It was awesome to see Bridget and Allie smitten and smiling and showing their collective fiddle chops in addition to Wavy Dave and Sage keep the time on dueling banjos. Wavy Dave Burlingame once again had his annual Summer Camp birthday and joked around that he forgot his geritol…good thing a handle of Maker’s Mark was present to help him re-remember as he instructed “the cap be left off” to celebrate in fashion. Cornmeal brought out Giving Tree Band violinist Phil Zee for a few songs during the second half of their set. Allie and Phil chased each other taking turns on fiddle solo as Wavy and Kris kept everyone in high spirits with a menagerie of Cornmeal classics. A final special sit in occurred when Floodwood’s Jason Barady got on stage to play on mandolin. I sat there and was amazed as sandwiched between Kris and Wavy he furiously moved his fingers around the frets with ease.
Well i’m currently sitting in the Church listening to Umphrey’s McGee soundcheck for a special off the grid set for rockstar guests. I need to wrap things up so I can set up and experience my third crazy music filled day here at Summer Camp!
More pictures to come later on: