By Saturday Morning I was into my routine at Summer Camp 2011. I planned to rendezvous with my P-Town friends at Yoga around 10 AM This meant that I only got about five hours of rough sleep, which was intermittently, interrupted by the DJ at the next campsite. I will say that he played on tiny speakers so it was actually fairly enjoyable despite the fact that I kept waking up to it. I rose around 9 a.m. and let Amy sleep in while I got cleaned up at the Barn. I headed over to the Soulshine Tent around 10 a.m. and started taking some photos. There was actually a decent-sized crowd in attendance. The instructor talked about balance and structure with your body’s dance and movements. I tried to take that to heart for the rest of the weekend. I met up with Joe and Angie and headed to their RV to charge my Flip Camera.
Afterwards I made my way over to Ben and Erin’s Bus to copy off my cards and clear up some space. They graciously let me borrow their macbook so I could get that accomplished. Thanks guys. I hit up the press meeting around 12:30 and took the extra time to upload my content to Holly. It was only Saturday morning and I had already taken over 2000 photos and a ton of video.
I found out later in the day that Amy went and caught Gaelic Storm; she let me know they were a very interesting act. While doing research I learned that this is the same band that is featured in the Titantic steerage party scene. In addition to coving Paul Simon’s Cecilia they combined elements of traditional Irish/Celtic music with elements of rock, pop, and world I will definitely have to catch them next time they come to Colorado.
I ended up hanging out with the CITs for a few minutes before heading over to the Field Day activities going on at the 312 Vibe Tent. Red Team was definitely in attendance. I met up with my Purple brethren that included Chief, Will, and our captain Mike among others. I will say that purple was a small presence and I was not too happy about that. Obviously events were spread out through the day and some logistical issues caused some of the competitons to be rescheduled, but overall I was very impressed with this element of Summer Camp and how it was run. It was a fun distraction from the festival and a good way to get a little exercise. I arrived as they were getting set for Capture The Flag. They were a man short so I jumped in, I was tagged out in the first round but Purple won and moved onto the finals. We faced the Red Team but by trying to out maneuver and patiently wait for our spot we forced a sudden death. Will grabbed the flag and ran it over the line for the win. It was literally a millisecond before the Red player, but it was enough for the victory. I got set for tug-o-war next. I was the anchor but having lost a few pounds I guess I was not the giant stone that I once was. We were simply shredded by the Yellow team. It was a good time and with a record of 1-1 for the Field Day I made my way over to Euforquestra’s set.
Heis, Euforquestra’s manager and long time Summer Camp coordinator and I conspired to have me introduce the boys from Iowa for their 3rd time playing the festival. You can see that video here.
It was definitely cool but not nearly as intimidating as giving the intro for moe. the day prior. As the video points out I have a little biased towards Euforquestra having been in school at U of I while they were there as well. I was just lucky enough that the band decided to make a move to Colorado so I get to see them a ton and it’s always a great show. Within the last couple years they have revamped their rhythm section moving Grasso to drums and putting Ben Soltau on bass. It took them a second but they are playing so tight now it’s disgusting. They are a great foundation on which the rest of the band blends blues, reggae, funk, Afro-Cuban, and world music. They opened with a sick Cause A Reaction as soon as I finished my introduction. A massive version the Zalatel penned Free into their now classic ode to grandma’s cooking; Soup. Throw in a little Talking Heads and we have a pretty great set of music. Thanks Euforquesta.
I walked by Wiz Khalifa on my way to Slightly Stoopid. The kids seemed be having fun but I was looking for a different brand of hip-hop infused goodness. I have listened to a number of Stoopid recordings and just never really got it, well I have to say that SS is best ingested in a live setting. They have a serious ability to interact with the crowd and as the sun poked out for minute I got a chance to see them shine. It was a bouncy set with elements of punk, hip-hop, and straight rock. You can see a recording I did of Baby I Like It, here.
After Slightly Stoopid we walked towards Girl Talk and noticed a ton of people on stage and what looked like rolls of toilet paper spewing into the photo pit and onto the crowd. I headed to the camp and listened from there. We went back to the Moonshine Stage for Kdubalicious featuring Keller Williams.
Keller is a Summer Camp veteran if there ever was one. Having performed at 9 out of the 11 total, for me he will always be indelibly linked to this Midwest festival. This year was special in the sense that he was playing with his newly formed band Kdubalicions with Keller on bass, Jay Starling on keyboards, and Mark D on drums. I thought it was interesting to have Keller on bass which added an almost lounge-y feel so some of his classic songs. From the Feel Like a Stranger Kdubalicion played with Al to the Tell Me Something Good with Chuck Garvey, they began to feel more like a house band with rotating guitarists than their own entity. You can see the video I caught of Freeker into Golden Road into Freeker here.
I found the funky reggae-infused stylings of Kdubalicious to be exactly what my Saturday evening needed. I ended at the top of the hill between Keller and Umphrey’s watching for them to take the stage.
On the docket was a double-decker moe. and Umprhey’s sandwich that I was ready to take a big bite out of. Umphrey’s came out with Jazz Odyssey and given the fact that they kept going back into it throughout the entire weekend it almost felt like their theme song at Summer Camp 2011. That Jazz Odyssey really tied the room together did it not? … I digress. Here is the setlist from Phantasy Tour.
SET I: Jazz Odyssey> 40’s Theme, Conduit> Jimmy Stewart> Conduit, Divisions, Go To Hell, Puppet String*, JaJunk
SET II: Jazz Odyssey> Bridgeless> No Comment> Bridgeless, Forks*, Plunger> Glory> Hajimemashite> Plunger, Hurt Bird
ENCORE: Booth Love**, Live and Let Die***
*First Time Played (Original)
**with Mad Dog’s Filthy Little Secret Horns
***First Time Played (Paul McCartney & Wings)
You can hear the audience recording from Archive.
Thanks to tonedeaf for the post.
The two sets Umprhey’s McGee played on Saturday night were high water marks for the weekend. The musicianship of these guys never ceases to amaze me. They are perhaps the most technically proficient jamband touring today. They can stop on a dime and pick it up and put it in the meter. Jake got gritty on 40’s Theme and a busted Conduit with Jimmy Stewart in the middle was my highlight of the first set. Divisions was just too big, clocking in at over twenty minutes and Bayliss’s prog was showing. It’s songs like Go To Hell when I feel that the Death Metal moniker for UM is appropriate. I mean sure it’s laced with delicate playing as well but that song gets scary. You can see what Kris Myers had to say about that question here.
I was just getting used to the Flip so it’s a little shaky but the questions are still good. Moving on.
So as not to confuse subjects I will stick to my UM review then get to moe. Second set on from UM on Saturday was just exceptional. Once again Jazz Odyssey reared its head to open but went for an extended journey through Bridgeless to Not Comment and back into Bridgeless again. Showing their musical dexterity in that run the No Comment was just plain sick. Forks was a new song and it was okay, I feel like this song needs some more road testing before it really will blow the crowd away. The Plunger bookended Glory into Hajimemashite was the peak of the show as far as I’m concerned. Hurt Bird closed the second set nicely.
They encored with an unbelievable Booth Love featuring Mad Dog’s Filthy Little Secret Horns and the brass meshed with this song incredibly well. They rounded out their show with a cover of Paul McCartney & Wings’ Live And Let Die. This just was a giant punctuation mark to the night. I was totally happy with how UM handled their second night at Summer Camp. Well played gentlemen.
Rewinding to moe. The first set of on Saturday was my second of three onstage sets. So I got to watch from the side of the stage with the rest of the moe.ron elite. The boys came out and gently eased everyone in by opening with Wind It Up. I thought that was an appropriate opener, here is the rest of the setlist from PT.
SET I: Wind It Up, Tubing The River Styx> The Pit, Understand, Smoke*, Sensory Deprivation Bank, Waiting For The Punchline> Haze
SET II: Crab Eyes**, Buster, Skrunk> Lazarus> McBain> Recreation Chemistry
You can download the audience recording on Archive.
Thanks to Bean again, for posting.
The Pit was huge with a solid extended jam to begin with, and Understand was pretty straight. You can watch it from the stage and synced up the audience recording here.
Smoke was a new song debuted at Summer Camp and I have to say I liked it quite a bit. It has a carnival-inspired springiness, but the juxtaposition of the referentially serious lyrics with the music is pretty powerful. Nice work Al. Sensory Deprivation was my highlight of set one mainly because of Rob’s funky bass. They finished up with Punchline into Haze, which pumped up the crowd before they exited.
For their second set all five members of moe. came back onstage to small music stands and stood at the front . I was baffled as to what was happening but when the first notes of Crab Eyes floated out over the crowd it was obvious that moe. was making a statement. I like to think it’s a little nod to the other electronic acts almost as if to say, “See we can play on computers too.” The most eye-opening aspect of this is that on the recording other than a few slower transitions the Crab Eyes is spot on. They went into a fantastic Buster that lasted almost 15 minutes. I love this song and every time I hear “Pig Can Fly” I smile. The Skrunk> Lazarus> McBain> Recreation Chemistry section is the reason I see moe. It was jaw-dropping; I caught the beginning of that run on video from the crowd, which you can watch here.
That Lazarus was sublime but the Rec Chem was absolutely enormous. moe. came back to encore with a crowd-rumbling Captain America. Great choice and I remember the two brahs behind me arguing whether the encore would be Plane Crash or Captain America. Brah number one was correct.
After catching moe. late night in the barn on Friday I was pretty sleepy so I handed off my pass to CIT Jeff Greenswag, who went in to see Big Gigantic and Lotus at the Red Barn. Keep on eye on his posts for some detailed electronic coverage. I watched a bit of Cornmeal on the Campfire Stage before heading back down the trail to my tent. I had one more day as the first ever Summer Camp Counselor and Sunday would prove to be a non-stop adventure. Stay tuned.
You can see all of my photos from Saturday at Summer Camp here.
I woke up on Friday totally ready for the actual festival to begin. Thursday was awesome but it was time for the heavy hitters. I headed to the barn to get cleaned up. One of the perks of total access was getting a shower every morning and believe me, this is a luxury I’m not used to in a festival setting. After getting ready I made my way backstage. It was time to give my intro for moe., and I was actually pretty nervous. I took a little time to compose myself and think about what I wanted to say. How do you introduce your heroes? Wandering around before the set I got the chance to chat with Jim for about 10 minutes. I had met him previously at the now defunct Green Room when he played a show with Willie Waldman. Amazingly he remembered our meeting and congratulated me on winning the camp counselor position. Around 12:30 moe. gathered at the stairs and followed me onto the stage.
In the second of my many surreal moments of Summer Camp 2011, I stood in front of a crowd of 15,000 or so people and let them know moe. was about to play a show. As soon as I said, “…would you please welcome moe.,” they tore into a massive Akimbo. Here is the rest of the setlist from Phantasy Tour .
SET I: Akimbo, Puebla, St. Augustine, Mexico, Blue Jeans Pizza, All Roads Lead To Home, Kyle’s Song> Kids
Encore: The Harder They Come*
*with Brendan Bayliss of Umphrey’s McGee
You can download it on Archive. Thanks to Bean for the recording.
I wandered out onto the lawn triumphantly looking for Amy and my friends, but they were knee deep in the crowd. So I took the opportunity to take some wide shots before heading back to the pit for some closer photos. This set was literally a collection of some of my favorite songs. St. Augustine was tight and Mexico was huge and featured a playfulness that really set the mood for Summer Camp. The closer of Kyle’s Song into Kids was face melting and as the sun blasted through the clouds for moe.’s only day set, I knew I was home. Bayliss came out for a cover of Harder They Come to encore and signaled a passing of the torch for UM to take the reigns Friday Night.
From moe. I went to my CIT meeting and discussed the previous days coverage and touched base on what was left on the schedule for Friday. I took a few minutes afterward to interview Tom Mcelroy of the Sun Foundation and Primitive Arts Collective who told me about some of the primitive living skills and native art forms that they teach. They led workshops all weekend that varied from fire making to hide tanning. It was a very enlightening interview.
I made my way to the Sunshine stage for the Punch Brothers’ set. Now I have wanted to catch this band for quite some time, I have been a huge Noam Pikelny fan since his days with Leftover Salmon and Chris Thile is always a bucket of energy. However, it seems like every time I plan to see them in Denver I miss the boat. Well Summer Camp 2011 cured me of this longstanding issue. I headed down to the pits for some photos and caught a little video which you can see here.
The Punch Brothers have a level of authenticity rarely seen in bluegrass these days. They dress the part and as a string band they are a sight to behold. I was thoroughly impressed with their set and after I finished taking photos, I simply stood back and enjoyed it for a minute.
I went back to camp to gather my friends for Cornmeal. Cornmeal as I stated in my previous post has really grown with Summer Camp Music Festival. They definitely took their evening set seriously by just nailing down good tight bluegrassy goodness. I shot some photos and again went over by the bleachers with my friends and just enjoyed the show. The nice thing about the scheduling at Summer Camp is that they allow different fans to enjoy what they like without having to make too many tough decisions. For me Friday was a bluegrass day bookended by moe. and Umphrey’s with just a sprinkle of Dead provided by 7 Walkers. But many, many other fans opted for the raw electro-funk of Big Gigantic and the hip-hop of De La Soul. That’s what I appreciate about Summer Camp. Cornmeal kept fans very happy on Friday afternoon and afterwards I took a minute to grab some food and watch De La Soul for about 15 minutes. They absolutely energized the crowd and it was refreshing to hear them at Summer Camp.
We headed back to Sunshine for Yonder Mountain String Band, we walked up to the bleachers just as they started Out Of The Blue here is the setlist from PT.
SET I: Out Of The Blue> Looking Back Over My Shoulder, Another Day, Little Lover, Just Like Old Times, Complicated, All The Time, Strophe For An Unsung Albatross (Peanut Butter Cup), No Expectations> Casualty> Whipping Post> Casualty
Encore: Crazy, Troubled Mind
Living in Colorado I usually get the pleasure of seeing these YMSB a couple times a year, I would say they played a pretty standard set except for the No Expectations>
Casualty> Whipping Post> Casualty which was fairly earth-shattering. I caught the beginning of that amazing run here.
At the beginning you can hear Jeff Austin pointing out what everyone in attendance already knew, and that the Sunshine Stage had been the bluegrass stage all day and then dedicated the next song to the greatest bluegrass band ever Umphey’s McGee, “…they play the old way.” My apologies for the Don’t Tread on Me flag that makes its way into the frame around minute two, that happens from time to time when you are shooting wide. I did my best to shoot around it but it is what it is. The Whipping Post was just stellar. They came back to encore the set with Split Lip Rayfield’s Crazy and a nice Troubled Mind.
I hit Tea Leaf Green but only for a song or two before heading backstage for my first onstage set with Umprhey’s McGee. It took us a minute to find someone in the UM management to let us go up, and as we were standing there I heard the Jaws theme played before they opened with Prowler. Here is the rest of the setlist from PT.
Set I: Prowler> 1348> Jimmy Stewart> Red Tape> Jimmy Stewart> Red Tap, Pay the Snucka> Bulls On Parade> Pay The Snucka, 2nd Self, Senor Mouse, Mulche’s Odyssey
Set II: Jazz Odyssey, Preamble> Miss Tinkle’s Overture> Higgins > Miss Tinkle’s Overture> Higgins, Rocker Part II, Day Nurse, Hourglass*, The Floor, National Anthem**
Encore: The Triple Wide> 1348
*First Time Played
**with Dominic Lalli (Big Gigantic) on Saxophone
You can download the audience recording on Archive.
Thanks to tonedeaf for the post.
A moment or so later someone found us and took us onto the stage. Now I know Umphrey’s is intense but being 8 feet away from Jake as he is shredding a solo is a little mind bending. Amy and I didn’t stop dancing for their 80+ minute first set. The Red Tape was just massive clocking in at over 20 minutes; this song features both sides of the Umph coin. It allows for Bayliss’s prog-rock run, some cheesy 80’sesque jams, as well as lots or room to shred. The sheer number of notes Jake hits in between verses would make any metal guitarist envious. The real highlight of the first set has to be the Pay the Snucka into Bulls On Parade into Pay the Snucka. I caught this in Aspen in February but to see it on stage ten feet away from the band was life affirming. They ended the set with a tight Mulche’s and we were whisked off of stage and just like that my first of three was over.
Of course we immediately crossed the road to see 7 Walkers at the Starshine Stage. George Porter Jr. couldn’t make the show so they enlisted the help of Tea Leaf Green’s Reed Mathis on bass. I was pretty impressed with the band Billy put together. Papa Mali is a solid guitarist with an incredibly unique voice; he has the rasp to belt out Dead tunes properly. Highlights from the set included a sweet Bird Song and a rendition of 7 Walkers which they took their name from. You can see my recording of it here.
The audio is a little over modulated as I was in the pit and couldn’t find an audience recording with which to sync. I would say that overall they were a lot of fun and a nice breather between UM sets.
Umphrey’s came back on for their second set ready to rage. They opened with a quick unassuming Jazz Odysssey almost like they were trying to lull the crowd into a false sense of calm. Then they played the eerie Preamble before snapping the audience awake with Tinkle’s. The Miss Tinkle’s Overture> Higgins > Miss Tinkle’s Overture> Higgins was just disgusting and the reason why I go to Umphrey’s McGee shows. The rest of their second set was all bonus as far as I was concerned. Additional highlights included a Day Nurse dance party, and Hourglass, which was debuted at Summer Camp. They invited Dominic Lalli from Big Gigantic to play saxophone on the set ending National Anthem. They encored with a nice Triple Wide into 1348. I thought the UM sets from night one were very strong and they definitely took their headlining night at Summer Camp to a new level.
There was about a thirty minute break between the end of UM and the beginning of moe. in the Red Barn. We took the opportunity to sit at our camp and talk about the events of the day. Amy and I headed to the Barn past Greensky Bluegrass who was just getting started on the Campfire Stage.
moe. came out to play for 400 lucky souls with a sweet Dr. Graffenberg, here is the rest of the setlist from PT.
Set I: Dr. Graffenberg, Bullet, Letter Home*, Timmy Tucker, Downward Facing Dog, Big World> Ricky Marten> Time Ed> George
ENCORE: Spaz Medicine
You can download this set on Archive. Thanks to jessedscott for posting this recording.
I thought the barn was a blast. I always feel a little conflicted inside knowing there are about 15,000 other people who would like to be in as well. I can honestly say I have listened from outside a number of times over the years But moe. made magic in that little sweat box and despite my misgivings I would never miss them in the Red Barn. The reggae-ified Letter Home was awesome and you can see it here.
Timmy Tucker was big and they didn’t stop for the second half of the set. I had a great time and really enjoyed the fact that I got to start and end my day with moe. We stayed until the beginning of Spaz, which was close to 4 a.m. before heading back to our tent. We slept hard and good. It was already an amazing experience and the next two days would continue to impress, humble, and excite me. Stay tuned for my Saturday and Sunday recaps coming soon.
You can see all of my Thurday Photos here.
As well as my Friday Photos here.
After flying into Chicago Tuesday night and driving down to my old homestead of the Quad Cities, Amy and I were picked up by some very dear friends and escorted the last leg to Chillicothe. We drove down Il 29 past militant looking State Patrol officers and a few unlucky souls who lost on their roll of the dice. We made it to the lot where we quickly parked and assessed the situation. In stark contrast to what we saw on the highway, local law enforcement were spending their off duty hours parking cars and bumming beers. I looked around. It had been 5 years since I was last at Summer Camp and the old girl looked well.
Besides the troves of people who had elected to arrive on Thursday the new layout of the festival was efficient and organized properly. We got into line and I made my way to the window where Arlan Goldberg greeted me. He took the honor of bestowing my wristband upon me rather ceremoniously. It was the first of many, many surreal and humbling moments that occurred throughout the weekend.
We made our way back to the car but because I was informed that I would be interviewing moe. around 2:30 p.m. I was anxious to get inside and get my tent set up. Originally I was going to be camping next the 312 Vibe Tent but because they had recently been granted a permit to have music until 4 a.m. this was not going to be a good option for my busy weekend. So I headed into the VIP entrance around 1 p.m. and found a spot on the trail to general camping. We were also able to procure a spot just down the way for the rest of my friends. I quickly set up the tent and met with Amy before heading backstage to meet moe.
There I met Skip (moe.’s tour manager) who let me know that the band’s flight had been rerouted to St. Louis and they were not expected on site until later in the evening. I thanked him and headed over to my campsite. Everything was well on its way at camp thanks to Amy and my friends. They worked hard to haul all our gear into the fest utilizing the Love Tractor (a giant off-road wagon recently purchased for just this festival.) Meanwhile it was time to meet Holly for the initial press meeting at The Church. I arrived and met various members of the press, many of which were incredibly helpful in my first foray into access and real coverage. Up until now all of my blogging has been totally independent. So I was and am very appreciative of the help I received from the jam press at Summer Camp.
I went out and quickly shot my first standup before heading back to The Church to meet with the rest of the CITs. I will say the initial meeting with my former competition was a little uneasy, but that soon passed and we were all fast friends. We divvied up the various events we wanted to cover over the course of the weekend. Anxious to go catch some music, I said my goodbye and made my way over to camp and before heading directly to Ali Baba’s Tahini. Now, I have wanted to hear these guys ever since I first learned they were regularly playing together again beginning a few years ago. They obviously don’t tour extensively so having them on the bill on Thursday was a real treat for me. And honestly they sounded like a band formed by Jake. It was like his raw gritty guitar times five.
Here is the setlist from their Facebook Page
SET: Strollin, Got Your Milk, Vegetables, Veil, Running Down A Dream*, Aramdillo, Zero, Poster Prose, Carnival Chronicles, Second, Bikes,
*Tom Petty Cover dedicated to Brendan Bayliss
The Got Your Milk along with the Cinninger’s Beatbox vs. Wavy Dave’s Mouth Harp breakdown were the real highlights of the set. Also the Petty cover was spot on. Overall I found the Ali Baba’s Tahini to be a fun way to get my feet wet at Summer Camp. Here is a video I took from the pit. http://youtu.be/7VrKkQI4gMI
I caught a little bit of Family Groove Company before heading back to camp. All along the way a person here or there would recognize me as the Summer Camp Counselor. I would chat randomly with people as I ventured from stage to stage and really this was a huge highlight of my weekend. When I arrived back to camp I took the last bit of daylight as opportunity to blow up the air mattress in my tent. After getting a bite to eat my whole group made our way to the Starshine Stage for some much needed Cornmeal. I’ve had the pleasure of watching Cornmeal grow into the ridiculous bluegrass powerhouse that they are today. Going all the way back to 2002’s performance at the 2nd Summer Camp where I first saw them, up to now where they blow away audiences across the country, Cornmeal has earned every fan. And I have to say Colorado loves them some Cornmeal. They played a great set and really got the crowd energized for the long haul ahead. I am and continue to be impressed with how far they have come as a band.
Last but not least on the agenda was 30db. Now I guess I was spoiled when 30db played The Fox in Boulder because the lineup included Nick Forster, Eric Thorin, and Cody Dickinson. But honestly I could watch Austin and Bayliss go back and forth all day. They are like kindred spirits and they definitely enjoy playing together. That kind of dynamic is infectious. They got the crowd buzzing with a long soundcheck where they basically tried to get the crowd to curse their bandmate. Finally after a short break they came back and acoustically melted faces. The highlight of the set was a cover of Wilico’s Handshake Drugs. It was a totally unexpected and a pretty interesting choice of cover. Here is a video I took from the show. http://www.youtube.com/watch?v=rSwt33bl9kU&feature=youtu.be
So all in all it was a pretty productive and fun first day. Thanks to Amy and my crew for getting camp set up and schlepping gear. You guys are awesome and you helped me out immensely. Around 2 a.m. at the end of 30db I made my way back to my tent and fell tried to fall asleep. I was pretty excited for what was about to unfold over the course of the next three days so that was a challenge.
Well, the last few weeks have been a whirlwind of online activity as I made my bid to be the first ever Summer Camp Counselor. I had some incredible competition from NOLA native Joe Albin and Healthy Hippie editor-in-chief Taraleigh Weathers. After the weeklong three-way battle I was informed I had gotten the job. I’ve been pretty ecstatic ever since.
I would like to take a moment to thank everyone who supported my run. I feel incredibly blessed to have met and known so many wonderful people in my life and that they literally came out of the woodwork to support me. It was truly humbling to witness.
Summer Camp and I have a long history. I made my way down to the first six years of the fest in Chillicothe. I watched it grow from a regional festival to the nationally recognized event that it is today. Summer Camp managed to thrive while other festivals came and went. The one key factor to their success has been a focus on the music, and that seems especially true for Summer Camp Music Festival’s 11th year.
I mean let’s be honest the lineup is pure sickness. I am really excited to catch Summer Camp stalwarts moe. and Umphrey’s McGee. These bands are the reason people come to this festival. However, a new reason in the form of Widespread Panic seems to have invigorated the fanbase and boosted attendance. Panic’s first year at Summer Camp will be one for the books and I am curious to see how they play on the Moonshine Stage.
The nice thing about the lineup at Summer Camp is that it literally has something for everyone. The huge range of musicians on the bill includes everything from electronic to bluegrass and all points in between. Of course the icing on the cake for me are sets from Bruce Hornsby, YMSB, Huey Lewis, and Bela Fleck. Having never seen Hornsby live and given my love for his short stint with the Grateful Dead, I am amped to see him perform. Huey Lewis with Umphrey’s McGee and a horn section? We are through the looking glass here people.
One thing that is new to Summer Camp this year is the Make A Difference concert with Everyone Orchestra. The lineup is awesome but what’s exciting to me is the possibility of empowering the attendees to actually do some good and aid their community. Simple things we take for granted can have a huge impact. There will be several ways to participate including attending a workshop, picking up cigarette butts, or making a piece of art out of recycled materials, which can earn you a spot at the show. Not to mention the incredibly diverse array of seminars and workshops including a brewing presentation from Kyle Hollingsworth himself.
I am also really excited for Field Day, taking place on Saturday. To be a part of a “color wars” will really add to the overall Summer Camp vibe. It will also give us a chance for some friendly competition and general camaraderie. It’s going to be an amazing part of the overall camp experience.
Tough decisions will have to be made. Do I stay and finish the 7 Walkers set or hit the end of STS9? Do I finish the rUMors set or do I catch the beginning of Bela Fleck & The Flecktones. These are the kinds of problems I like to have. And Summer Camp has done a good job creating the lineup and schedule and I couldn’t be happier with their choices. All that’s left to do now is show up. I look forward to meeting everyone at Summer Camp and working to begin a tradition that will hopefully live on as successfully as the festival that spawned it.
Summer Camp Counselor