We are so excited to welcome the following artists to the 2012 Summer Camp Music Festival!
Michael Franti and Spearhead
Preservation Hall Jazz Band
Dirty Dozen Brass Band (35th Anniversary Tour)
Wick-It The Instigator
The Divide (formerly the Great Divide)
JC Brooks & The Uptown Sound
Red Wanting Blue
And guess what Campers? We’re not done! Stay tuned for a few more artist announcements coming soon! In the mean time, make sure you pick up your Getting Closer tickets before they’re gone!
Apply to be the 2012 Summer Camp Counselor!
We are currently accepting applications for our 2012 Summer Camp Counselor position. If you think you’re a perfect fit for the Camp Counselor position, and you are ready to have a once in a lifetime Summer Camp experience, here’s how to apply:
2. Email a written resume outlining your experience and qualifications to email@example.com by March 30th, 2012. Please include in your email a link to a video cover letter that addresses why you want to be this year’s Camp Counselor and what you can bring to the table (submissions without videos will not be counted). Keep in mind; this is not your typical job, so your resume can include ANYTHING that helps to prove you’re the right fit. Festivals you’re attending, tours you’ve been on…the more creative you are, the better!
2. We will review the applicants, and select the top candidates. The selected candidates will then be asked to put together a separate 2-3 minute video for fans to: introduce themselves, discuss why they are perfect for this position, and tell fans what they plan to offer the Summer Camp community as a whole with this new power and role. These videos will be posted on YouTube and put together in a playlist on the Summer Camp channel.
3. Each week, 2 of the candidates will go head to head and the winner will move on to the next round. Once the top 3 names have been selected, they will be added to our “ballot” and emailed out to fans to vote on. The candidate with the most votes will be named the 2012 Summer Camp Counselor!
So if you are fun, oozing with personality and charisma, and think you have what it takes, submit your application now. ALL APPLICATIONS ARE DUE BY MARCH 30, 2012!! For any questions about the position, please email firstname.lastname@example.org.
Volunteer and go to Summer Camp for free!
We are still accepting volunteers to help out at the 2012 Summer Camp Music Festival. Volunteers play a vital role in the success of our event, and it would not be possible without them! For more information on how to apply, click here.
ONLY 68 days until Camp!
Your Summer Camp Director
To celebrate entering my 31st year on this planet we headed down to The Bluebird in Denver to catch Split Lip Rayfield. I had a solid crew consisting of Amy, my brother, and my best friend Ben. We grabbed a spot on the rail in the balcony as I roamed around taking photos. Split Lip Rayfield played Summer Camp in 2010 and in my oppinion are a not to be missed live experience. They are so unique and incredibly talented that watching them perform is simply jawdropping. Furthermore, I love the Bluebird; it is by far my favorite intimate venue in Denver. Good layout, awesome sightlines, amazing acoustics, and a great crew all combine to make any live show at The Bluebird a good one. Living in Fort Collins, I don’t get down as often as I would like, but it’s always a pleasure when I make it back.
Soon after we arrived Rayland Baxter Took the stage. Rayland was a mustachioed troubadour from Nashville. Odessa Rose accompanied him on violin and backing vocals for most of his set. Baxter demonstrated an incredible sonic range going from minimalist plucking to a full on audio assault. He was a storyteller and an acoustic bard. Rayland had an unusual knack for weaving songs out of observations, from his Mountain Song about living in the Rockies of Colorado to his interesting biopic entitled Willie’s Song. The highlight of his set was a tragic tinged tune called The Cold Easy Life of a Loner. It was a great albeit slower way to start the show.
The Magic Beans are anything but slow. Bringing a slew of their own fans with them, many in the crowd showed a level of enthusiasm rarely seen for a local act. Hailing from Nederland The Magic Beans have begun to build a loyal fanbase that is willing to catch them up and down the Front Range. A young band with a lot of potential they seem to be all over the map when it comes to their sound. Ranging from Phishy jam to a Disco Biscuits style dance party. At times they drifted into a distinctly Dead tone, which I found to be the best parts of their show. I will say this set of songs was very similar to their opening set for Elephant Revival I caught a few months back at The Aggie, but that’s understandable given their youth. The Magic Beans have enormous promise, and are already making waves in and around the Denver jam scene. Given the fact that they have had some solid opening slots and are finding their way into festival lineups including the upcoming Snowball and Phibstock. I see good things in their future as they continue to develop their style.
Split Lip Rayfield took the stage around 11 PM. This trio from Witchita, Kansas was a rapid fire kick in the junk. With machine-gun delivery and an urgent take on traditional bluegrass, their sound was simply infectious. Often classified as cowpunk and appropriately so, Split Lip Rayfield is a punch bowl of all things bluegrass. The only thing for certain was that this was not Del McCoury’s band. The Stitchgiver, a homemade one string bass cobbled together from a 1978 Mercury Grand Marquis gas tank, is the beating heart of SLR. Watching Eaton whack away at that single string may have been their most entertaining aspect of the show. One thing that cannot be overlooked was just how much rhythm he produced with just one string.
The show was Redbull bluegrass, like slamming an espresso in a musical shot glass. The crowd was literally whooping and hollering as their show got underway. The main element that they borrowed from punk besides their shredding delivery was the two-minute structure of many of their songs. If you didn’t like one of the tunes, it was okay because it would be over soon. This was not my experience, I found myself truly locked into what was happening on stage. After I got my photos I headed back up to the balcony for the rest of the show. Split Lip Rayfield had a certain irreverence, with songs like A Little More Cocaine Please and I Used To Know Your Wife, it was obvious that while they were playing seriously they were not taking themselves too serious.
Additional highlights from the show included Movin’ To Virginia and Kiss of Death. They ended the show just after 12:30. I was 31 and happy that my first show of this rotation around the sun was Split Lip Rayfield. Having only caught the end of their set a couple years back at Red Rocks, it was great to see them playing for a dedicated group of fans in this awesome venue. I would highly recommend to anyone who wants to have their face melted by a banjo, a mandolin, and a one-string gas tank to head out and see Split Lip Rayfield next time they make it to town.
The Motet rang in 2012 with a funk-fueled extravaganza supported by Euforquestra at the Aggie in Fort Collins. Euforquestra is a multi-year alumni of Summer Camp, but surprisingly Colorado jam stalwart The Motet has never made the trek. We headed down to the show around 9 PM. The crowd was already gathering as Euforquestra took the stage soon after our arrival. They opened up with their now classic Cause A Reaction; here is the rest of the setlist.
SET I: Cause A Reaction, Road Funk, Feels Good, Melody Truck, Free >Excuse O, Berrington / Brown Medley, Fool In The Rain> Soup> Fool In The Rain, Life During Wartime, Feel Together
Their set was a high-octane journey through funk, afrobeat, reggae, and jam. There was a palpable buzz around the music as the show began. People were ready to say goodbye to 2011 in a big way with one last hurrah. Lasting around an hour and half the opening set took on a headliner feel. The temperature of the room rose as the people packed in tightly. In fact by the end of the set it was practically impossible to move around comfortably. The highlight of their set was their Fool In The Rain Sandwich with Soup taking the place of the beef. As the setlist indicated Life During Wartime was to be the close, but Euforquestra threw a cherry on the sundae with Feel Together. I was very happy with their set and by the end it was obvious they had made many new fans with this performance.
After a short equipment change The Motet took to the stage with members of Euforquestra around 11:30 PM. Opting for one long set this two-hour plus journey through electro funk and jam was the perfect way to ring in the New Year. They opened the show with Fela Kuti’s Expensive Shit. Here is the rest of the setlist.
SET I: Expensive Shit, Afrodisco Beat> NYE Countdown, I’ve Got That Boogie Fever, Power> Push> Power, Back In Love, Nemesis> Shakara, Shake Your Booty, Only So Much Oil, Roforofo Fight
ENCORE: Drop It In The Slot, Gas Money
The show might as well have been billed as Motequestra because that’s just what we witnessed. With the various members of Euforquestra bouncing on and off the stage The Motet were rarely playing alone. At times the horn section swelled to five members giving a full brass sound to many of the jams throughout the evening. These bands compliment each other so well mainly because they are both immersed in afrobeat and funk but Euforquestra has enough world flair to juxtapose nicely to The Motet’s electro edge. The New Year’s Countdown came quickly and I raced back from the front fearing I wouldn’t find Amy in time. Luckily she was waiting on the stairs for me and we got to take the leap into 2012 together. After the rowdiness of the countdown the show broke down into an all out dance-off. Arms flailed in the air as everyone shuffled for space on the floor. The Nemesis into Shakara was the highlight of the show and again demonstrated how deeply The Motet is interested in delivering the funk in a big way. The driving rhythm of Nemesis melted into the spacey afrobeat of Fela Kuti’s Shakara.
They ended their set as they began with yet another Fela Kuti tune. Roforofo Fight is another track that The Motet have pretty much adopted it as their own track and it was a great way to close the show. They encored with the one two punch of Drop It In The Slot and Gas Money. The pounding afrobeat and funky rhythms that permeated this show are the reason I see both of these bands. When they team up it makes for an incredible experience, and I was happy to welcome 2012 with them. Happy New Year everybody, I’m looking forward to another year of amazing live experiences and another year at Summer Camp.
Although Railroad Earth has only graced the Summer Camp bill in 2010 they are still part of the family. They have a dedicated fanbase and are quickly becoming a force to be reckoned with in the scene. For the second time in two years, I headed down to the Ogden to catch Railroad Earth for a night of their New Year’s run. Last year I saw them with Great American Taxi on NYE. This year I headed down on the 30th mainly because the show included a sit-in with Kyle Hollingsworth, another Summer Camp alumni. Including my trip to Chicago, this would be the fifth time in a month seeing Kyle live. Amy picked me up from work and we headed out to a nice sushi dinner before heading over to the box office. We hit up Pete’s Monkey Bar to catch a bit of the Phish live stream from MSG before walking back to The Ogden to see the opening act.
Railroad Earth came onto the stage around 9:30 PM. Kyle’s keys were set up but he waited a few numbers before making his way to his rig. They opened with a funky Walk Beside Me, led by Andrew Altman on electric bass. Here is the rest of the setlist from Archive.
SET I: Walk Beside Me, Lordy, Lordy, Bread and Water, Little Bit O’ Me, Stillwater Getaway, The Hunting Song, Mourning Flies, Said What You Mean, Long Way To Go
SET II: Old Man and the Land, Head> Will it Go Round in Circles, Bringin’ My Baby Back Home, The Forecast> The Man Who Invented Sin> Mighty River> Like a Buddha, Elko
Encore: I’ve Just Seen a Face, Bird in a House
Note: Kyle joined on The Hunting Song and stayed for the remainder of the show.
The audience recording is available on ARCHIVE, thanks to Gerry Gladu for posting.
The first stet ebbed and flowed as far as the energy level was concerned. The 16 and up age limit made for an interesting mix in the crowd. From screaming x-handed noobs to old deadheads, the fanbase was as diverse as the music performed. The rolling and tumbling Lordy, Lordy got everyone’s juices flowing. The Bread and Water succeeded keeping the vibe at a fever pitch before the Little Bit O’ Me deflated the room a bit. Musically, Railroad Earth sounded as tight as I’ve seen them, but without the urgency of their opening set at Red Rocks this summer. They meandered into the show with a confidence and comfort often reserved for night two of three-night runs. Carbone played the fiddle beautifully on Stillwater Getaway, jumping back and forth between an almost symphonic presentation and an outright hoedown. Kyle Hollingsworth took his place at the keys on The Hunting Song. Kyle added the ragtime feel of an old-timey saloon. Inherently there are certain gaps in RRE’s sound; them being a Newgrass band, Kyle’s keys filled them in nicely. It was great to see Andrew Altman really stepping it up on bass. He alternated between electric and standup and really seemed to be finding his footing in the band. I was also truly impressed with Sheaffer’s vocals, which went from clean and crisp to almost Dylanesque as in Said What You Mean. They closed the set with a raucous sing-along on Long Way To Go.
The second set overall had a much more consistent flow and vibe. Railroad eased into set two with a bouncy and scenic Old Man and the Land before ripping into a massive 18 minute Head. The jamming showed some serious tightness and ability from all of the members including Kyle. Everyone was ready to lock in and take the ride. They ripped into a Kyle-led version of Billy Preston’s Will It Go Round in Circles. The haunting melody of The Forecast segued into the instrumental The Man Who Invented Sin. The Mighty River went quickly before RRE exploded into a powerful Like A Buddha. Againg clocking in at over 18 minutes this was by far the highlight of the entire show. They closed the second set with an equally strong Elko. It was like the band just turned on the turbo boosters on the last four songs of the show.
They encored with a quick I’ve Just Seen a Face and fun Bird in a House. The crowd left happy and energized from this stellar show. While the first set came on slower, the second set, particularly the end, more than made up for it. As we exited into the cold night of Denver we were stoked on the whole experience. Railroad Earth has a habit of performing remarkably. They have such a strong fanbase and have continued to play exceptional shows out on the Front Range, that I see nothing but good things for them. I was happy to catch a night of RRE’s New Year’s run and would recommend that everyone do the same. However, it was time to head home because I opted to see The Motet and Euforquestra for New Year’s Eve in Fort Collins. That would prove to be another solid choice.
Just a week after I got to see Roster and Kyle Hollingsworth, coming into town is Strange Arrangement. These guys are from Chicago and have played Summer Camp before. They played an awesome show at Cervantes Other Side and they were even recording for a DVD…I managed to get a copy of one of the song on there…Check it out here: Strange Arrangement – Sweet Love
Unfortunately I couldn’t sit down with them, but I did get to ask them some questions over email, check out their answers below:
Jeff – Where are you from, individually and as a band?
Strange Arrangement – We are all from the South West suburbs of Chicago. Jim Conry is from Willow Springs, IL. Kevin Barry from Hinsdale, Joe Hettinga from La Grange, IL and Steve Sinde is from Burbank, IL.
J – Where did your band name come from, it’s usually a good story, no?
SA – Haha! We used to play together in High School and the name came from a very quirky friend Mitch Manz that thought the words just sounded hilarious. He also played Harmonica and percussion in the band and when we were trying to name the band all he kept saying was “No way!!!! Strange ArrANGEment!!! Plus, the name definitely fits the music. We reformed in 2007 and thought about a ton of different names but SA just stuck with us…
J – How long have you been playing together?
SA – Jim, Kevin and I (Joe) have been playing together since 1997. But went separate ways from 2000 until 2007 when SA was reformed in Chicago in 2007.
J – What festivals have you played before?
SA – We’ve played at The Big Up, Bear Creek, North Coast, Summer Camp, Hoxeyville, Rootwire, Shoe Fest and a lot of smaller regional festivals in IL, WI, IN, OH and MI.
J – What would you say your biggest show has been so far?
SA – Our biggest shows have been Bear Creek, Rootwire, Hoxeyville, Summer Camp and opening for Umphrey’s at the Canopy club and UM After show on the new years run last year at Kinetic in chicago. Also, the House of Blues in Chicago on the main stage.
J - I know it’s a rather vague question, but tell us a little about where you are at in your career as this band and what kinds of initiatives you are taking to continue moving forward…
SA – We are currently changing from a regional touring band into a national touring band. We recently have gone to Northeast, Southeast and Southwest markets and plan on returning to each of these regularly. We’ve recently expanded the production of our shows to include a light rig and will soon be releasing our live shows for download so wherever you are, you can get some Strange live!
J – Are you trying to get into Summer Camp? If so, what is that process like?
SA – Of course we want to play at Summer Camp! We love that festival! We keep playing heavily in the Midwest to keep spreading the gospel of Strange Arrangement
J - Anything you’d like to add to tell the fans of SC music festival?
SA – We are playing a Jam Productions show in Chicago at Park West on Friday Jan 27. It’s a CO-Bill with Strange Arrangement and Greensky Bluegrass and Chicago Farmer opening! Definitely not to be missed! Our website is the best place to keep up to date on new announcements and show listings. www.strangement.com Our winter tour will be at least 25 shows so stay tuned and hope to see you there!!
Also, don’t forget to like us on facebook at http://www.facebook.com/pages/Strange-Arrangement/164640530689
Cornmeal decided to make yet another pilgrimage to the great state of Colorado before 2011 wound its way down the drain of life. They were doing a two night run hitting The Aggie and The Fox before gearing up for their December run on the east coast. I got a chance to sit down with Wavy Dave and Chris Gangi from Cornmeal before the show. It was a great conversation about everything from their new release of Live In Chicago Volume 2 and their upcoming studio album to Summer Camp and New Year’s runs. It was an enlightening talk and we will be featuring some our conversation in video form as well as on our MusicMarauders Live podcast next month.
Magic Beans, who currently call Boulder their home, are an eclectic mix of all things jam. I listened to some of their tracks online before the show and I was struck by their prowess with acoustic songs. At the Aggie, it was immediately apparent that they were young. They had solid musicianship, but other than their Rocky Top opener, they seemed to stray away from the sound that had drawn me to them in the first place. I will say that their second song, Band Camp, was like a washing machine full of jam on the spin cycle. It was a fifteen-minute opus that showed the wide variety of their skills. They ended their set with some Bisco sounding playing that, given the fact that they were opening for Cornmeal, seemed a bit out of place. Given the fact of their age, I was impressed with their musicianship and I look forward to seeing them evolve as a group. With a little more focus, they could powerful force on the jam circuit.
Cornmeal took the Aggie stage around 10:45 PM and jumped into a high-energy hoedown that was like watching a bluegrass volcano erupt before my eyes. Cornmeal always brings the heat in Colorado. Something about the altitude or the water out here just inspires them musically. They have become so well known out here as a band that always delivers live that they usually draw quite the crowd. A decent audience was in attendance for a Thursday night show in Fort Collins. They opted for one long set playing almost two and a half hours rather than breaking it up. Allie shredded the violin like a female bluegrass version of Hendrix. Wavy Davy showed some of his skills on the banjo and he nailed some back and fort between himself and Kris. Highlights from the show included a very nice Out Here On My Own and a Magic Stone Mountain that would get even the most jaded fan dancing in the aisle. As they were about to wrap up the set they surprised the crowd with a beautiful version of John Lennon’s Watching The Wheels.
They encored with a huge This Must Be The Place (Naive Melody) by the Talking Heads and Townes Van Zandt’s White Freight Liner Blues. It was a great close to an amazing show from Cornmeal. They bring so much to their live shows by creating a palpable energy in any room they play, and upping the ante for any other jamgrass band touring today. They are a fearless group that, through their twelve plus years of playing together, have become so comfortable in that they are willing to take chances and push it to the limit. Their show at the Aggie was no exception and I will continue to look forward to their regular visits to Colorado.
Kyle Hollingsworth has a great relationship with Summer Camp. He came this year and along with Adam from Family Groove Company hosted a home brewing class on site. So it was interesting to have both on hand for this event. Having been to the first two Brew Fests hosted by Kyle Hollingsworth I knew I couldn’t miss the third in Chicago. Family Groove Company has played a total of 8 Summer Camps slowly working their way up the lineup.
This was the finale to Kyle’s Hop On Tour, which began at the pair of KHB shows out on the Front Range. It all benefitted Boulder based nonprofit Conscious Alliance. He had been giving out golden tickets in posters throughout the tour for an opportunity to share a beer with Kyle at setbreak. As well as hosting meet and greets at breweries around the country. This was a chance for everyone to get in on the fun. We arrived and took in the layout. It was a decent sized room and the fest featured twelve craft breweries including Stone, Magic Hat, and my old hometown microbrewer Bent River.
The afternoon also included a two set show by local jam powerhouse Family Groove Company. FGC started the first with their classic brand of Janis fueled funk. They have an interesting integration of both instrumental songs and Jordan Wilkow lead jazzy numbers. I was impressed with their musicianship all around. I had seen them several times back in my college days but due to the fact that they rarely make it out to Colorado now it has been a while since I’ve caught them live so I’m a little rusty on their solo setlist. I can tell you that they straight jammed and brought a power and dynamic that turned the heads of the boozy patrons and quickly transformed the room into an all out dance party.
Kyle came to the keys as Jordan stepped down. Taking the lead Kyle opened up his portion of the show with a Taxman jam. Kyle is pretty much always in a good mood at his beer fests and today was no exception. He busted out his now classic Song In The Key of Beer and segued nicely into a rocked out version of Way That It Goes. It was an interesting change up from not only the KHB version but also what SCI has been doing with this song on the Roots Run Deep tour. Additional highlights included a funky version of Let’s Go Outside and a set-closing take on Billy Preston’s Will It Go Round In Circles. Kyle bid adieu as he obviously had places to be.
At setbreak I wandered over to check out Conscious Alliance’s silent auction. They had a ton of awesome gear on hand including signed posters, a Summer Camp running jacket, and an autographed copy of moe.’s Smash Hits CD.
Family Groove Company came out for another set as the room slowly cleared with kids that had gotten warmly drunk on the high ABV beer selections. They closed their show with a funked out Subterranean Homesick Blues. It was truly a fun afternoon, which again reaffirmed my belief that this is a not to be missed event. Whenever they offer up a chance at a Kyle’s Brew Fest I just jump on it because they are always such a blast. I would suggest that if one comes to venue near you, go. As we headed home to get ready for one more night of String Cheese we were left with warm feelings and happy thoughts. Thanks for yet another great event Kyle and Family Groove Company.
It’s been quite some time since the Leftover Salmon’s full band peformed at Summer Camp in 2004. I was there that year I and remember it being one of the highligts of that particular lineup. However Vince Herman has a long history with the fest taking on MC duties in 2006. He did everything from introducing bands, playing tweener sets on stage, and even playing an impromptu acoustic show in front of the barn with Chuck Garvey. He was also there with his side project Great Ameican Taxi and as an artist at large in 2007. So it would be an understatment to say that seeing them on 2012′s lineup would make me very happy. I’ve been touting the reemergence and reinvigoration of Leftover Salmon for months. It was obvious after seeing them on their River Run this summer that any sign of burning out or winding down was a distant memory for the members of LoS. I was again reminded of how far they’ve come at their show at The Ogden.
I headed down early to get a good spot for some shots and ended up hanging out on the rail for most of the show. Head For The Hills opened up the night with a string filled bang. Now Head For The Hills has never had the opportunity to play at Summer Camp but I honestly believe they would be an asset to any festival. Furthermore, I just want to start off by saying that Matt Lowen is the Bassnectar of bluegrass, holding down the rhythm with his thick licks and nasty bass bombs. He was most definitely driving the bus. Now I’ve had the pleasure of seeing H4TH a few times but when they arrived onstage adorned in their tracksuits and screaming out, “Turkey Sweat” to the rapidly growing crowd I knew we were in for a treat. They took this run seriously, which is evident in the tape from Kind Recordings.
You can listen to it on ARCHIVE, thanks to Corey for posting.
It is shows like this that just fill my heart with so much goodness it is simply impossible to wipe the smile from my face. As I was snapping pictures I found myself pausing just to soak up all the righteousness oozing out of the band in front of me. They have this indescribable mix of being both current and yet old-timey. Their contemporary take on the classic and ability to harmonize so well is what sets them apart from other bluegrass acts touring today. They opened with a beautiful One Foot In The Grave that showed everyone what is possible vocally with Head For The Hills. They performed massive version of My Angelie, which has to be my favorite jamming vehicle of theirs. Beautiful and musically perfect versions of Peter Gabriel’s Solsbury Hill and Pink Floyd’s Fearless were highlights from their set as well. Joe Lessard’s fiddle was both powerful and subtle as he traded main vocal duties with Adam Kinghorn. They each took turns with hand-blurring solos as they ripped through their repertoire. By the end of the set my head was spinning from what I was witnessing. Mike Chappell on mandolin was the glued that held it all together as he at times held back and at other times literally made the earth move. They closed their set with Ray Charles’ Unchain My Heart, which took on a tone that was both unexpected and crispy. Once again Head For The Hills showed us why the are Colorado’s best bluegrass band two years running (as decided by the Westword) and why they are a not to miss show. This Thanksgiving I was thankful that they were on this run with Salmon.
It was time for the main event, which as a two set extravaganza from the one and only Poly Ethnic Cajun Slamgrass outfit from the mountains of Colorado, Leftover Salmon. They opened with a rowdy Carnival Time that just set the mood for what was about to go down. Here is the rest of the setlist from Kind Recordings.
SET I: Carnival Time, Gold Hill Line, Gonna Have A Party, Shenandoah Valley Breakdown, 44 Blues, The Highway Song, Danger Man*, She Caught The Kay*, RIP Michigan Mike, Down In The Hollow
SET II: All Night Ride, I’m Gonna Live High Till I Die, High On A Mountain Top, Almost Cut My Hair, Troubled Times> Ask The Fish, Last Days of Autumn, Jokester, Bill’s Boogie, Out In The Woods, Whipping Post> God Save The Queen
ENCORE: Nobody’s Fault But Mine**
*Silas Herman on mandolin
**Silas Herman on acoustic guitar, Joe Lessard on fiddle
Here is the Kind Recording from Corey on ARCHIVE.
I guess let me start by personally saying sorry to Jose Martinez. I’ve been giving him guff mainly because I felt he has had a few weak outings with the band in the last couple years, and when Wally Ingram sat in with the band for the River Run I honestly felt like they were making a transition. That being said he was on point the entire evening and really showed me what he is capable of with Salmon. So from me to you Jose nice work, keep it up sir. Going on I really do feel that Andy has just kicked this band into high gear. I don’t know that if in my twenty or so Salmon shows I’ve ever seen Vince and Drew so happy and obviously energized. They are always fun but there was something different this time, I kept catching Vince smiling as he watched Andy play and the energy between Drew and Vince was electric all night long. The Shenandoah Valley Breakdown showed some seriously fast picking and the 44 Blues lead by Bill McKay gave everyone a chance to catch their breath as we grooved away to his crunchy vocals. Vince likes to tell stories while he is performing; he is very much a bard in that way. He informed the crowd that since the band was now 21 and of age following last year’s 20th anniversary celebrations that they would be doing some extended touring and start work on a new album.
“See if we can get some more Salmon running around the country all over the place. Both in the water and on the highway.” –Vince Herman
Drew belted it out beautifully on Highway Song again demonstrating why he is so important to the Salmon sound. Few people give me chills when they sing live like Drew consistently does whenever I see him play. Vince’s son Silas came onstage for Danger Man and She Caught The Katy, which were huge highlights of the first set. After dedicating the show to Michigan Mike the previous night Vince took a moment to honor him and announced a show at The Stage Stop the next night. His hope was that the music would help the start to heal the community of Nederland after this tragic loss. They finished the first set with another Drew tune, Down In The Hollow.
They started the set teasing Louie Louie before ripping into All Night Ride. Again this shows their playfulness and happiness to be playing together in this band. Bill McKay again took vocals on David Crosby’s Almost Cut My Hair. Now I’ve seen them cover this track but this version just blasted off. A couple times it almost felt like they were teasing Whipping Post before it broke down into a reggae-infused Vince led pick off. The Troubled Times was stunning but things got weird during Ask The Fish. With the band taking on an ethereal Doors-esque jam, Vince gave us a soliloquy about how was face to face with a fish the was roughly the size of the room. The crowd became the amebas on the mouth of this giant fish asking them to act it out for him. Using a round glow stick that had been tossed onstage earlier as a prop to signify a bubble. It was a fun moment to say the least.
“How many of you feel more like you now than you did yesterday? That’s progress.” –Vince Herman
Bill’s Boogie was fun, but the highlight of the show was the set-closing Whipping Post into God Save The Queen. They encored with a huge Nobody’s Fault But Mine inviting Joe Lessard from H4TH and Silas back out for an extended picking session. This show again reaffirmed my belief that Leftover is back to their old self. After the loss of Mark Vann they had some growing pains and it took years for them to get back to this place. I can safely say that they are ready for the road ahead and I look forward to swimming upstream with them for years to come.
After a great night of music with the String Cheese Incident in Chicago we decided that we just hadn’t had enough. Mikey and I got dropped off at the House of Blues for Sexfist. Also known as the Henhouse Prowlers this group of bluegrass dynamos brought the heat to their SCI after show. The Henhouse Prowlers played Summer Camp in 2009 and this last year in 2011. I didn’t get a chance to see them, mainly because I was so busy with my duties as Camp Counselor. So this was a great opportunity to see this incredible group. As the snow began to fall we entered the nearly empty club. Luckily for us they hadn’t started yet. Within a few minutes of our arrival we watched as four gentlemen dressed in suits saunter out onto the stage.
They eased into the show demonstrating their prowess on the strings. Fast picking and solid harmonizing seem to be the hallmark of this band. As the room slowly filled up never reaching more than about fifty or so souls I felt lucky to be there and witnessing this great music. Heavily immersed in the old timey sounds, they also brought a freshness and zeal that made for a truly interesting experience.
Highlights from the show included a zipping version of Mr. Charlie that kicked off the dust on the show weary crowd. Additional highlights from the show included Old Home Place, Midnight Moonlight. A mix of classics, covers, and original picking tunes what we witnessed at The House of Blues. For their encore the band walked off the stage and played unplugged. They treated us to a sweet version of I’m Blue I’m Lonesome before calling it a night in the wee hours of the morning. This was my first time seeing this group and I was truly impressed with the entire package. From their attire to their pick of venue to their overall style, this show was the gem in the doughnut of my weekend in Chicago.
So, it was getting close to crunch time for Umphrey’s McGee’s Red Rocks and
Blue show. I had a request in with Summer Camp but it wasn’t until the Wednesday
before the show that they finally got approval for my photo pass. I was stoked. It
was the first time I had gotten photo access at the famed venue that I call my
summer home, The Edge.
So when the day finally arrived I grabbed a ride with my buddy Jeremy and
we hit the Lower South Lot around 3:30 p.m. I immediately met up with J-Man from
MusicMarauders and we took a minute to catch up. It was amazing how many
people recognized me as the Summer Camp Counselor. No less than 10 people
asking if I was the CC stopped me as I wandered around the Lot. It was kind of eye
opening in the sense that I realized how widely my work as the CC had spread my
image. J-Man and I walked back down to Will Call to get our credentials. Amy came down with some other friends so I headed to Upper South Lot to meet them before going inside.
We got in just as The New Mastersounds were starting their set. I quickly
made my way to the photo pit while the rest of my friends found a spot around row
15. The place was still fairly empty which meant there was plenty of room to move
around. I took photos for the first three songs as I was instructed was the protocol.
NMS riveted the audience early and blew away the crowd. Hailing all the way from
the United Kingdom they came to Red Rocks to play. I got a chance to chat with
bassist Pete Shand at setbreak who informed me they were used to playing 3 hour
shows with a half hour encore. This fact didn’t stop them from delivering the greasy
funk for just under an hour at Red Rocks. The New Mastersounds are an all-
instrumental funk based band. They stayed true to their nature by just playing a
jam-tastic set. I was very impressed with The Mastersounds at Red Rocks.
The Easy Star All Stars were up next with their mix of reggae and classic
covers. Overall it was a fun show with selections from Radiohead, the Beatles, and
Pink Floyd. Everyone has heard Dub Side of the Moon but to hear them play live
was actually a really interesting experience. I thought their originals were a nice
way to mix it up and they truly did energize the crowd. As they finished there was a
hiccup and before they could go into Time they were cut off.
No matter I was there for the main even and that was definitely Umphrey’s
McGee. They opened their set with a solid Jazz Odyssey. Here is the rest of the
setlist from PT.
SET I: Jazz Odyssey>, Bridgeless, Professor Wormbog, Puppet String, Hurt Bird
Bath, Deeper, Plunger, No Comment, Plunger
SET II: Nipple Trix, Divisions, Forks, Sledgehammer, Red Tape, Jimmy Stewart,
Red Tape, Day Nurse, Hajimemashite
ENCORE: Release, Bridgeless
The set was one of peaks and valleys, at times making the audience really work a
bit. I felt there was a bit of a disconnect with the crowd. A possibility is some level
of disappointment with attendance. At this point there was only about 4500 people
in the 9000-seat venue. Either way there was some real highlights from the show.
The open was solid coming out very strong. I was down in the pit for the first fifteen
minutes of the set and got a chance to snap some solid pictures. As I learned at
Summer Camp being that close to the powerful playing of Umphrey’s can be intense Surrounded by a cavalry of professional photogs I focused on getting my photos so I could enjoy the rest of the show. Plunger to close the first set was awesome and typical of UM’s back and forth song setlist writing.
The second set was definitely better and focused on the sublime jamming
Umphrey’s McGee is known for. Jake Cinniger was the VIP of the evening with his
pinpoint accurate guitar work. His progressive licks and ability to segue on a dime
was definitely a highpoint of the show. UM’s cover of Peter Gabriel’s Sledgehammer was a surprise and a nice way to jump off the path for a minute. The Red Tape, Jimmy Stewart sandwich saw the most interesting playing of Red Rocks and Blue. Hajimenmashite was a solid close to the show before UM disappeared from the stage.
Umphrey’s came back for their encore with a beautiful rendition of Eddie
Vedder’s Release and closed the show with their previously unfinished Bridgeless.
All in all I thought it was a good show with a few rocky points. I hope that the lack of
attendance is not a reason to deter this event from happening next year. A full show
from Umphrey’s at Red Rocks is always something I will look forward to.
A big thanks to Summer Camp for getting my pass and giving another unforgettable
Video From Red Rocks
The New Mastersounds
Summer Camp Counselor