For those of you who don’t know, the foundation of any good music event is the street team. If you are on one, you understand what I mean. If it wasn’t for the people on the street, spreading the word, how would anyone find out about that concert? Now imagine putting together a festival…how many concerts are there? There’s got to be at least 50. And since that’s 50 times the size of one show, well we need 50 times the street team. So I implore you Summer Campers, get your street team act together. Go out to your community and tell them about summer camp.
Recently, I made a video for the Umphrey’s show that came through Denver. Check it out here and put something together of your own for Summer Camp.
We are so excited to welcome the following artists to the 2012 Summer Camp Music Festival!
Michael Franti and Spearhead
Preservation Hall Jazz Band
Dirty Dozen Brass Band (35th Anniversary Tour)
Wick-It The Instigator
The Divide (formerly the Great Divide)
JC Brooks & The Uptown Sound
Red Wanting Blue
And guess what Campers? We’re not done! Stay tuned for a few more artist announcements coming soon! In the mean time, make sure you pick up your Getting Closer tickets before they’re gone!
Apply to be the 2012 Summer Camp Counselor!
We are currently accepting applications for our 2012 Summer Camp Counselor position. If you think you’re a perfect fit for the Camp Counselor position, and you are ready to have a once in a lifetime Summer Camp experience, here’s how to apply:
2. Email a written resume outlining your experience and qualifications to firstname.lastname@example.org by March 30th, 2012. Please include in your email a link to a video cover letter that addresses why you want to be this year’s Camp Counselor and what you can bring to the table (submissions without videos will not be counted). Keep in mind; this is not your typical job, so your resume can include ANYTHING that helps to prove you’re the right fit. Festivals you’re attending, tours you’ve been on…the more creative you are, the better!
2. We will review the applicants, and select the top candidates. The selected candidates will then be asked to put together a separate 2-3 minute video for fans to: introduce themselves, discuss why they are perfect for this position, and tell fans what they plan to offer the Summer Camp community as a whole with this new power and role. These videos will be posted on YouTube and put together in a playlist on the Summer Camp channel.
3. Each week, 2 of the candidates will go head to head and the winner will move on to the next round. Once the top 3 names have been selected, they will be added to our “ballot” and emailed out to fans to vote on. The candidate with the most votes will be named the 2012 Summer Camp Counselor!
So if you are fun, oozing with personality and charisma, and think you have what it takes, submit your application now. ALL APPLICATIONS ARE DUE BY MARCH 30, 2012!! For any questions about the position, please email email@example.com.
Volunteer and go to Summer Camp for free!
We are still accepting volunteers to help out at the 2012 Summer Camp Music Festival. Volunteers play a vital role in the success of our event, and it would not be possible without them! For more information on how to apply, click here.
ONLY 68 days until Camp!
Your Summer Camp Director
What a way to start the New Years Run…Normally I see 1 band for 3 nights for New Years, but this one was gonna be different. Instead I’d be seeing 4 bands over 3 nights. One of those bands and one of those nights was one of the best New Year’s Eve that has ever taken place anywhere in the world, but more about that in a later post
What I am here to talk to you about to day is a certain Mr. Troy Andrews, or as you may know him, Trombone Shorty. I am not super familiar with the brass band jam scene, but all I know is Trombone Shorty is the BEST trombone player I have ever seen in my life. On Wednesday and Thursday December 28th and 29th Trombone Shorty and his band, Orleans Avenue absolutely obliterated the Bluebird Theater in Denver.
I was lucky enough to know each of the 2 opening bands. The first night, Kinetix. The second night, the Fox Street Allstars. Wednesday night Kinetix was amazing, and to be honest, I was shocked. These guys were working with a new drummer and we all know that if the drums aren’t working, nothing is going to be working…to my surprise though, George, the new guy, not only learned the music perfectly (minus one hitch in the night…but hey, no one is perfect) but he CRUSHED IT!!! They sounded so good, they looked so good, one of the best Kinetix shows I can remember, and I’ve seen these guys about 150 times. Check out this sweet picture compliments of Kit Chalberg and Listen Up Denver, a great local music blog, check them out at www.listenupdenver.com
The second night was the Fox Street All Stars turn. Just another installation of a local band wreaking sonic havoc upon the souls of the unknowing…I know, that was little out there, but basically they played a heck of a show. Things are starting to come together for those guys…they are regular touring partners with the New Mastersounds, they continue to play great supporting slots at local venues, and they are about to get back in the studio to put another album together. Their new songs are awesome. Take it or Leave it is probably my favorite. It’s a super funky upbeat tune and the first lyrics are “I know you like to think your shit ain’t stinky, but it’s smellin’ pretty bad,” so you get the gist of what the tune is about. This show was phenomenal and their sound was a great fit for the Trombone Shorty crowd, so if you like him, check these dudes out. Here’s a couple more pictures, this time from Tim Dwenger at Listen Up…
Moving onto the star of both shows, Trombone Shorty and Orleans Avenue. Man, they were amazing. I would love to see these guys get a set a Summer Camp this year. So much energy so many influences. Sure it’s a brass band but they are influenced by jazz, hip hop, and they even do some light yamming. Even if you aren’t into this genre, you need to see these guys perform. I promise you won’t be disappointed. Thanks again to Tim Dwenger at Listen Up for some great shots!
Although Railroad Earth has only graced the Summer Camp bill in 2010 they are still part of the family. They have a dedicated fanbase and are quickly becoming a force to be reckoned with in the scene. For the second time in two years, I headed down to the Ogden to catch Railroad Earth for a night of their New Year’s run. Last year I saw them with Great American Taxi on NYE. This year I headed down on the 30th mainly because the show included a sit-in with Kyle Hollingsworth, another Summer Camp alumni. Including my trip to Chicago, this would be the fifth time in a month seeing Kyle live. Amy picked me up from work and we headed out to a nice sushi dinner before heading over to the box office. We hit up Pete’s Monkey Bar to catch a bit of the Phish live stream from MSG before walking back to The Ogden to see the opening act.
Railroad Earth came onto the stage around 9:30 PM. Kyle’s keys were set up but he waited a few numbers before making his way to his rig. They opened with a funky Walk Beside Me, led by Andrew Altman on electric bass. Here is the rest of the setlist from Archive.
SET I: Walk Beside Me, Lordy, Lordy, Bread and Water, Little Bit O’ Me, Stillwater Getaway, The Hunting Song, Mourning Flies, Said What You Mean, Long Way To Go
SET II: Old Man and the Land, Head> Will it Go Round in Circles, Bringin’ My Baby Back Home, The Forecast> The Man Who Invented Sin> Mighty River> Like a Buddha, Elko
Encore: I’ve Just Seen a Face, Bird in a House
Note: Kyle joined on The Hunting Song and stayed for the remainder of the show.
The audience recording is available on ARCHIVE, thanks to Gerry Gladu for posting.
The first stet ebbed and flowed as far as the energy level was concerned. The 16 and up age limit made for an interesting mix in the crowd. From screaming x-handed noobs to old deadheads, the fanbase was as diverse as the music performed. The rolling and tumbling Lordy, Lordy got everyone’s juices flowing. The Bread and Water succeeded keeping the vibe at a fever pitch before the Little Bit O’ Me deflated the room a bit. Musically, Railroad Earth sounded as tight as I’ve seen them, but without the urgency of their opening set at Red Rocks this summer. They meandered into the show with a confidence and comfort often reserved for night two of three-night runs. Carbone played the fiddle beautifully on Stillwater Getaway, jumping back and forth between an almost symphonic presentation and an outright hoedown. Kyle Hollingsworth took his place at the keys on The Hunting Song. Kyle added the ragtime feel of an old-timey saloon. Inherently there are certain gaps in RRE’s sound; them being a Newgrass band, Kyle’s keys filled them in nicely. It was great to see Andrew Altman really stepping it up on bass. He alternated between electric and standup and really seemed to be finding his footing in the band. I was also truly impressed with Sheaffer’s vocals, which went from clean and crisp to almost Dylanesque as in Said What You Mean. They closed the set with a raucous sing-along on Long Way To Go.
The second set overall had a much more consistent flow and vibe. Railroad eased into set two with a bouncy and scenic Old Man and the Land before ripping into a massive 18 minute Head. The jamming showed some serious tightness and ability from all of the members including Kyle. Everyone was ready to lock in and take the ride. They ripped into a Kyle-led version of Billy Preston’s Will It Go Round in Circles. The haunting melody of The Forecast segued into the instrumental The Man Who Invented Sin. The Mighty River went quickly before RRE exploded into a powerful Like A Buddha. Againg clocking in at over 18 minutes this was by far the highlight of the entire show. They closed the second set with an equally strong Elko. It was like the band just turned on the turbo boosters on the last four songs of the show.
They encored with a quick I’ve Just Seen a Face and fun Bird in a House. The crowd left happy and energized from this stellar show. While the first set came on slower, the second set, particularly the end, more than made up for it. As we exited into the cold night of Denver we were stoked on the whole experience. Railroad Earth has a habit of performing remarkably. They have such a strong fanbase and have continued to play exceptional shows out on the Front Range, that I see nothing but good things for them. I was happy to catch a night of RRE’s New Year’s run and would recommend that everyone do the same. However, it was time to head home because I opted to see The Motet and Euforquestra for New Year’s Eve in Fort Collins. That would prove to be another solid choice.
Some of you may have read my post on the Almost Famous Halloween, if not, check it out…What you don’t know about that show is that I created an electric light guitar suit to wear there.
This lead me to a dream, a dream of Scampers of all lights and colors! Where Blue Lights, and Yellow Lights, and Red Lights, and Purple Lights can glow together!
I challenge you Scampers, to light up Scamp 2012…Let’s see what you got! Check out the video below and LET THERE BE LIGHT!!!
Cornmeal decided to make yet another pilgrimage to the great state of Colorado before 2011 wound its way down the drain of life. They were doing a two night run hitting The Aggie and The Fox before gearing up for their December run on the east coast. I got a chance to sit down with Wavy Dave and Chris Gangi from Cornmeal before the show. It was a great conversation about everything from their new release of Live In Chicago Volume 2 and their upcoming studio album to Summer Camp and New Year’s runs. It was an enlightening talk and we will be featuring some our conversation in video form as well as on our MusicMarauders Live podcast next month.
Magic Beans, who currently call Boulder their home, are an eclectic mix of all things jam. I listened to some of their tracks online before the show and I was struck by their prowess with acoustic songs. At the Aggie, it was immediately apparent that they were young. They had solid musicianship, but other than their Rocky Top opener, they seemed to stray away from the sound that had drawn me to them in the first place. I will say that their second song, Band Camp, was like a washing machine full of jam on the spin cycle. It was a fifteen-minute opus that showed the wide variety of their skills. They ended their set with some Bisco sounding playing that, given the fact that they were opening for Cornmeal, seemed a bit out of place. Given the fact of their age, I was impressed with their musicianship and I look forward to seeing them evolve as a group. With a little more focus, they could powerful force on the jam circuit.
Cornmeal took the Aggie stage around 10:45 PM and jumped into a high-energy hoedown that was like watching a bluegrass volcano erupt before my eyes. Cornmeal always brings the heat in Colorado. Something about the altitude or the water out here just inspires them musically. They have become so well known out here as a band that always delivers live that they usually draw quite the crowd. A decent audience was in attendance for a Thursday night show in Fort Collins. They opted for one long set playing almost two and a half hours rather than breaking it up. Allie shredded the violin like a female bluegrass version of Hendrix. Wavy Davy showed some of his skills on the banjo and he nailed some back and fort between himself and Kris. Highlights from the show included a very nice Out Here On My Own and a Magic Stone Mountain that would get even the most jaded fan dancing in the aisle. As they were about to wrap up the set they surprised the crowd with a beautiful version of John Lennon’s Watching The Wheels.
They encored with a huge This Must Be The Place (Naive Melody) by the Talking Heads and Townes Van Zandt’s White Freight Liner Blues. It was a great close to an amazing show from Cornmeal. They bring so much to their live shows by creating a palpable energy in any room they play, and upping the ante for any other jamgrass band touring today. They are a fearless group that, through their twelve plus years of playing together, have become so comfortable in that they are willing to take chances and push it to the limit. Their show at the Aggie was no exception and I will continue to look forward to their regular visits to Colorado.
The weekend of August 26th and 27th was a good one for SCAMP fans in Denver. With Papadosio on Friday night and This Must Be The Band on Saturday night, it was sure to be a nice reminder of what we all look forward to in May…
Friday night at the Bluebird was host to a Papadosio show. Even though these guys are from Indiana it sure seemed to be a hometown kind of feel. If Denver isn’t their second home, it seems like it should be. I’m not positive but I think they sold out the venue, which I believe is 550 tickets, a great showing, for any band. The best part of the large crowd though was that they were all really into what was going on up on the stage. Papadosio still looks to be a really young band, and they are, but boy are they starting to figure it out. With a great mix of new technology and old school dance music, Papadosio brings a party to every city they play. Great bass lines, cool vocals, solid guitar work and a machine for a drummer all keep this band going strong. If you missed them at SCAMP check them out in a city near you soon. If not, make sure to see them in May. This band is one that is on the rise, already selling out venues like the bluebird, they are bound to make some magic happen.
Saturday was no slouch of a night either. With This Must Be The Band in town, I was super pumped to get my Talking Heads dancing requirement in for the month…oh, you don’t have a Talking Heads Dance Req? You should…just sayin…
Anyway, I got to the venue as the notes of the first song, Makin’ Flippy Floppy, were ending. Every time I see this band I am blown away by their dedication. To learn the Heads music so well and perform it in a way that gets everyone in the crowd live is a very special thing. Of course we got all the classics…Punches, Flippy Floppy, Life During Wartime, Cities…It was phenomenal.
I got a chance to catch up with the band at set break and see how everything is going. I went to school with the front man, his name is Charlie Otto and if you haven’t had a chance to meet him, head down to Martyr’s and grab a beer from him where he is also one hell of a bartender. From everything I can gather, Charlie and the rest of his band mates were stoked on the turnout at Cervantes…Considering that this was their first trip to Colorado, the 500-700 people I estimate were in there is a wonderful turnout. Really, this band is just happy to be playing music. Of course everyone is trying to “make it” and in a certain sense, these guys have. Kasey Foster, the beautiful leading lady of the band said it was her first time with a rider so she decided to throw in a bottle of wine which she enjoyed at set break…not the whole bottle, but a glass…Which is another really cool thing about the band. They were not there to get wasted. With a focus on providing a great show, This Must Be The Band achieves that and more.
Hopefully SCAMP brings them back because their impromptu set in the tent last year was G’NICE…If you didn’t catch it I assume they’ll be playing somewhere in the Chicago land area soon. Don’t miss them!
Kyle Hollingsworth has a great relationship with Summer Camp. He came this year and along with Adam from Family Groove Company hosted a home brewing class on site. So it was interesting to have both on hand for this event. Having been to the first two Brew Fests hosted by Kyle Hollingsworth I knew I couldn’t miss the third in Chicago. Family Groove Company has played a total of 8 Summer Camps slowly working their way up the lineup.
This was the finale to Kyle’s Hop On Tour, which began at the pair of KHB shows out on the Front Range. It all benefitted Boulder based nonprofit Conscious Alliance. He had been giving out golden tickets in posters throughout the tour for an opportunity to share a beer with Kyle at setbreak. As well as hosting meet and greets at breweries around the country. This was a chance for everyone to get in on the fun. We arrived and took in the layout. It was a decent sized room and the fest featured twelve craft breweries including Stone, Magic Hat, and my old hometown microbrewer Bent River.
The afternoon also included a two set show by local jam powerhouse Family Groove Company. FGC started the first with their classic brand of Janis fueled funk. They have an interesting integration of both instrumental songs and Jordan Wilkow lead jazzy numbers. I was impressed with their musicianship all around. I had seen them several times back in my college days but due to the fact that they rarely make it out to Colorado now it has been a while since I’ve caught them live so I’m a little rusty on their solo setlist. I can tell you that they straight jammed and brought a power and dynamic that turned the heads of the boozy patrons and quickly transformed the room into an all out dance party.
Kyle came to the keys as Jordan stepped down. Taking the lead Kyle opened up his portion of the show with a Taxman jam. Kyle is pretty much always in a good mood at his beer fests and today was no exception. He busted out his now classic Song In The Key of Beer and segued nicely into a rocked out version of Way That It Goes. It was an interesting change up from not only the KHB version but also what SCI has been doing with this song on the Roots Run Deep tour. Additional highlights included a funky version of Let’s Go Outside and a set-closing take on Billy Preston’s Will It Go Round In Circles. Kyle bid adieu as he obviously had places to be.
At setbreak I wandered over to check out Conscious Alliance’s silent auction. They had a ton of awesome gear on hand including signed posters, a Summer Camp running jacket, and an autographed copy of moe.’s Smash Hits CD.
Family Groove Company came out for another set as the room slowly cleared with kids that had gotten warmly drunk on the high ABV beer selections. They closed their show with a funked out Subterranean Homesick Blues. It was truly a fun afternoon, which again reaffirmed my belief that this is a not to be missed event. Whenever they offer up a chance at a Kyle’s Brew Fest I just jump on it because they are always such a blast. I would suggest that if one comes to venue near you, go. As we headed home to get ready for one more night of String Cheese we were left with warm feelings and happy thoughts. Thanks for yet another great event Kyle and Family Groove Company.
It’s been quite some time since the Leftover Salmon’s full band peformed at Summer Camp in 2004. I was there that year I and remember it being one of the highligts of that particular lineup. However Vince Herman has a long history with the fest taking on MC duties in 2006. He did everything from introducing bands, playing tweener sets on stage, and even playing an impromptu acoustic show in front of the barn with Chuck Garvey. He was also there with his side project Great Ameican Taxi and as an artist at large in 2007. So it would be an understatment to say that seeing them on 2012′s lineup would make me very happy. I’ve been touting the reemergence and reinvigoration of Leftover Salmon for months. It was obvious after seeing them on their River Run this summer that any sign of burning out or winding down was a distant memory for the members of LoS. I was again reminded of how far they’ve come at their show at The Ogden.
I headed down early to get a good spot for some shots and ended up hanging out on the rail for most of the show. Head For The Hills opened up the night with a string filled bang. Now Head For The Hills has never had the opportunity to play at Summer Camp but I honestly believe they would be an asset to any festival. Furthermore, I just want to start off by saying that Matt Lowen is the Bassnectar of bluegrass, holding down the rhythm with his thick licks and nasty bass bombs. He was most definitely driving the bus. Now I’ve had the pleasure of seeing H4TH a few times but when they arrived onstage adorned in their tracksuits and screaming out, “Turkey Sweat” to the rapidly growing crowd I knew we were in for a treat. They took this run seriously, which is evident in the tape from Kind Recordings.
You can listen to it on ARCHIVE, thanks to Corey for posting.
It is shows like this that just fill my heart with so much goodness it is simply impossible to wipe the smile from my face. As I was snapping pictures I found myself pausing just to soak up all the righteousness oozing out of the band in front of me. They have this indescribable mix of being both current and yet old-timey. Their contemporary take on the classic and ability to harmonize so well is what sets them apart from other bluegrass acts touring today. They opened with a beautiful One Foot In The Grave that showed everyone what is possible vocally with Head For The Hills. They performed massive version of My Angelie, which has to be my favorite jamming vehicle of theirs. Beautiful and musically perfect versions of Peter Gabriel’s Solsbury Hill and Pink Floyd’s Fearless were highlights from their set as well. Joe Lessard’s fiddle was both powerful and subtle as he traded main vocal duties with Adam Kinghorn. They each took turns with hand-blurring solos as they ripped through their repertoire. By the end of the set my head was spinning from what I was witnessing. Mike Chappell on mandolin was the glued that held it all together as he at times held back and at other times literally made the earth move. They closed their set with Ray Charles’ Unchain My Heart, which took on a tone that was both unexpected and crispy. Once again Head For The Hills showed us why the are Colorado’s best bluegrass band two years running (as decided by the Westword) and why they are a not to miss show. This Thanksgiving I was thankful that they were on this run with Salmon.
It was time for the main event, which as a two set extravaganza from the one and only Poly Ethnic Cajun Slamgrass outfit from the mountains of Colorado, Leftover Salmon. They opened with a rowdy Carnival Time that just set the mood for what was about to go down. Here is the rest of the setlist from Kind Recordings.
SET I: Carnival Time, Gold Hill Line, Gonna Have A Party, Shenandoah Valley Breakdown, 44 Blues, The Highway Song, Danger Man*, She Caught The Kay*, RIP Michigan Mike, Down In The Hollow
SET II: All Night Ride, I’m Gonna Live High Till I Die, High On A Mountain Top, Almost Cut My Hair, Troubled Times> Ask The Fish, Last Days of Autumn, Jokester, Bill’s Boogie, Out In The Woods, Whipping Post> God Save The Queen
ENCORE: Nobody’s Fault But Mine**
*Silas Herman on mandolin
**Silas Herman on acoustic guitar, Joe Lessard on fiddle
Here is the Kind Recording from Corey on ARCHIVE.
I guess let me start by personally saying sorry to Jose Martinez. I’ve been giving him guff mainly because I felt he has had a few weak outings with the band in the last couple years, and when Wally Ingram sat in with the band for the River Run I honestly felt like they were making a transition. That being said he was on point the entire evening and really showed me what he is capable of with Salmon. So from me to you Jose nice work, keep it up sir. Going on I really do feel that Andy has just kicked this band into high gear. I don’t know that if in my twenty or so Salmon shows I’ve ever seen Vince and Drew so happy and obviously energized. They are always fun but there was something different this time, I kept catching Vince smiling as he watched Andy play and the energy between Drew and Vince was electric all night long. The Shenandoah Valley Breakdown showed some seriously fast picking and the 44 Blues lead by Bill McKay gave everyone a chance to catch their breath as we grooved away to his crunchy vocals. Vince likes to tell stories while he is performing; he is very much a bard in that way. He informed the crowd that since the band was now 21 and of age following last year’s 20th anniversary celebrations that they would be doing some extended touring and start work on a new album.
“See if we can get some more Salmon running around the country all over the place. Both in the water and on the highway.” –Vince Herman
Drew belted it out beautifully on Highway Song again demonstrating why he is so important to the Salmon sound. Few people give me chills when they sing live like Drew consistently does whenever I see him play. Vince’s son Silas came onstage for Danger Man and She Caught The Katy, which were huge highlights of the first set. After dedicating the show to Michigan Mike the previous night Vince took a moment to honor him and announced a show at The Stage Stop the next night. His hope was that the music would help the start to heal the community of Nederland after this tragic loss. They finished the first set with another Drew tune, Down In The Hollow.
They started the set teasing Louie Louie before ripping into All Night Ride. Again this shows their playfulness and happiness to be playing together in this band. Bill McKay again took vocals on David Crosby’s Almost Cut My Hair. Now I’ve seen them cover this track but this version just blasted off. A couple times it almost felt like they were teasing Whipping Post before it broke down into a reggae-infused Vince led pick off. The Troubled Times was stunning but things got weird during Ask The Fish. With the band taking on an ethereal Doors-esque jam, Vince gave us a soliloquy about how was face to face with a fish the was roughly the size of the room. The crowd became the amebas on the mouth of this giant fish asking them to act it out for him. Using a round glow stick that had been tossed onstage earlier as a prop to signify a bubble. It was a fun moment to say the least.
“How many of you feel more like you now than you did yesterday? That’s progress.” –Vince Herman
Bill’s Boogie was fun, but the highlight of the show was the set-closing Whipping Post into God Save The Queen. They encored with a huge Nobody’s Fault But Mine inviting Joe Lessard from H4TH and Silas back out for an extended picking session. This show again reaffirmed my belief that Leftover is back to their old self. After the loss of Mark Vann they had some growing pains and it took years for them to get back to this place. I can safely say that they are ready for the road ahead and I look forward to swimming upstream with them for years to come.
After a great night of music with the String Cheese Incident in Chicago we decided that we just hadn’t had enough. Mikey and I got dropped off at the House of Blues for Sexfist. Also known as the Henhouse Prowlers this group of bluegrass dynamos brought the heat to their SCI after show. The Henhouse Prowlers played Summer Camp in 2009 and this last year in 2011. I didn’t get a chance to see them, mainly because I was so busy with my duties as Camp Counselor. So this was a great opportunity to see this incredible group. As the snow began to fall we entered the nearly empty club. Luckily for us they hadn’t started yet. Within a few minutes of our arrival we watched as four gentlemen dressed in suits saunter out onto the stage.
They eased into the show demonstrating their prowess on the strings. Fast picking and solid harmonizing seem to be the hallmark of this band. As the room slowly filled up never reaching more than about fifty or so souls I felt lucky to be there and witnessing this great music. Heavily immersed in the old timey sounds, they also brought a freshness and zeal that made for a truly interesting experience.
Highlights from the show included a zipping version of Mr. Charlie that kicked off the dust on the show weary crowd. Additional highlights from the show included Old Home Place, Midnight Moonlight. A mix of classics, covers, and original picking tunes what we witnessed at The House of Blues. For their encore the band walked off the stage and played unplugged. They treated us to a sweet version of I’m Blue I’m Lonesome before calling it a night in the wee hours of the morning. This was my first time seeing this group and I was truly impressed with the entire package. From their attire to their pick of venue to their overall style, this show was the gem in the doughnut of my weekend in Chicago.