The long awaited two-night run of Game 7 was billed as the MusicMarauders Two Year Anniversary Celebration. Having been writing for MM for close to a year now, which has been a great experience overall, I was very excited to join in the festivities. Writing for MusicMaraudes was just one of my qualifications that helped land me the Camp Counselor position. Since then I’ve been doing a lot of coverage for both Summer Camp and MM.
I arrived early enough to catch a bit of Wisebird’s opening set. They were a foursome of wide brim hat wearing, bearded jammers who looked like they walked straight out of a Kerouac novel. Wisebird dabbled in bluesy song structures with a rockabilly twang. I would say the most striking thing about their playing was the distinct cleanliness of their sound. While not necessarily incredibly complex the music of Wisebird was tight and well thought out. They were an interesting juxtaposition for the night’s main event. I headed backstage with J-man for a quick interview with Magner before they took the stage around midnight.
This was the third outing of supergroup Game 7. A jam hybrid with Araon Magner of the Disco Biscuits, Michael Kang from String Cheese Incident, Particle’s rhythm section Darren Pujalet and Eric Gould, as well as Pete Wall from the Motet. Playing together for only the third time live this nascent collaboration showed incredible promise. All of the members save Pete Wall (who is a member of The Motet whom I wrote about in my prevoius post.) have played at Summer Camp in one band or another. As fans filtered in, many from STS9’s Fillmore show, shouts of Kang and Magner could be heard from the enthusiastic crowd. They opened with an original jam entitled Multiball 2. Here is the rest of their setlist.
SET I: Multiball 2, Chicago> Mike’s Outro, Run Like Hell, La Femme, Time To Pretend, Howl At The Moon, Skyscrapper> MIA Jam> Da Funk> Feeling Older, Mind Over Matter, Neck Romancer, Come Together
ENCORE: Multiball 1
(Taken from onstage setlist.)
Game 7 was a fusing of styles as diverse as the members who made up the group. With the often-subtle mannered Michael Kang playing bandleader he passed around the jam like a hot potato. Scantily clad Bisco chicks and a random girl dressed in a bear suit danced passionately as the band eased into their two-plus hour set. It would have been easy for them to be an untz-fueled monster given the Particle and Bisco backgrounds, but honestly they were a fluid organic musical experience with an electronic edge. Their version of Pink Floyd’s Run Like Hell was an inspired take with a trance-y bridge before they went right back into the tune to close. They performed a jam on MGMT’s Time To Pretend, which had been played the night previous. However given the fact that they are a newly assembled endeavor still working on original material it was to be expected. The show flowed quickly with covers from Air, Daft Punk, as well as a version of Disco Biscuits’ Neck Romancer.
The show was incredibly balanced and it really displayed the musical prowess of everyone involved. It’s collaborations like this that reaffirm my faith in the jam scene. Unlike other musical realms, the amazing talent of the members of this community allows them to play with anyone, anytime. On a Saturday night at Quixote’s we witnessed some serious musical ability. Most notable of which may have been Pete Wall who seemed to blast off about midset. He brought a new dynamic to his sound and was virtually evolving right before a captivated audience. Magner did what he does best all night killing it on the keys and adding his own sonic flair to the sound. Pujalet was a human metronome on the skins with Gould giving a pinpoint precision to his bass playing. They bookended the show with their Multiball 2 jam finishing around 2:30 AM. As the crowd spilled out in the streets I smiled to myself knowing that I got to see this sick lineup at the beginning. They have so much raw potential that I can only hope that they continue to find time to play together in the future. Happy Anniversary to MusicMarauders and I look forward to another amazing year of live music coverage.