Listenable and insane. That’s the sound Dawn of Midi spent years shaping, culminating in their most mesmerizing work yet: Dysnomia.
In many ways, it’s the first record that truly reflects the trio’s critically acclaimed live show, a test of endurance and trust that involves bassist Aakaash Israni, pianist Amino Belyamani and percussionist Qasim Naqvi performing their compositions note-for-note without ever appearing the least bit predictable. If anything, Dawn of Midi’s sets are as red-blooded and rhythmic as a seamlessly mixed DJ set, casting spells on crowds in the same way the group’s favorite experimental and electronic acts have for decades.
Which explains why The New Yorker‘s music critic, Sasha Frere-Jones, wrote “an hour flew by in what seems like minutes” after witnessing their high-wire act last year, and Radiolab host Jad Abumrad added “[I've] seriously never seen anything like these guys.”
Belyamani is quick to say that Dawn of Midi have followed their own internal logic since day one, largely thanks to the fact that they were friends first—playing late-night tennis matches in dimly lit parking lots well before they stepped into a studio or rehearsal space. As such, Belyamani admits its taken quite some time to shift from early improv sessions to the well-oiled machine that makes Dysnomia both a dizzying dance record and a deeply immersive living room listen.