Dumpstaphunk’s Dirty Word


Dumpstaphunk played the House of Blues in Chicago on Friday, July 19th as Phish’s official late night show.  In all honesty, this show was the highlight of my evening, especially since Phish was forced to cancel early due to a nasty storm that swept through the city.  Along with opening act, The Revivalist, Dumpstaphunk threw down one top notch funky dance party that lasted until the wee hours of the morning.


Glaspie throwing down at the House of Blues

Chicago actually holds a special place in Dumpstaphunk history.  Drummer Nikki Glaspie played her first show as an official member of Dumpstaphunk in Chicago just two short years ago.  I got a chance to talk with Nikki before her show on Friday and let’s just say this chick is FIERCE! Her addition to the current lineup has elevated this band’s energy to a whole other stratosphere and her 15 minute drum solo Friday night completely blew me away.

Today, Dumpstaphunk will be releasing their latest album, Dirty Word, and this is the band’s first studio album since Nikki Glaspie joined the group.  In the past she has helped produce, arrange, and record tracks in the studio for many other projects and artists, but Dirty Word is the first album where Nikki recorded material that she had also written.

Dumpstaphink is basically a super group of funk musicians, and Dirty Word showcases the musical range this band brings to the table.  While each member has a notable musical background in funk, Nikki Glaspie is the only member not rooted in the New Orleans funk scene.  Needless to say, her vocals pack quite a punch and her influence on the new album is obvious. “I brought some of the rock element to the album.  Whereas Nick Daniels brought the blues element and Ivan (Neville) brought a rock element too but a different type, almost like a Who-ish type vibe, and I brought just straight hard rock.”

Coming up with new material this day in age is often a reflection of what is already out there in the world of music.  By staying true its origins, Dumpstaphunk’s mix of styles has brought funk music to a whole other level.  “We wanted people to know we are more than just a funk band,” explains Glaspie, “We can play blues if we want to or we can play rock if we want to.”   dumpsta

Dirty Word was recorded in New Orleans and took about a year to complete.  One of the most distinct difference between Dumphstaphunk and other funk bands is they lack a horn section.  Luckily, artists Trombone Shorty and Skerik were close by to supply the horns for the album’s third track “I Wish You Would”.  “Skerik is an amazing tenor saxophone player, he’s sick!” says Nikki.  They also added Rebirth Brass Band to mix for “Raise the House,” a song that was meant to blow everyone away in true Mardi Gras fashion.

Dirty Word also contains some pretty notable contributions from artists Ani DiFranco  and Art “Papa Funk” Neville.  The album’s sixth track, “If I’m in Luck” is a dirty nasty Bettie Davis cover where Glaspie sings vocals and Flea from the Red Hot Chili Peppers guest stars on bass.  “It is so different than what Dumpstaphunk normally does or what people think we normally do,” explains Nikki “That was actually what we wanted for the record.”  The band has been covering the tune since Nikki joined back in 2011.  Just like it does in their live show, “If I’m in Luck” adds quite a sassy flavor to the Dumpstaphunk catalog.

dumpsta at scamp

Dumpstaphunk @Summer Camp 2013
Photo by Kristine Condon

There is a certain stigma that surrounds funk music, which often gets snubbed because it goes against most of what pop music stands for.  When asked about the album’s title, Glaspie explains how it is almost the perfect description of funk music from a funk band’s perspective.  “There is no category in the Grammys for funk,” she points out. “When we register our songs on BMI or ASCAP, there is no category to register our songs as funk songs.  You know it’s like it’s not even recognized as a genre of music within the music industry.  So, it’s like a dirty word.”  The irony is that disco, house, EDM, and Hip-hop are all rooted in funk.  Therefore without funk music, most of the pop music today would not exist and pop music is something Nikki Glaspie knows all too much about.

Nikki was fortunate to land a gig touring in an all-girl band backing up pop superstar Beyoncé.  While touring with one of the most successful artists in the world is a dream come true for most musicians, it just wasn’t her thing.  “Literally, if I had to play “Irreplaceable” one more time, I would have shot myself in the foot.” Nikki further explains, “I just couldn’t take it anymore.”  Glaspie was at a crossroads where she felt she needed to be true to her art.  Playing someone else’s music in a genre she could care less about no longer appealed to her.  “I wanted to spread my wings.  You know it was like I was super contained in that environment and I had to play the same thing over and over again.  There was just no room for growth.”

Moving forward was a big step for her career.  Funk music seemed to pull her in a direction where she knew she would enjoy being challenged.  “I am a funkateer first and foremost, but I am also a rocker,” explains Nikki.  Dumpstaphunk has given her a creative outlet where she can perform the same type of music she would want to listen to and see live.  In other words, this is her dream job.


Dumpstaphunk at the House of Blues Chicago

Nikki Glaspie has now been touring with Dumpstaphunk virtually nonstop for the past two years. While it might seem like a huge leap from the all-female pop band she traveled the globe with, Nikki didn’t find adjusting all that difficult.  “We all have a certain kinship living together on the road.  It’s not as much of a difference as people would think or maybe as it would be in a different type of work environment. But because we are all musicians, and kind of all do the same thing, then the gender thing doesn’t really matter.”


Dumpstaphunk will continue to tour nonstop in support of the new album, which drops today. Download here.