moe. 7-3-13

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moe. continues to be one of the most prolific jambands ever to take the stage. Their catalog includes hundreds of songs allowing them to weave amazing musical tapestries on any given night. Their touring schedule has receded a bit in recent years, however they never leave fans waiting too long for their return. After an awesome two-night run at the end of November last year at The Ogden, moe. returns to Colorado. They played two more nights that included an opening slot for Blues Traveler’s yearly 4th of July celebration at Red Rocks. However the highlight of their run has to be the two sets of carnage that occurred at The Boulder Theater on the 3rd.

The first set was fairly standard clocking in just over seventy minutes. They opened with “Tubing The River Styx.”

Set 1: Tubing The River Styx> The Pit> CalifornIA> Bring You Down, Paper Dragon, Dr. Graffenberg> Hava Nagila> Long Island Girls Rule

Set 2: meat> Silver Sun> Sensory Deprivation Bank> meat> Recreational Chemistry> meat> Tom Sawyer

Encore: Mexico

You can listen to the show on Archive. Thanks to Gerry Gladu for posting. http://archive.org/details/moe2013-07-03.16bit

They eased into the night with a dark brooding jam that included the 1-2-3 punch of “Tubing The River Styx” into “The Pit” into a bouncier “CaliforniIA.” Chuck and Al continue to be two of the most dynamic guitarists in the business. They seem to have an almost telepathic level of communication when it comes to their live performances. Rob really got a chance to shine both vocally and on bass during “Paper Dragon,” which reaches new levels every time I see it live. The real peak of the first set was the sublime “Dr. Graffenberg” as it saw a return to the dark jam that started the show. It went long and scary giving fans exactly what they were waiting for. Going classic moe. quickly riffed on “Hava Nagila” before they closed with the now rare “Long Island Girls Rule.” They have not performed it since their New Year’s run last year.

The second set was absolute dynamite beginning with the ultimate “meat” fake out. Right as moe. reached the crescendo of “meat” which would normally break into a frenzied homage to all things protein they stopped on a dime and ripped into “Silver Sun.” It was a weird feeling to say the least, but those of us in the know sensed it would return. “Sensory Deprivation Bank” was tight and clean and saw that revisit to a shortened “meat” jam that barely went past the point of tease.  However, “Recreational Chemistry” was a thirty-minute plus jaunt into the outermost. Rarely can bands even pontificate on jamming on one tune for over half an hour let alone execute it so effortlessly. This was one for the books in my humble opinion. Directly following moe. went into the extended “meat” we were all craving. Between the two songs they performed almost an hour total. This is some of the most epic jamming I’ve witnessed live this year. As they rounded the bend on their twenty-minute “meat” the tone in the room changed. Jim went to the rarely used microphone for a stunning take on Rush’s “Tom Sawyer.” His nasally voice was the perfect substitute for Getty Lee’s and he just nailed it. moe. came back and encored with a huge “Mexico.” This show saw some powerful jamming from a band that still has it. They can go down the road of quick romps through wide swaths of their catalog or meander through the intricacies of a single song. moe.’s show at The Boulder Theater demonstrated both approaches.