For the second night in a row I ventured down to the Aggie Theater for some live music. It was a co-bill between local favorites Euforquestra and reggae powerhouse John Brown’s Body. It had been three years since JBB last performed in Fort Collins. I first saw JBB very early in my concert-going career; in fact they were a band that demonstrated to me what was possible on any random Wednesday night in a sweaty, crowed bar. The last time I saw them was around 2006 and seeing them live in Fort Collins it was evident that this band had evolved. As we entered the room Mikey Thunder was gracing the slowly growing crowd with a tasty mix of funk and jazz backed by some palpable beats. At times in the past I’ve found Mr. Thunder’s heavier electronic sets to be off-putting, but he actually sounded really solid. The audience was unenthused and Thunder politely called them on it. He also performed during the setbreaks, which seemed to help the overall flow of the evening.
Euforquestra took the stage and hit the fans with a saucy “Obatala” into “Change Me.”
Set 1: Obatala> Change Me, Road Funk, Soup, Backbone> Wasted, Madison Square, Solutions, 64/18, All The Light I Need, Dr. Standby
Euforquestra has been going through some changes, but watching them live you would never know it. Scott Mast continues to fill in on percussion with Craig Babineau holding it down on kit. These two are really starting to gel, which culminated in a huge back and forth drum jam during “Soup.” They continue to surprise me every time I see them perform together. Speaking of surprises Matt Wright’s vocals have added a whole new dimension to Euforquestra’s sound. However the most powerful moment of the set came when Austin sang “All The Light I Need,” which was a song he wrote to honor a fallen friend. They closed their set with “Dr. Standby.”
John Brown’s Body is another band that has gone through their fair share of hardship and change. With the passing of Scott Palmer in 2006 the band underwent a metamorphosis of sorts. Through their sorrow they emerged as a more focused group blending new styles and pioneering what they call “Future Roots Rock.” They eased into the night with an organ-heavy “Ameliorate.”
Set 1: Ameliorate, Give Yourself Over, Following Into Shadow, The Grass, Plantation, Wellington Dub, Shine Bright, Make Easy, Empty Hands, Ambrosia, What You Gonna Do, 33 RPM
Encore: Peace, The Gold
The horn section consisting of Drew Sayers on saxophone, Scott Flynn on trombone, and Sam Dechenne on trumpet was the icing on the cake all night. They added a level of authenticity and panache to the JBB sound. Elliot Martin, the lead singer was as vibrant as ever and danced around the stage authoritatively. The sound had developed from the roots based songs of yore into something quite different. They were now adding elements of dubstep, hip-hop, electronica, and more to the mix in an attempt to be unique and to craft songs that are truly original. This was not your mother’s reggae. That being said they did have a nice mix of traditional and infused reggae. The highlight of the show for me was a fiery rendition of “Shine Bright.” While John Brown’s Body is not the same band I first saw in 2001 and 2003, they are continuing to blaze trails in the reggae world. They were a wonderful fit for Euforquestra and a great way to start the weekend. Let’s not wait another three years for JBB to return.