Nick Stock’s Sunday ‘Catch A Cannonball’

Sunday was the culmination of my Summer Camp experience. Not only was the lineup jam-packed, but it was also the day of my private campsite show as well as my interview with moe. So it started nicely with me heading over to the barn to get cleaned up. The clouds looked ominous at this point but I was optimistic. I was also wrong. I stopped by my P-Town friend’s RV for Sunday Brunch. I thought this was both clever and cute. I mean how perfect is that? So I took a little video of it, which you see here.

It was a nice gathering of friends and the protein helped me for the final push that was Sunday at Summer Camp. Angie made Amy a plate and I headed back to camp as the winds were beginning to pick up. I dropped off the food and went to our friend’s site to make sure they had everything buckled down. It was about this point that I made this video.

It was getting a little scary as the winds whipped through tarps and tents. Luckily, those of us who camped in the woods got some solid protection but us lowlanders were also the victims of some serious puddles. All in all it was a fast moving storm and after about 45 minutes it was completely over. Music resumed on the Camping Stage, but the two main stages were out of commission for at least another hour. That meant there would be some on-the-fly rescheduling. Fareed Haque & Math Games did not get to play due to a scheduling conflict and Cornmeal was bumped up to 2 PM on the Sunshine Stage. That meant that UM and Huey Lewis would be playing at 3:45 PM. It meant that I would miss Cornmeal’s final set because of my interview, but I would be able to catch the rUMors show.

Amy and I hunkered down for the rest of the storm and after a bit of rolling thunder it was over. The only real issue left after the storm was the mud. It had been an element all weekend but after we got pummeled certain areas of the concert fields became impassable. The steady plodding of people’s feet had done a lot to pound out the moisture in the ground over the last three days, but in one quick storm all that hippie footwork was undone. The Wood Brothers’ set was also canceled but they were already playing the Campfire Stage for late night so I was okay with this move as well.

I went to my interview with moe. Rob had a last minute emergency he had to deal with so I sat down Al, Chuck, Jim, and Vinnie. In another surreal moment I got to talk to my heroes for about 20 minutes. We talked about a wide range of subjects including everything from how Summer Camp came to be to the new album. For the record there will be a new release out next year and no it will not be a double album. We also got a chance to talk about the role social media played in their recent Electric Lemoe.nade Show. The issue Al had was the fact that fans think it’s funny to vote for songs like We Got The Party and they are the ones that actually have to take the time to learn, like a Miley Cyrus song. Obviously the Internet can be ruthless sometimes. I finished up my interview as we heard Bela Feck and The Flecktones take the stage.

Bela Fleck is the epitome of musical prowess. He has been nominated in more categories than any other musician in the history of the Grammys. If that doesn’t give you an idea of his range, I don’t know what would. The set was tight, but I only got to catch about half. Since Coffin’s departure to Dave Matthews Band, they have been playing with original Flecktone Howard Levy on keyboards and harmonica. After an 18-year absence he began playing with them last year. This was my first chance to catch the original lineup and I have to say they played like butter. They were smooth and Victor Wooten drove the bus as Future Man punched out the drums on his SynthAxe. The highlight of the set for me was Sinister Minister, the sweet jazz drifted out over the crowd as I made my way over to the Soulshine tent for moe.’s acoustic set brought to us by HeadCount.

The acoustic moe. show really got the day going proper. The Soulshine tent felt like the cultural center of Summer Camp. It was located adjacent to the Make A Difference area and featured everything from open mic jams to headlining acts. It was a place for Yoga, Raffles, Workshops, and some amazing music. Unfortunately with so much going on all weekend I only got to take part in few of the events, moe.’s acoustic set was one show that I could not miss. The boys took the stage and opened with That Country Tune, here is the rest of the setlist from Phantasy Tour.

SET I: That Country Tune, Blue Eyed Son, Can’t Seem To Find, Okayalright, Tambourine, It, New York City

The audience recording is on Archive. Thanks to Travis Souza for posting.

This set was a lot of fun. I snuck backstage and got a few shots from behind the band before finding Amy exactly where I expected her, dead center in the mud rocking out to moe. I had tried to text her for the last 10 or 15 minutes before the show with no response. She was walking by when she heard the barker shouting about a moe. show in the Soulshine Tent. She of course stayed for what was about to ensue. Blue Eyed Son displayed some excellent vocals as well as picking from the band. Before Can’t Seem To Find you can hear Rob asking about the Mega Man totem that can be seen in just about every picture from Summer Camp. The fan blasted back, “Where you from, you don’t know Mega Man?” To which Rob replyed, “I went outside and played sports… and had girlfriends.” The crowd got a kick out of it, and actually I happened to be filming at this point so you can see most of it in my video.

I love the banter moe. comes up with onstage and as of late I have been missing it. I was happy they got a little more playful during this set. The acoustic Okayalright was sublime. It’s been one of my favorites as of late and it just rocks the face, and seeing an acoustic version in the Soulshine was my highlight of the show. They busted out a nice Tambourine before blasting off with It. Some of these songs rarely get the acoustic treatment so I found this to be one of my highlights of the weekend. I mean there couldn’t have been more than a few hundred people in attendance because as I stated earlier, with so much going on, the tent shows are often overlooked. They closed the set with a fulfilling New York City.

And with that I hurried back to the Sunshine Stage for some Umprhey’s McGee. They actually opened for their much-anticipated alter egos the rUMors, with Huey Lewis by playing a couple originals. I got into the pit for the first song and actually got some great shots. UM opened with All in Time followed by a new song, Room To Breath before inviting Mr. Lewis onto the stage. Here is the full setlist from http://www.umphreys.com:

SET I: All in Time, Room To Breath (*), Don’t Fight It (**^$), Up on Cripple Creek (^^), Heart and Soul (^^), The Weight (^), Women Wine & Song (^), Respect Yourself (^$), Workin’ For A Livin’ (&&^), She Caught The Katy (^^), Partyin’ Peeps (^), I Want A New Drug (^)

* first time played, original
** first time played, Wilson Pickett
^ with Huey Lewis on vocals and harmonica and Mad Dog’s Filthy Little Secret horns
^^ with Huey Lewis
$ with Gale Gardner and Linda Greenwood on vocals
& first time played, The Staples Singers
&& first time played, Huey Lewis

You can listen to the show on Archive. Thanks to tonedeaf for posting.

Room To Breath was like a meaty fight song, with melodic guitar interlacing from Jake and I enjoyed it very much. The rUMors got it started with a Wilson Pickett cover of Don’t Fight It with Gardner and Greenwood on backing vocals. It was like the band transformed from the Umphrey’s we know and love to a an 80’s powerhouse right before our eyes.

“I went to Summer Camp as a kid but it was nothing like this.” –Huey Lewis

They went into The Band’s classic Up On Cripple Creek, where Lewis seemed a little rough before getting into his groove. Heart and Soul got the crowd moving and honestly, it was the Huey tunes with UM as a backing band that gave me chills. Hearing Bayliss take over on vocals was amazing. Not to mention the raw power behind the chords played by the rUMors was just incredible. As they went into The Weight, I had to make a quick run over to the 312 Vibe Tent to check in on the home brewer’s workshop put on by Kyle Hollingsworth from SCI and Adam Lewis of Family Groove Company. I took some pictures of the tasting before grabbing Adamfor a quick recap of the workshop. You can see that interview here.

I thanked Adam for his insight on brewing before racing back to the rUMors set just in time to catch Respect Yourself. It broke my heart to leave, but as the Summer Camp Counselor, it was my duty to see and take part in as much as I could. Huey Lewis, always the showman, never left the spotlight for the entire set. Workin’ For A Livin’, another Lewis classic woke everyone up and the Taj Mahal blues standard, She Caught The Katy, was a very nice addition to an already stellar setlist. I also have to point out that Lewis’ harmonica work was just solid all day long. Lewis got a chance to jam on an Umphrey’s original with Partyin’ Peeps. They ended this history-making set with the much anticipated I Want A New Drug. I was very happy with how this all turned out. And a big thanks to Huey Lewis for taking a chance, it was well worth it.

I ran over to the Red Barn as Everyone Orchestra was finishing up their soundcheck. In the interim I got a chance to talk to a few people who participated in the Make A Difference Challenge at Summer Camp.

http://www.youtube.com/user/SummerCampFest#p/c/EB7A97D4D069B836/9/
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http://www.youtube.com/user/SummerCampFest#p/c/EB7A97D4D069B836/13/
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Make A Difference was a series of tasks that attendees of the festival could take part in to earn their ticket to this private show. This incarnation of EO included Kyle Hollingsworth, Al Schnier, Natalie Cressman, Jans Ingber, Brian Jordan, Randal Moore, John Stanton, Abigail Stauffer, Chris Wood, and Erin Zindle and orchestrated as always by Matt Butler, which meant that we would be witnessing a serious jam session from a mind-blowing lineup. The jamming was sick, if you have never seen Everyone Orchestra, they are lead by a conductor who feeds them words, phrases, audience suggestions, and feelings to create a live musical collaboration. It’s awesome to watch and a great way to reward the proactive festival goers who took the time to clean up and recycle. I think this experiment was a rousing success and I hope to see other festivals taking notes from Summer Camp. By giving just a little incentive, people really became involved and that was what Make A Difference was all about.

I stayed at EO until just before 6:00 PM when I said goodbye to the great jam and headed back to my site. No one was around but I met up with CIT Jeff Greenswag on the trail and we ventured off to see Bruce Hornsby together. I tried to spend a little bit of time with all the CITs so this was my chance hang with Jeff for a set. My only real familiarity with Bruce Hornsby comes from his short stint with the Grateful Dead and some of his popular work. I know he is a truly accomplished pianist, but what I didn’t realize is how much fun he has playing live. He took us on a journey through blues, jazz and rock before bringing Bela Fleck and Jimmy Herring on stage for a cover of Huey Lewis’ Jacob’s Ladder. Hornsby picked up the accordion for this song and regaled the crowd with this powerful composition. I was headed back to get ready for moe., but couldn’t resist the opportunity to film this one from the back of the bus. This video is a little shaky mainly because of the zoom (also keep an eye out for a spot about midway through when I was almost run over by a wook) but hey, the sound is good.

http://www.youtube.com/watch?v=fhPI0b1yfik

I made my way back to camp where I met up with Amy. I told her it was time for some moe. and she hopped out of the tent ready to rock. We headed over to The Moonshine stage where we found the rest of our crew by the soundboard. We were pretty much in the same spot all weekend, which made it easy to reconnect in the massive crowd. I told Amy I would meet her in a few songs and headed down to the pit as moe. opened with a rocking Deep This Time, here is the rest of the setlist from PT.

SET I: Deep This Time, Y.O.Y, Down Boy, Happy Hour Hero*, Rain Shine**, Farmer Ben, Moth

SET II: Plane Crash, Shoot First***, Silver Sun, Seat Of My Pants, Billy Goat

ENCORE: Rebubula

*w/ Kyle Hollingsworth on key
**First Time Played – Original – Al Song
***w/ Bela Fleck on Banjo

You can download the audience recording on Archive. Thanks to Travis Souza for posting.

Y.O.Y was one the first moe. songs I ever heard and it still holds a special place in my heart. It was a solid version that saw some very nice percussion work from both Jim and Vinnie. Rob busted out a nice Down Boy before they invited String Cheese’s Kyle Hollingsworth on stage for Happy Hour Hero. This was incredibly appropriate considering Kyle had just released Hoopla a festival pale ale at Summer Camp. It was a mild but hoppy concoction that he collaborated on with Boulder Beer. I have to say it is a tasty beverage and a festival is the proper place for its consumption. Check out my video of Kyle with moe. here.

Rain Shine (or is it Rainshine?) was my favorite moe. song debut of the weekend. It was a very fitting song considering the topsy-turvy weather we had on Sunday and I do believe it could be a huge vehicle for the dark jam. I might add that during this set the sun was shinning brightly. Farmer Ben was what was up. I love it when Jim grabs the mic and plays the part of front man, but this version was special. It included teases from Chalkdust Torture as well as the Grateful Dead.

As moe. went into Moth I hightailed it back to my site to set up a couple chairs and drop some glow sticks so the crew could find my site for the private show. Afterwards, as I raced over to Widespread Panic, I stopped to chat with the Concious Alliance guys for a few. You can see our conversation here.

WSP was the last of my onstage sets, but when I arrived, no one quite knew who to talk to and the stage was on lockdown. They opened with a rowdy North. Here is the rest of the setlist from PT.

SET I: North Proving Ground, Party At Your Mama’s House, Wondering, Heroes, Angels on High, Tall Boy, Driving Song, Saint Ex, Goin’ Out West, Drums, Porch Song, Driving Song, Airplane, Protein Drink, Sewing Machine

I was just sort of relaxing backstage enjoying the music when I noticed Heis walking up with Kyle Hollingsworth. I headed over and had a nice chat with Kyle about his Brew Fest last year and about Hoopla. When we finished talking I watched him approach a couple of hula-hoopers by the fence and ask to borrow a one of theirtoys. That’s when I caught this video.

It was the little moments like this that I witnessed that were really the icing on the cake of the Summer Camp Counselor position. Holly soon found me and took me up to a spot about 8 feet from Jimmy Herring where two chairs had been set for our arrival. I was onstage for Tall Boy through Drums and this may have been the best chunk of the set. It was pretty awesome to watch Schools and JB communicating onstage while Jimmy just wailed away. I did grab a video of the first part of Driving Song, which you can see here.

I headed down during Drums mainly because I didn’t want to be alone up there and I had seen a great part of the show from a truly unique vantage. I was ready to mingle. Plus, I was getting antsy for my show. I enjoyed the rest of the set and hung out with my old pal BC. As they finished up I met Holly at the back gate and took a seat on the golf cart. We were waiting for WSP to sign my poster, (another part of my prize package.) Well, as I sat there Jimmy Herring comes walking over to the bus and takes a long look at me, “John, John, how the hell you doing? Geez it’s been two or three years, how the hell you doing?” With that Jimmy came bounding around the barricade and entrapped me in a massive bear hug. He began rambling on about how good I looked and how happy he was to see me. The joke was that Jimmy thought I was John Popper. Well, I let him go on for about 30 seconds before I cut him off, “ Jimmy I’m really too big of a fan to let you go on, I’m not really John Popper, but now you have to take a picture with me so I can tell this story for the rest of my life.” Jimmy obliged before making a quick exit to the bus.

It was getting to be crunch time so we left the poster in the hands of WSP management and drove over to the Camping Stage to meet up with the Kris, JP, and Allie from Cornmeal. Ben Slayter (my Director of Photography) met us and we all piled on the cart and drove through the crowd down to the VIP gate.

I had texted or told about 10 or 15 of my close friends at Summer Camp that this shindig was about to go down. I also told the moe. Phantasy Tour crew which made up the bulk of the crowd that was assembled as we pulled up. I took my seat and Ben got his camera ready. Amy and my friends smiled as I made my way in and I was just happy to be surrounded by so many good people. Honestly, there couldn’t have been more than 60 people in attendance. I had contacted Jesse Scott to tape the show, but he had an unforeseen issue with his deck so I am very thankful Ben was there with his video camera. (I was told I could not film my own set which is why I don’t have anything posted yet.) Stay tuned for the footage.

So all five members of moe. along with Allie and Kris from Cornmeal gave me a private show. It was just unbelievable.

PRIVATE SET: Roll In My Sweet Baby’s Arms, The Weight

ENCORE: Speedy Golf Cart Exit

It was a huge highlight of my festival. Allie was close enough that Amy could feel the breeze from her bow. moe. was just a few feet away as they picked out the songs. I mean even now I’m still buzzing from the experience. After the first song Al looked at me and said, “We do have to get to work soon.” I assured them their time was greatly valued and I appreciated every second of it. At one point some kids charged through the crowd in front of Cornmoe., probably in a hurry to catch moe.’s final set. Everyone just sort of chuckled to themselves and the music continued. The Weight became a sing-along and with that, they all hopped in their respective golf carts, the crowd parted, and they disappeared down the path. We all just sat there for a second in the post glow smiling about what we had witnessed.

Amy, my friends, and I got our gear together and headed back to the Moonshine Stage for moe.’s last set of the festival. I told my friends they were going to open with Plane Crash, because it was time, before I made my way down to the front. It was my last opportunity to get photos so I hit the pit quickly then wandered backstage where I finally met the elusive Jay Goldberg. I thanked him and Arlan for an amazing experience and headed back to my group. As I was heading back, moe. invited Bela Fleck onstage for Shoot First. I loved the twang Bela’s banjo added to moe.’s mix. Silver Sun built slowly but exploded into a dueling guitar jam reminiscent of an AC/DC show before coming back to planet Earth. The SOMP was face melting and the set-closing Billy Goat was full of funky goodness. Now for those that don’t know, I edited my Summer Camp Counselor Video Resume with Rebubula
as the sound bed, which they chose to encore the last set of the festival with. I couldn’t help but feel that this was one final nod to me from my favorite band. It was the perfect exclamation point to my once-in-a-lifetime experience. Thanks guys.

Afterwards, Amy and I drug our chairs over to the Campfire Stage to end our weekend with the Wood Brothers. It was a euphoric end to my weekend as the first ever Summer Camp Counselor. I felt magnanimous and righteously good. I had literally met and talked to hundreds of campers. I had filmed a ton of great music and events. I had taken over 4,000 photos. My job was complete.

The next morning we tore down our camp and filmed my final standup, which can be seen here.

It was time to head home… until next year Summer Camp. Thank You.

You can see my Sunday pictures here.

Nick Stock
Camp Counselor